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Posted

Yeah, you miss Hal Blaine (a lot) and Tina (a lot, but not quite as much), but still...one of the purpose of those records was to create a sound that NOT be replicated live, and no, they didn't do that here, but...that's a lot of sound for a mid-60d pop record, even live. Especially live...

Posted

Phil Spector's records start out with 90% of the band playing double forte and end with all of the musicians playing triple forte. Considering that at least one, if not two, generations of soundmen have lost their hearing from mixing overly loud rock shows, the wall of sound would be one of the EASIEST sounds to reproduce live, given the right hall and budget for the right musicians (a big "if" in this economy, granted).

Brian Wilson took Phil Spector's ideas and went light years beyond anything Phil could do, using a much greater range of dynamics and instrumental textures. His band of recent decades has reproduced that sound perfectly (e.g. Pet Sounds, Smile), a much greater accomplishment in my not-so-humble opinion.

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