I saw Shearing in Leeds, UK in the sixties and recall that he had Red Mitchell on bass. Alluding to his blindness, he said that he personally chose the voluptuous young women who graced his record covers. The only reason I and my hip young friends were there is that it was a double bill with the Junior Mance Trio, which incidentally had Bob Cranshaw on bass.
There's been no discussion of Shearing's compositions as yet. Leaving aside "Lullaby of Birdland", I note that, although I have no Shearing records in my collection, his compositions feature on albums by artists whose jazz credentials are never in question; e.g. "Conception" covered by Bill Evans and "She" by Eric Alexander and Grant Stewart.