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Ken Dryden

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Posts posted by Ken Dryden

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    1 hour ago, Kevin Bresnahan said:

    Carl Hiaasen's books have been great. His characters are hilarious. Too bad he hasn't put out too many books lately. He used to put a new one out every two years but since he started mixing children's books, it stretched to 3 or 4 years between books. His last one, "Squeeze Me", was hilarious...it was also his most political one yet.

    Carl was a couple of years older than me and was writing for the Miami Herald while I was still an undergraduate. Somewhere in my files I have one of his old columns, with a title something like, "A Girl, A T shirt, A Pitcher of Water and That's Entertainment?" He already had a knack for writing funny prose back in the mid-1970s.

    I also have the wirephoto of our local Representative J. Herbert Burke, obviously three sheets to the wind, being lead off from the nude bar parking lot. He went down to defeat that fall, no doubt in part from the publicity of his arrest.He claimed that he overheard a drug deal being discussed in another bar and was following up to get more information for the police. 

    I still remember that photo being on his occasional newsletters that were always captioned "not printed at government expense."

  2. I buy mostly historical books and biographies new, although there are a couple of novelists that I include, one of them a guy who grew up five doors away from me, Carl Hiaasen (Striptease, made into a movie starring Demi Moore and Burt Reynolds). I love Hiaasen’s gift for the absurd and parodies of real life people, including the pervert congressman in Striptease, inspired by the arrest of J. Herbert Burke outside of a Broward County nude bar in the mid-1970s for causing a disturbance and drunkenness, plus the thinly disguised lampoon of Geraldo Rivera as Reynaldo Phlegm in Skin Tight. 

  3. George Duvivier’s final session listed in the excellent bio/discography published by Scarecrow Press was a duo with pianist James Williams. I asked him about it and he said that his own playing wasn’t up to his standards, though Duvivier was great. I have no idea if the unissued tape is in the James Williams archives left to William Paterson University, they never responded to my query.

    In Ed Berger's Bassically Speaking, an oral history and discography of George Duvivier, there is no listing of a recording by the bassist with either Michel Hausser or Martial Solal, though he did make a recording in Paris in May 1956 with Bill Coleman and another with Sacha Distel.

     

  4. 2 hours ago, Brad said:

    According to Discogs, it was [f]ounded in 2012 as a partnership between American producer Zev Feldman and Spanish producer Jordi Soley.” That’s the only info I’ve been been able to find. 

    That is correct. He discussed working with Jordi in the Zoom interview I did a few weeks ago.

    I just got the new Downbeat and I felt the article about Zev Feldman was edited down for space too much, it deserved more.

     

  5. 12 hours ago, Dan Gould said:

    But if, for example, you prefer earlier Cannonball?

    I haven't ordered anything but the Shelly Manne is closest to being sooner rather than later.

    I like the 1969 set better than the 1972. George Duke is a great musician, but he's on electric piano for the whole show, which gets old. Fender Rhodes has never been one of my favorite instruments, too often an artist's touch is compromised with the mushy sound.

    On 4/21/2024 at 3:49 PM, sidewinder said:

    On the second disk from 1966 with the Penthouse broadcasts, Ruth adds a vocal to the short 3rd track of each broadcast. Works well !  As mentioned in the booklet, she was also a good friend of Manne and helped him to scout out the location of the Manne-Hole club.

     

    Isn't Ruth Price the owner of The Jazz Bakery in Los Angeles?

  6. A number of classic homes on West Paces Ferry near the Governor's mansion in Atlanta have been razed over the years and replaced with McMansions. Of course, the only way to preserve a historic, classic home is to set up a trust and donate it to a foundation with the stipulation that it can't be razed or excessively remodeled. But heirs usually want the money and don't care about preserving buildings.

    It is always interesting how people want to control other people's property, which costs them nothing to do. 

  7. The two chanting tracks on the Sun Ra CD set quickly grew tiresome, it might be more fun to witness that in person, but I would rather have music on a CD. Of course, that may have been all that was available and useable from that show. I

    I would rate them all as outstanding and worth buying if you are a fan of the artists.

     

     

  8. Whoever the genius is who decided to make the Nat King Cole Live At The Blue Note Chicago CD set a limited edition of 5000 has evidently created a firestorm of speculators snapping up every copy for resale. I was planning on buying it online at 8 am ET when it was first available, but got up early and then fell back asleep. All of the usual sellers had no stock by the time I awakened again at 9:15 am, it took awhile to find a copy anywhere. I already spotted some obvious resellers asking prices of $50 or more.

  9. Michael Cuscuna made a huge contribution even before he formed Mosaic Records with the late Charlie Lourie. His many accomplishments and success in creating some of the most treasured boxed sets in jazz history will be a great legacy.

    He died far too young at 75.

     

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