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Indestructible!

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Posts posted by Indestructible!

  1. Edit: My initial response wasn't quite accurate. Here is what AMG says:

    Despite the inaccurate information given on this three-LP box set (which states that all of the music was recorded at the Half Note in 1963; none of it actually was), these rare performances are quite fascinating. "I Want to Talk About You" and "One Up, One Down" actually originated from Birdland on Feb. 23, 1963 and, although the other six performances are from Half Note, they date from March 19 ("Impressions" and "Chim Chim Cheree"), April 12 ("Untitled Original") and May 7 ("Brazilia," "Song of Praise" and "My Favorite Things") of 1965. Coltrane is in particularly fiery form on the later tracks and with four of the eight selections being over 19 minutes long, there is plenty of room for him to stretch out. It's recommended despite the erratic packaging but sure to be hard-to-find.

    Hi J,

    Thanks for that! I listened to the 30 sec sound samples of this CD last night, and they pretty much confirm what AMG talks about. And, although the clips were short, the sound quality is pretty good!

    Cheers,

    Shane

  2. Hi All,

    Hey, I also noticed the "new" addition to eMusic this week:

    John Coltrane - Live At The Half Note on the Audio Fidelity label. This thing has 6 songs (75:34 total), but they don't seem to correspond to the new Impulse! Coltrane - One Down One Up release. The songs are:

    1. Chim Chim Cheree (18:30)

    2. I Want To Talk About You (10:11)

    3. Impressions (14:52)

    4. One Up One Down (7:08)

    5. Song Of Praise (18:33)

    6. Untitled Original (6:20)

    I've checked Wild's Discography about this release, but I don't see any Half Note release with these songs/times... Anyone know what this is???

    Cheers,

    Shane

  3. Hi All,

    Some new stuff on eMusic this week that is pretty interesting. I've notice 3 new titles on the Unique Jazz label, which appear to be live boots... there is one from Ornette Coleman (5 songs, 36:23), one from Eric Dolphy (4 songs, 36:17), and one from Bill Evans (8 songs, 39:45).

    What the hell are these things???

    I note that there have been two previous titles on the Unique Jazz label, John Coltrane - Live in 1962! (3 songs, 40:13), and Charles Mingus - Live in Stuttgart 1964! (4 songs, 41:25).

    Anyone have these and can shed insight as to exactly what they are?

    Cheers,

    Shane

  4. A whole bunch of semi-truths in that post.

    Hi Chuck,

    Are you referring to LD's comments, or to TMG's post above yours (my guess is the latter)?

    Also, can you shed some more light on what LD was getting at with the "bootlegging records" comment, or was Jim's reply spot on (like he usually is!)?

    Cheers,

    Shane

  5. I'm also not saying that there wasn't a case involving counterfeited BNs at (roughly) the time of Alligator Boogaloo's initial release, just that I've never heard of such a thing. What I have heard of was Levy being convicted of racketeering and extortion, which involved, among other things, counterfeiting albums for sale as cutouts. And Alligator Boogaloo was a staple in cutout bins throughout the 1970s. Coincidence or not, I can't say. But if I was one to put all the various scattered facts together and make a blanket statement (a not uncommon tendency in the jazz world, btw), the results might be something like Lou said.

    Details of the Moris Levy saga can be found in the book Hit Men. It ain't pretty stuff. When Mingus made his notorious comment in the early 1960s that "gangsters run jazz", it was surely Levy to whom he was referring.

    Hi Jim,

    Thanks for that information... I'll look for Hit Men when I get the chance!

    Cheers,

    Shane

  6. I stumbled across an LD Muse album, Back Street and the liners consisted of an interesting and fairly wide ranging interview.  I knew LD doesn't care for "Fusion or Con-Fusion musicians" but he doesn't much care for guys  like Braxton either.  So, I scanned in the interview and uploaded it to picture village, for your enjoyment.

    2174_p315335.jpg

    Hi Dan,

    Thanks for posting that!

    Does anyone know what Lou is referring to when he mentions "it was back in that time they had that big investigation and they caught 'em bootlegging records"?

    Who was "'em", and what was this all about? Sounds interesting...

    Cheers,

    Shane

  7. To explain further, while I agree with Kunstler on many things, he seems to be very conservative in his view towards some buildings.  My main complaint about "modern" architecture is not with designs like Gehry (designs that take chances) but rather with cheaply made, cheap-looking, disposable buildings. 

    At least Gehry is designing something interesting.

    Hi Jim and Joe,

    I'm in full agreement with your wife, Jim... I think most of Gehry's designs are brilliant (he's thrown in a few clunkers, it's true), and I was glad to see Los Angeles go with his design for the Disney Concert Hall. It was a shame to see them grind away at some of the exterior a little while back to prevent the building from overheating the neighbors... but then again I don't live near the building, so the average temperature in my loft didn't rise by 15 degrees! :P

    In regards to whether the Caltrans Headquarters (or the Disney Concert Hall) will be considered good ideas in 40-50 years, well... that's a tough one to call. Perhaps these new designs will actually have become the norm by then, and the "traditional" styles will be viewed as the eyesores! Not likely, I know, but there once was a world without jazz, and now look how popular it is! :w

    As Jim mentioned, the real key lies in the quality of the design... those innovative buildings designed with quality in mind will likely withstand the scrutiny of future generations. I'm sure Gehry's work (in Bilbao, the Disney Concert Hall, etc.) will be appreciated forever, while my IKEA furniture will surely be laughed at in about 5 years time.

