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Kempton's BOOGALOO:


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  • 4 weeks later...

I'm halfway through this book, and while I find many parts illuminating (even if they were drawn from other texts), it is the combination of social, economic, and political issues that make this book work for me so far. I agree that I don't know why (nor have I yet found his explanation) he left out blues, jazz etc., my guess is he feels that gospel needs to be addressed more as an influence on popular music than has been allowed. I haven't read the Sam Cook bio, yet Kempton's interpretation doesn't offend me the way other researchers who try to "get in the minds of their subjects" do.

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