Brings to mind the beginning of Leonard Feather's 1977 sleeve note to Supersax's Chasin' the Bird:
"It was 1977 and Charlie Parker was just a few months shy of his 57th birthday when he came back to visit us. After greeting a few friends from his early days, men all older than he - Earl Hines, Dizzy Gillespie, Thelonious Monk, Budd Johnson - Bird sought out the younger men who had helped to carry on his tradition: Sonny Stitt, Sonny Criss, Phil Woods. He brought them greetings from Cannonball and from Oliver Nelson, thanked them for keeping the faith, and sat in with them in an all night jam session at Storyville.
The next few months were memorable for Parker. Belatedly, he got to visit Japan for the first time, made his maiden voyages to the Newport, Monterey and Nice Festivals. He dropped in at Dick Gibson's jazz party in Colorado and broke it up. For many of us, though, the most momentous event of all was his visit to Donte's, where Bird sat in with Supersax. In Med Flory he found a kindred soul: both were Virgos, born just six years and two days apart. The sidemen, most of them products like Bird of the 1920s, were now in the prime of life and dedicated to the perpetuation of a music their distinguished visitor had fashioned.
Finally Eddie Harris walked in, carrying his new invention, the electronic saxophone that can play up to five notes at once. With Bird self-harmonized on Harris' borrowed horn and Supersax running feverishly through "Shaw Nuff" and "Chasin' the Bird", the night became a miraculous sonic bubble, due to burst in delirium at any moment."