    Cheers,

    Shane

  8. Structures can not be divorced from the surrounding culture. :(

    You might "enjoy" this parade of bad architecture:

    Eyesore of the Month

    There's a couple of years worth of depressing stuff we all see every day (with often hilarious commentary).

    Hi Joe,

    Well, most of the stuff listed on this site is spot on, but I have to say Kunstler misses the boat with the "Eyesore of the Month" for May 2005... the Caltrans District 7 Headquarters in Los Angeles is damn impressive!

    Of course, I'm sure Kunstler doesn't like Geary's Disney Concert Hall either, so whaddayagonnado? IMHO, it's nice to see a city take some chances and add more modern designs to its core!

    Cheers,

    Shane

  9. I will be in Orlando on business next Wednesday night.  This date just happens to coincide with the scheduled weekly appearance throughout November of Sam Rivers & his Big Band at a Will's Pub in downtown Orlando.  Admision is a ridiculously low $ 8 for a set.

    Is this too good to be true?  Has anyone been to Will's Pub and can send a report?

    Thanks,

    LWayne

    :o

    http://www.willspub.com/

    Hi LWayne,

    It's probably true... Sam lives in Orlando!

    When I was going to the University of Florida in Gainesville, he used to come up and play fairly regularly at a place called the Covered Dish... cover was usually around $5 or so. And trust me when I tell you he didn't skimp on the playing... he'd often play two sets of about an hour-and-a-half each. Not bad for $5!!! :D

    Have fun!

    Cheers,

    Shane

  10. stuff i just d/l and burned

    Dexter Gordon's

    Complete Prestige Disc # 03

    anyone else d/l these or planning to?

    Hi Jeff,

    I downloaded all 11 CDs of the Dexter Gordon Prestige set, and am damn glad I did. I've had a bit of it on CD before, but decided to snag the whole thing off of eMusic. Basically, those 11 CDs (88 tracks in total) cost me about $17! I can't argue with that... and I can find a lot of the information about each album online if need be.

    Again, if anyone digs reggae at all, especially the roots and dub stuff of the late '60s and the '70s, I encourage y'all to d/l stuff from the Blood and Fire label... they now have about 50 albums available on eMusic. Great stuff! :tup

    Cheers,

    Shane

  11. So, I propose a copy on CD-R, with faithful reproduction of the complete booklet and front and back jackets on glossy paper photo.

    Work of very high quality on Sony CD-R.

    I think that every Barney Wilen collector will not allow to pass this occasion to possess this real collector item.

    I will make only 10 copies on CD-R.

    I will sell each copy $ 200,00 (payment via PayPal only, free and easy to suscribe).

    This can seem a little dear for a copy of a 3 CD set, but given the price that I paid to obtain it, this sale pays off me the half of my expenses.

    Hi Claude,

    Whoa! My suggestion would be to take this offline, and soon! I know Jim is not too keen on open discussions of this nature on his board (and I agree with him on his policy)...

    Besides, $200 for a 3 CD-R set??? :o

    Cheers,

    Shane

  12. Hi All,

    Some interesting choices here:

    http://lpe.ajc.com/gallery/view/living/1005/magcover/

    I personally really dig the Ali cover, although I'll not deny that the Lennon cover probably deserves to be Number 1.

    --------------------------------------

    Lennon-Ono Photo Deemed Top Magazine Cover

    By DEEPTI HAJELA

    Associated Press Writer

    NEW YORK — On what would be the last day of his life, John Lennon posed for photographs with Yoko Ono in a session with photographer Annie Liebovitz. One of the pictures, a naked Lennon curled around and kissing a clothed Ono, became the cover for Rolling Stone magazine's tribute to him.

    That iconic image published a month after his December 1980 death has been ranked the top magazine cover of the last 40 years by a panel of magazine editors, artists and designers. Others on the list include images from the Sept. 11 attacks, the Vietnam War and of Katiti Kironde II, the first black woman on the cover of a national women's magazine, in the August 1968 Glamour.

    The American Society of Magazine Editors announced the winners of the competition on Monday during the American Magazine Conference in Puerto Rico. The competition was held as a way to mark the 40th anniversary of the group's awards.

    "Both the choice of a cover and the execution of a cover are crucial for any magazine," said Mark Whitaker, editor of Newsweek and ASME president. "Every editor wants their cover to stand out."

