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gmonahan

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Posts posted by gmonahan

  1. On 4/24/2024 at 7:36 PM, T.D. said:

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    This is pretty good, though the subject matter will thin out the potential audience. Per Wiki:

    The Zone of Interest is a 2023 historical drama film written and directed by Jonathan Glazer, co-produced among the United Kingdom, the United States, and Poland. Loosely based on the 2014 novel by Martin Amis, the film focuses on the life of Auschwitz commandant Rudolf Höss and his wife Hedwig, who live with their family in a home in the "Zone of Interest" next to the concentration camp. Christian Friedel stars as Rudolf Höss alongside Sandra Hüller as Hedwig Höss.

    An amazing film which I thought was richly deserving of its oscar wins, *especially* for sound.

     

  2. On 4/23/2024 at 1:52 PM, jazzbo said:

    Look above in this thread, this was just offered with membership in the LA Jazz Institute and that opportunity has apparently ended.

    Thanks Lon. I had seen that but hoped there might be another way. Oh well, it'll come up for sale some way some day!

     

  3. Oh my, this is dreadful news. So very, very sad to hear this. From the first Monk set on, I feel like much of my jazz listening life has consisted of following in his wake as he birthed beautiful album after beautiful album, set after set, opening me up to so much wonderful music. I will be forever in his debt.

     

  4. 7 hours ago, Big Beat Steve said:

    No doubt these records sold reasonably well compared ot the more purist forms.

    The Wyndham site with its "plethora" of articles and stories is a hard one to digest evenly but from what I've glanced at I'd say that to him these "Dixie bands within the band" were neither flesh nor fowl. Unjustified but understandable from a purist stance. (Though, OTOH, who within the overall Dixieland/Revival/latter-day Traditional Jazz artists would objectively have been entitled to calling himself a "purist" - beyond the "Bunk Johnson adulators" fraternity? 😁 And even then ...  )

    Actually I often am not quite sure where to file records by some of the artists from your latest post. My Bobby Hackett leader LPs sit in the "White US Traditional Revival Jazz" corner but (by personal majority vote ;) as to its musical contents) all the Bud Freeman LPs are filed in the (much, much larger) "Swing" section. And I cannot see why I should separate the small group spinoffs from their Big Band homes.
    But the Jimmy Dorsey LP you showed would be worth the price of admission for its Jim Flora cover alone! :D

    That IS a cool cover!

     

  5. 11 minutes ago, AllenLowe said:

    I loved John R.T., nicest guy ever - and he was able to transfer music in the best possible way - and the key, other than his expertise, was the sources he had. He and Brian Rust were able to  acquire test pressings and metal masters from sometimes mysterious sources (meaning someone spirited them out of certain places), clean sources in mint shape. The tragedy of American music is the loss of masters, from Victor, Okeh, Columbia - though some still exist, clueless engineers have no idea how to handle them (and also, note, that Davies, by the time of the above transfers, was using CEDAR digital noise reduction; he was no Luddite).

    And the losses of the Deccas too. A real tragedy.

  6. I've had this one sitting on my shelf longer than I've had shelves, and I know I've read "in" it, maybe through it, though if so, longer ago than I can remember, so I've decided to read it through...again?! I find myself wishing I had the original 1955 edition with the discography that they decided to omit from the later editions. It would presumably have been mostly 78s.

     

     

     

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  7. I like the live Tokyo date from Mainstream. Picked that one up in a Jazz Heritage edition. For some weird reason, Jazz Heritage reissued a bunch of Maintream jazz things from that period.

    I also prefer later Sarah, especially the Ellington song books on Pablo.

     

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