mjzee

Disc 1: Kodály, Zádor, Enescu, Smetana, Sowerby, Dvořák, Brahms.

Release date May 17: Tenor saxophonist David Murray, the giant of modern jazz, fuses all the great things that black music has produced: Gos- pel sounds, free jazz, Afro-Caribbean, blues, soul as well as the beautiful standards of classic jazz. Murray's colorful tone, unsurpassed intonation, sense of swing, melancholy tones, improvisational power and ingenuity make him one of the most important voices in music today. His new quartet, which mainly plays his own compositions, gives the three young musicians plenty of space. "Jazz legend David Murray is back with the next generation of geniuses", writes the Washington Post about the new quartet. And Derek Schilling writes in the liner notes to the fantastic album Francesca: "David Murray's compositional signature today lies in conjoning distinct styles whose encounter makes for the sound of surprise. The specific choice of these styles (and corresponding meters or textures) matters, for sure. More crucial still is the way Murray makes the transition from one to another seem natural, necessary even. If you can move with ease from funk to Latin rhythms, from waltz time to four-on-the-floor, from R&B to free and back again, it's because music knows no boundaries. When it's be- ing played right, it reaches beyond itself even as it affirms the continuity of tradition. The sound of surprise results when mu- sicians forge, in the moment, that unity-in-diversity. The real deal." A masterpiece!

He was all over the place. At that Mosaic open house, he pulled out a copy of "Buddy and the Juniors" on Blue Thumb: Buddy Guy, Junior Wells and Junior Mance. He told me the backstory of the album (see https://www.allmusic.com/album/buddy-and-the-juniors-mw0000276271); he seemed pretty proud of it. Over on the Hoffman boards, someone praised Cuscuna's production of Bonnie Raitt's "Give It Up."

https://www.dustygroove.com/item/172132/Mal-Waldron-Steve-Lacy:Mighty-Warrior-Live-In-Antwerp-2024-Record-Store-Day-Release

Terrible, terrible news. When I went to that first Mosaic open house (5 years ago?), I noticed that Cuscuna smoked cigarettes; maybe that's how he got that radio voice. What a huge positive contribution to jazz music and life in general. RIP.

https://www.discogs.com/release/7055727-Art-Pepper-Blues-For-The-Fisherman-Unreleased-Art-Vol-VI/image/SW1hZ2U6NzMzMTI0MDU= Also great. Milcho Leviev was a monster.

Oh, gosh, there are so many. Off the top of my head: Lee Morgan - Live At The Lighthouse, Art Pepper at the Village Vanguard, Sonny Rollins and Don Cherry at the Village Gate (unofficial), and Stan Getz & Kenny Barron - People Time. I'm in agreement with you about the Miles Blackhawk set. Hard to put the finger on the reason it doesn't click; probably some combination of a mismatch between Mobley and the rest of the band (who are following Miles), Mobley just not being that exciting, and Miles sounding rushed and bored.

Or download Chrome again, then log into your account. Seems easy.

RIP. The Fillmore album was simply great through and through. I was fortunate enough to see the original band in Central Park a few months before Duane's passing. At one point, I said to myself "Isn't that Donovan's There Is A Mountain"? Sure enough, when Eat A Peach came out, there it was as Mountain Jam.

Reinhard Goebel Complete Archiv box, disc 31.

Release date June 14: The past few decades have seen legendary pianist and composer Denny Zeitlin focus on a few vehicles for his adventurous journeys in music making. Playing solo, with his trio, or in the acoustic-electronic duo with George Marsh have provided ample avenues for exploration, which Zeitlin hopes to provide a wide scope of on his new, varied collection, Panoply. For nearly 15 years, Zeitlin has released new recordings yearly on Sunnyside Records. These documents highlight the different methods he has centered upon as a leader. Zeitlin's trio that features bassist Buster Williams and drummer Matt Wilson is a seasoned and adventurous ensemble that continues to generate fire in performance. Zeitlin's nearly six-decade long collaboration with drummer/percussionist George Marsh continues to yield extraordinary results, especially as they have continually broadened their color and textural palettes with electronic sounds. Finally, Zeitlin continues to perform solo piano recitals, maintaining his status as one of the foremost solo improvisers and musical interpreters. For Panoply, Zeitlin has collected unreleased performances from the past decade that highlight his and his musical partners' fantastic command in improvisation regardless of genre or medium. Zeitlin carefully curated this program to provide a sequence that blends acoustic and electronic music which transitions well and let's the music unfold. The solo piano pieces come from a recording made on December 1, 2012 at the Piedmont Piano Company in Oakland, while the trio recordings were captured live at Mezzrow Jazz Club in New York City from May 3 to 4, 2019. The duo pieces with Marsh were collected over a decade of home recordings at Zeitlin's Double Helix Studio from 2013 to 2023.

Can an admin please change Harvie's spelling in the first post?

Reinhard Goebel Complete Archiv box, disc 30.

Kurt Masur - The Complete Warner Classics Edition, disc 44.

The Decca Sound - The Piano Edition, disc 55 (final).

The Decca Sound - The Piano Edition, disc 54.

Track 01: In the Jazz Messengers mold. Modal. That fire makes me think of Woody Shaw. A lot of energy in that band. Billy Higgins on drums. Jackie McLean on alto? No, a little too everywhere, not blues based enough. Wait, is that late Hank Mobley? I’m stumped. But it’s a good’un. Track 02: The head is a little reminiscent of Ornette, maybe because the piano’s so down in the mix it’s almost not there. A little frantic. Maybe more than a little. I kinda lost interest after awhile. Is this one of those Pete Christlieb - Warne Marsh things? Track 03: Has to be Abdullah Ibrahim, a personal fav. Sounds like it could be from his South Africa years. 5 stars. Track 04: Violin and electric guitar to start. The band could be Oregon, but the guitarist is definitely not Ralph Towner. Moody, fun stuff. I’m gonna guess the recording date is mid-70’s, and Jerry Goodman and Jan Hammer are participating. Track 05: Sounds kinda lo-fi; off a cassette? Didn’t do much for me. Track 06: “Tenderly.” Trumpeter is taking his time, always a good sign, but it’s the bass that takes the solo. Is it the bassist’s date? The track was OK, but I would have liked it a little sweeter. Track 07: Track 6, disc 1, from this. Track 08: Based on the sound quality (the album was recorded on cassette), I’m gonna guess it’s the title track from this. Track 09: Already identified. I like Randy's BFTs because I think we're roughly the same age and share many of the same musical touchstones. Thanks for putting it together. I'll be interested in the identity of #1; I have a feeling I own it. (After reviewing the others' comments, I find I own #1 & 2.)

Reinhard Goebel Complete Archiv box, disc 29.

Kurt Masur - The Complete Warner Classics Edition, disc 43.

There was also a live album, "Re-Entry," on Joel Dorn-related labels (first Ram, then 32), recorded by Alan Grant in 1965 & 1966: https://www.discogs.com/release/9521955-Horace-Silver-Re-Entry

So true. I'm listening now to Jean-Yves Thibaudet play Chopin, and he's opening up these Polonaises, Waltzes, Preludes, Mazurkas, Scherzos, Barcarolles and Etudes in a way I haven't heard before. He's showing them as little pictures, set pieces, scenes, showing the life undergirding these compositions. He's bringing them to life for me. Up until now, I've been baffled why people have held these pieces in such high regard - they just sounded odd, with clunky rhythms. Thibaudet is making them sing, at least to me.

The Decca Sound - The Piano Edition, disc 53.

Billy Higgins on drums!

Any recommendations for her Mainstream albums? I have Live In Japan.