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mikeweil

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Posts posted by mikeweil

  1. Gabriel Astruc, promoter of the first performance, wrote a nice book of his memoirs about all the scandals he provoked with music by Strauss, Debussy, and Stravinskij. At this occasion I learned, while doing some research, that the composer re-workd the score as the rights to the scores lay with Russian publsihers, and through the wars he had no longer access to the royalties from the performances - a big financial loss for him. So he signed with Boosey & Hawkes and wrote new version which were then, of course, preferred by orchestras the world over. The version of The Rite od Spring that we usually hear is form 1947.

    When François-Xavier Roth started his project on performing and recording the Stravinskiy ballets he encountered many problems, from obtaining to locating the original scores, but the result is stunning, the music should disturb, as Chuck said about this music, but the sound of the original score on perios instruments is even more disturbing. Highly recommende. I still lick myself fro missing their performance here in town. 

    NzYtNzAyMC5qcGVn.jpeg

  2. 8 hours ago, Gheorghe said:

     The only one on which Shadow Wilson replaces Blakey, with Bags and even the great vocalist Kenny Hagood has such a weak and miserable sound that it´s barely enjoyable. 

    Listen to Shadow Wilson with Monk on this one:

    My5qcGVn.jpeg

    https://www.discogs.com/release/1354471-Thelonious-Monk-Quartet-With-John-Coltrane-At-Carnegie-Hall

  3. 17 hours ago, Daniel A said:

    ..... as it is the same series of 0:s and 1:s that has been converted.

    Not necessarily. There is always a certain low percentage of incorrectly copied  0s and 1s. That is why we need error correction and oversampling. Try copying a CD at different burning speeds and play them back. Quality of CD players has a lot to do with how accurately they read the data.

  4. 16 hours ago, Milestones said:

    I was struck but some of those repetitions in Green's work, which can sound like "getting stuck."  But then you realize it is an intentional part of his style.  I actually find "No. 1 Green Street" to be my favorite track from that record.

    Interesting view. I found Green's repeating of phrases a welcome variation in playing style, raising the intensity with this insisting way of confirming a phrase. You can just easily get stuck in the necessity to run the changes and the lack of rhythmic variation in a linear bebop style.

  5. 4 minutes ago, soulpope said:

    Personnel :

    TITO PUENTE - Vibraphone, Marimba, Timbales

    MEÑIQUE BARCASNEGRAS - Lead Vocals

    YAYO EL INDIO, SANTOS COLON - Coro

    DON "EL BARBITO PALMER" - Flute, Alto Saxophone

    MARIO RIVERA - Flute, Baritone Saxophone

    PETER FANELLI - Alto Saxophone

    DICK MEZA - Tenor Saxophone

    JIMMY FRISAURA - Trumpet, Bass Trumpet

    TONY COFRESI, ROY BURROGHS, JOSE' MERINO - Trumpet

    CHARLIE PALMIERI - Piano, Organ

    ISRAEL "IZZY" FELIU - Bass

    MICHAEL "MIKE" COLLAZO - Drum Set

    RAMON MEDAMO DIAZ - Congas

    JOHN "DANDY" RODRIGUEZ - Bongos

    JOSE MADERA - Guiro, Percussion

    Your SALSA service from the SOULpope 😇😎 ....

    I'M really curious what your source for this info is!

    Probably the album liner?

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