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Peter Brotzmann, Fred Lonberg-Holm = Edge


Lazaro Vega

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(Blurb)

Edge

Monday, Feb 22, 8 pm

PETER BRÖTZMANN, saxophone

FRED LONBERG-HOLM, cello

Tonight!

Fred Lonberg-Holm and Peter Brötzmann team up for an evening of experimental jazz. Collaborators in the group Chicago 10tet, tonight they form a dynamic duo - a rare opportunity to hear these two in concert.

Check out the preview in the Michigan Daily: http://www.michigandaily.com/content/kch-improv-performance

Peter Brötzmann

Brötzmann was first a visual artist, attending the Art Academy of Wuppertal. A self-taught saxophonist, he began playing with Dixieland bands beginning in 1959. In the early '60s he became involved with the avant-garde Fluxus movement. He began playing free jazz around 1964; in 1965 he played in a group with the virtuoso bassist Peter Kowald and the Swedish drummer Sven-Åke Johansson. The next year he played with Michael Mantler and Carla Bley's band and became associated with Alexander Schlippenbach's Globe Unity Orchestra. In 1969 Brötzmann helped form FMP, a long-lived free jazz label and presenter that issues recordings and sponsors live performances. In the '70s, Brötzmann played and recorded with pianist Fred van Hove, drummer Han Bennink, trumpeter Don Cherry, and trombonist Albert Mangelsdorff, among others. His circle of associates would continue to widen; in 1986 he would play (with drummer Ronald Shannon Jackson, guitarist Sonny Sharrock, and electric bassist/producer Bill Laswell) in Last Exit, a metal/free jazz group that enjoyed brief success. By the late '90s one would be hard-pressed to name a prominent free jazz musician with whom Brötzmann had not played.

Fred Lonberg-Holm

Chicago based cellist Fred Lonberg-Holm has played and studied music in a variety of situations from the Juilliard School to the gutter. A former student of Anthony Braxton, Morton Feldman, Bunita Marcus and Pauline Oliveros, his primary projects are his Valentine Trio and The Lightbox Orchestra. He is also a member of a number of ongoing collective projects (The Boxhead Ensemble, The Friction Brothers with Michaels Zerang and Colligan, The Flatlands Collective, Keefe Jackson's Fast Citizens) as well as participating in numerous one off "ad-hoc" or in frequently convening ensembles.

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