    Coming in second was the shot of a very pregnant Demi Moore on the August 1991 cover of Vanity Fair, followed by an April 1968 image from Esquire of boxer Muhammad Ali with arrows in his body. The Saul Steinberg drawing of New York's West Side dwarfing the rest of the country, published in The New Yorker on March 29, 1976, came in fourth. Esquire's May 1969 image of Pop Art maven Andy Warhol drowning in a can of tomato soup took the fifth spot.

    Other covers on the list include The New Yorker from Sept. 24, 2001, silhouettes of the World Trade Center towers against a black background; National Geographic's June 1985 cover of an Afghan refugee girl with haunted eyes; People magazine's cover from Sept. 15, 1997 — a black-and-white portrait of a smiling Princess Diana; and Life magazine's image of man on the moon from 1969.

    There were a few ties, leading to a total of 41 images chosen.

    Magazine covers can reflect the society around them, by how controversial they choose to be, said Johanna Keller, professor of magazine journalism at Syracuse University's Newhouse School of Public Communications.

    "They're absolutely a societal barometer of what we find acceptable to look at," she said.

    Good covers can range from funny to poignant, she said. "The ones that work best touch us in the same way that great art touches us ... stirring our very deepest human emotions."

    The list was decided on by a panel of 52 magazine editors, design directors, art directors and photography editors.

    Esquire, Time and Life each had four covers on the list. Eleven of the covers came from the 1960s, eight from the 1970s, three from the 1980s, 10 from the 1990s and nine from this decade. Thirty-two covers were photographs, while seven were illustrations and two were text.

    --------------------------------------

    Cheers,

    Shane

  13. Oh, and any specific blues or reggae suggestions also gratefully accepted :)

    Hi All,

    I just noticed that eMusic has added about 25 more titles from the Blood And Fire label... some GREAT stuff included! :tup

    My "sleeper" suggestion... try Trinity - Shanty Town Determination. I bought it on CD a couple of years ago, and it's been on heavy rotation ever since!

    Cheers,

    Shane

  14. Wouldn't Alberta be too cold for rats?    :D

    Alberta's climate varies, depending on where you live. I live in Calgary, which is in the southern part of the province. Although the temperature can drop to -30 C in the winter, it can rise to +90 C in the summer. Due to the chinook winds though the temps can vary as much as 40 or so degrees in a single day, no matter what the season.

    Hi Patricia,

    Hey, I grew up in Canmore, and went to the University of Calgary for four years, so I can vouch for what you say here... except for that +90 C temperature! I don't think much of anything would survive that, rats included! :g

    I do remember one day in Calgary (probably back in 1991 or so) where the temperature dropped from +12C to -38C in the span of about 12 hours! That was one brutal day... I went from thinking about wearing shorts to school that morning (thankfully I didn't) to hoping my car would start that evening!

    My parents still live in Canmore... I miss it there, especially in the summer!

    Cheers,

    Shane

    P.S. -- Another thread hijacked... sorry 'bout that! --

  15. g48144da3pb.jpg

    new over on emusic, worth the d/l?

    Hi SS1,

    Yep, definitely grab that Marsh date! While you're at it, Music For Prancing is also another great Marsh album on eMusic.

    As an aside: The other day, I was just starting to download my 90 tracks for the month (got about 9 tracks or so), when my account was automatically refreshed back to 90! It seems it was the last day of my account month, and so I basically "lost" 81 tracks! It wasn't on the normal day (usually the 28th or 29th of a month), so I was pissed!

    My message to eMusic asking that my 81 "lost tracks" be restored was answered within two days... and they did restore them for me! So, a big :tup to eMusic's customer service!

    Cheers,

    Shane

  16. The photos of Tina playing at The Blue Morocco (one dated 1956, the other 1966 - can that possibly be right?) in the Mosaic set have long had me salivating for the discovery of some private recordings of a club date or two. The photo dated 1966 is particularly evocative of a man in the zone.

    Hi Jim,

    I don't have the Brooks Mosaic set (just the individual CD's), but damn... I'd love to hear either of the 1956 or 1966 sets! You're right about the fact that the 1966 set would just burn... I know the Blue Morocco was still around in the Bronx at that time, so maybe that date is correct. Would be great if it was! :excited:

    Cheers,

    Shane

  17. Hi All,

    Not sure if this has been mentioned elsewhere, but there are some killin' new Blue Note shirts for sale at Ropeadope... they've got sweatshirts, track jackets, and other stuff as well.

    I'm diggin' the True Blue, A Night at Birdland, and Best From The West shirts... and that track jacket is callin' my name!

    http://store.ropeadope.com/index_bluenote.jsp

    And no, I'm not affiliated with these cats... I just buy stuff from 'em.

    Cheers,

    Shane

  18. Re: live shows, I seem to recall that a DVD featuring a live performance by...was it an R&B or Latin band?--with Tina Brooks in the band was recently released.  I forget the details, though.

    Hi Nate,

    Hey, thanks for that! I'll look around and see what I can find... I don't typically think of DVD's when hunting for live shows, but now I will!

    Cheers,

    Shane

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