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Posts posted by mikeweil
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Spent the eveing after supper with this:
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The weekened bottle:
Cantine Pellegrino
Kelbi Catarratto 2023
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15 hours ago, Rabshakeh said:
What is the third of them?
A group of traditional musicians joined by a Berlin architect who is an amateur bass clarinet player. They recorded it with a portable tape deck and two microphones, I find the instrument balance dissatisfying, the claps and sticks are too prominent.
IIRC this is the only recent recording on Harlequin which otherwise reissued shellac dscs.
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2 hours ago, mjazzg said:
They all look very interesting
Foday Musa Suso's solo CD is very nice and relaxed. The other two are field recordings and maybe more for specialists.
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41 minutes ago, GA Russell said:
Mike, is the Second Edition any different from the First?
It's a bit more detailed, as Duncan intensified his research in Californian newspapers. About 40 pages more text.
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As a tribute to thelate Fosay Musa Suso and The Gambia:
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13 hours ago, felser said:
That's a nice collection of odds and ends. I believe all the cuts ended up being bonus cuts on other HS CD's.
Yes, all of them.
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R.I.P.
I was lucky to see him several times here in town with his quartet.
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R.I.P.
I especially love his playing on this:
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Re-reading Duncan's book while preparing an evening with Tjader's music at a friend's listening saloon with a very expensive hi-fi. Vibes sound so great on his gear.
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Okay, the copy on the external hard drive plays. Quaility is substandard as you said, but to audition the movie it is sufficient. Thanks again for providing that movie.
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6 hours ago, Big Beat Steve said:
Hope you get something out of it. IIRC the quality of the VHS copy I provided to you (after lots of hassles due to format incompatibility after copying it to DVD
) years ago is ... ehhh ... a wee bit substandard.
For reasons unknown the DVD copy of the VHS will not play anymore on any of the machines I tried ......
Maybe I have another copy on some hard drive.
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On 5/21/2025 at 11:55 PM, JSngry said:
What year was that from, that 45?
Must be late 1957 or 1958, released when the movie "The Big Beat" was shown. The recording for the soundtrack was in late June, 1957, the studio version for the Fantasy single was September 10, 1957.
16 hours ago, Big Beat Steve said:And then, judging by your record (your photo looks like the one from the Discogs listing, BTW
), was the tune listing from the promo blurb for this movie (see below) wrong in the case of Cal Tjader?
Will have to watch the movie again - the pic is indeed from the discogs seller offering that 45. Tjader recorded both tunes.
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2 hours ago, medjuck said:
That's great! (But are you sure it's the last?)
Yes. I now have all tracks, I don't need every issue.
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Thanks! I was offered a copy several years ago, but that collector asked for $ 75 plus shipping, which was out of my budget at the time. This copy went for $ 8, the shipping was costly but let me add another two rare 45s:
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Today I finally found a copy of the last missing Tjader item in my collection:
This track never was on LP or CD!
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There is a very elaborate track listing here: https://attictoys.com/tina-brooks/tina-brooks-discography/
But Noal has yet to include the latest reissue.
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30 minutes ago, Kevin Bresnahan said:
Even though I love the bari sax sound, I rarely play Gil Melle. I have the 2 CD Blue Note set but not this one. Is this material similar to the music he made for Blue Note?
I have not listened to both in quite some time. But IIRC the Prestige sessions are a bit more straightahead. Great playing by his sidemen, too.
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Recommended records on Mood Label
in Recommendations
Posted
I never liked the German jazz rock bands due to their total lack of "black" feeling. Where American bands had r & b as reference ther German bands had a rock feel, which is too hard and stiff in comparison. Just my opinion, of course.
I still have the LP by Head, Heart and Handy who were a magnificent live band, but the album is rather bombastic sounding with too many overdubs. Then I have the album by Frankfurt's band Voices, another great band live, but the studio recording is a far cry from that. Dauner's solo albums are great.
Now that Dauner, Mangelsdorff, Kriegel and whoever was involved are all gone, who owns the rights? I have no idea.