Interesting new altoist! With tune choices from Bud Powell, Monk, Clifford Brown, Rollins and Gigi Gryce, you'd expect Bird to be his primary influence, and while this may be true, there's both pre- and post-Bird influence in his playing - something of Benny Carter in his sound and, in common with so many latter-day altoists, just a hint of dissonance which I suppose derives ultimately from Ornette. He's certainly not an attacking player and, while this might be put down to youthful lack of confidence, he explains his quietness and fondness for the lower register to a decade's playing in New York restaurants and the need not to disturb diners! None of this adds up to cool in the 1950s or West Coast manner, though. So, a distinctive new alto voice.