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why did Art Blakey part ways with Blue Note, c. '64-5?


chewy-chew-chew-bean-benitez

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i was watching the lee morgan/john gilmore/john hicks/victor sproles/blakey band on that uk tv program, and i was thinking my god. if only blakey was still w/ blue note, this band would of made a KILLER record together. just like the video. instead they went over to shrug[1].giflimelight shrug[1].gif ....and some mediocre sessions that produced some stuff for compilations, think. THINK: if there had been a blue note lp w/ that jazz 625 lineup....

Edited by chewy
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i was watching the lee morgan/john gilmore/john hicks/victor sproles/blakey band on that uk tv program, and i was thinking my god. if only blakey was still w/ blue note, this band would of made a KILLER record together. just like the video. instead they went over to shrug[1].giflimelight shrug[1].gif ....and some mediocre sessions that produced some stuff for compilations, think. THINK: if there had been a blue note lp w/ that jazz 625 lineup....

It's difficult to figure out exactly what were the contractual arrangements during Blakey's Blue Note years. While making several sessions for Blue Note spanning the years 1960-64, he and the Jazz Messengers also made excellent recordings during that time for Impulse and Riverside. It appears that the Lion and the Wolff in at least a few instances did not demand exclusivity from the artists they recorded.

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