BillF Posted October 1, 2011 Report Posted October 1, 2011 Track 1 Title track fom Claudio Roditi, Free Wheelin': The Music of Lee Morgan. Roditi (tpt), Andres Boiarsky (tnr), Mark Soskin (pno), Buster Williams (bs), Chip White (dms) Recorded 29th July 1994 at Van Gelder Recording Studio, Englewood Cliffs, NJ. Reservoir Records. Have loved Argentinian-born Claudio's playing since I first heard him twenty years ago with Paquito D'Rivera at Wigan and with Dizzy in the United Nations Orchestra in Manchester. Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 2 "Quietude" (comp. and arr. Jones) from Thanks to Thad: Monday Night Big Band Plays the Music of Thad Jones. Jorgen Nilsson (leader), Anders Gustavsson, Christer Gustavsson, Fredrik Davidsson, Niklas Fredin, John Perry (tpts), Ola Akerman, Ola Nordqvist, Peter Dahlgren, Bjorn Hangsel (tbns), Hakan Caesar, Ulf Holmstrom, Karl-Martin Almqvist, Fredrik Carlquist, Ulf Fagerberg (reeds), Krister Palmqvist (gtr), Jan Lundgren (pno), Jan Karlsson (bs), Rasmus Kihlberg (dms). Recorded Dec 1996 to Feb 1997, Radio Sweden Studio, Malmo, Sweden. A Swedish/Danish big band formed in tribute to Thad Jones who spent most of the final years of his life, from 1978 to 1986, in Copenhagen. Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 3 "Moto" (Bob Cooper) from Conte Candoli & Lee Morgan, Double or Nothin'. Candoli, Morgan (tpts), Frank Rosolino (tmb), Benny Golson, Bob Cooper (tnrs), Dick Shreve (pno), Red Mitchell (bs), Stan Levey (dms). Recorded Hollywood February 1957. Very much an "East Meets West" thing, as Jim said, between members of Howard Rumsey's Lighthouse All Stars and the Dizzy Gillespie Orchestra which must have been in town. (Gillespians Charlie Persip and Wynton Kelly feature on other tracks.) Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 (edited) Track 4 "LaRue" (Clifford Brown) from Dmitry Baevsky, Down With It. Baevsky (alt), Jeremy Pelt (tpt), Jeb Patton (pno), David Wong (bs), Jason Brown (dms). Recorded March 31st 2010, Brooklyn, NY. Sharp Nine Records. This is what I call "neo-bop". A group of today's younger NYC musicians, led by Russian émigré Baevsky, who are influenced by the jazz of half a century ago. (This album also includes compositions by Gryce, Powell, Monk and Rollins.) Thom Keith felt that the players seemed "way too focused on the 'right' notes". Yes, they seem better in a live setting. Here's Baevsky leading a quartet six months ago at Small's in NYC: http://www.smallsjazzclub.com/index.cfm?eventId=3892&pb=2 Edited October 1, 2011 by BillF Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 5 "Booby Hatch" (Eager) from The Adventures of Allen Eager: An Ace Face: The Gray Boys Series Volume 1 (Giant Steps Recordings) Allen Eager Quartet: Eager (tnr), Ed Finckel (pno), Bob Carter (bs), Max Roach (dms). Recorded NYC 22nd March 1946. Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 6 "Fore" (Thompson) from Sir Charles Thompson & Coleman Hawkins, For the Ears. Thompson (pno and leader), Hawkins (tnr), Emmett Berry (tpt), Benny Morton (tbn), Earl Warren (alt), Steve Jordan (gtr), Aaron Bell (bs), Osie Johnson (dms). Recorded 1955, Vanguard Records, produced by John Hammond. Re the track title, Sir Chas was clearly mad about golf. JohnS tells me that he was at a BBC television rehearsal of a Thomson band and that Sir Chas played the whole session with a book on golf propped up on the piano! Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 7 "Mike's Peak" (comp. and arr. Shorty Rogers) from Dave Pell Octet, Jazz for Dancing and Listening. Don Fagerquist (tpt), Ray Sims (tbn), Dave Pell (tnr), Bob Gordon (bar), Paul Smith (pno), Tony Rizzi (gtr), Rolly Bundock (bs), Jack Sperling (dms). Recorded June 15th 1955, Hollywood. Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 (edited) Track 8 "Claude Reigns" (comp. and arr. by Manny Albam) from Charlie Barnet, The Capitol Big Band Sessions. Charlie Barnet (alt) with Rolf Ericson, John Howell, Doc Severinsen, Ray Wetzel, Maynard Ferguson (tpts), Dick Kenney, Harry Betts, Herbie Harper, Kenny Matlock (tbns), Vinnie Dean , Ruben Leon (alts), Dick Hafer, Kurt Bloom (tens), Manny Albam (bar), Claude Williamson (pno), Eddie Safranski (bs), Tiny Kahn (dms). Recorded NYC August 16th 1949. Glad I included this one, which seems to have caused some interest/appreciation. I love the fiery big bands of this era. Here's a great radio show about them: http://indianapublicmedia.org/nightlights/bop-go-the-big-bands/ Edited October 1, 2011 by BillF Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 9 "Making Whoopee" (Kahn/Donaldson) from Lou Levy, Solo Scene Recorded 1956. RCA. Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 10 "Jersey Bounce" (Tiny Bradshaw) from Charlie Ventura and his Band in Concert. Charlie Ventura (ten and bar), Dave McKenna (pno), Bob Carter (bs), Sonny Igoe (dms). Probably recorded Pasadena Civic Auditorium May 9th 1949 for Gene Norman's GNP Crescendo label. Anyone have more accurate information? Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 11 "Segment" (Parker) from Lanny Morgan, A Suite for Yardbird. Lanny Morgan (alt), Lou Levy (pno), Tom Warrington (bs), Paul Kreibich (dms). Recorded September 30th/October 1st 1997, Hollywood. Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 12 "Jonah and the Wail" (comp. and arr. Sy Johnson) from Med Flory, Go West Young Med! Conte Candoli, Al Porcino, Jack Hohmann, Ray Triscari (tpts), Lew McCreary, Dave Wells (bs tpts and tbns), Flory, Charlie Kennedy (alts), Bill Holman, Richie Kamuca (tnrs), Bill Hood (bar), Russ Freeman (pno), Buddy Clark (bs), Mel Lewis (dms). Solos: Flory (alt), Conte Candoli (tpt), Richie Kamuca (ten). Recorded October 8th 1957, Hollywood. Quote
BillF Posted October 1, 2011 Author Report Posted October 1, 2011 Track 13 "Relaxin' at Camarillo" (Charlie Parker) from Howard Roberts, Good Pickin's. Howard Roberts (gtr), Bill Holman (tnr), Pete Jolly (pno), Red Mitchell (bs), Stan Levey (dms) Recorded probably March 1959 Los Angeles. Quote
jeffcrom Posted October 1, 2011 Report Posted October 1, 2011 The Candoli/Morgan track and the Lou Levy solo were the biggest revelations to me - nice stuff. I have a 78 by the Med Flory big band; I was thinking about using it on an upcoming blindfold test, but you beat me to the punch. Very enjoyable BFT - thanks, Bill. Quote
Hot Ptah Posted October 2, 2011 Report Posted October 2, 2011 This is a BFT that is a sheer pleasure to listen to! It reminds me that the West Coast produced a lot of enjoyable music, which has often been treated too negatively by critics with an agenda. Quote
BillF Posted October 2, 2011 Author Report Posted October 2, 2011 This is a BFT that is a sheer pleasure to listen to! It reminds me that the West Coast produced a lot of enjoyable music, which has often been treated too negatively by critics with an agenda. Glad you liked the BFT. Some of the critics have got it right! Quote
Big Al Posted January 10, 2012 Report Posted January 10, 2012 I am finally, FINALLY, listening to this BFT and am absolutely kicking myself for two reasons: I didn't participate to begin withI got rid of that Howard Roberts CD years ago. I never learn.... Ptah's right on the money: DEFINITELY one for the ages! Quote
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