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B. Clugston
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Posts posted by B. Clugston
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One of the percussionists on BB however did perform with Jimi at the Festival!
Actually not. There has been some confusion between two similarly named percussionists. Juma Sultan played with Hendrix at Woodstock. Jim Riley (Jumma Santos) was on Bitches Brew. Philip Freeman's shoddily-researched book Running the Voodoo Down repeats the error.
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"The Rock" from Big John Patton's Minor Swing, featuring John Zorn. Always found the original version so-so, but this version really jumps out at you.
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I'm planning to go see McCoy Tyner and Ravi Coltrane remember John Coltrane. However, some of the comments about Tyner's playing in recent years has dampened my enthusiasm a bit . . . I figure even if it's not great, at least I will have seen Tyner in person once in my life . . .
Based on what I saw two years ago, he's still well worth seeing, he just didn't knock my socks off.
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I also saw Tyner two years ago. He wasn't awful, but there was nothing new and he wasn't memorable as, say, Sonny Rollins can still be. (Fortunately, Tyner was backed by Eric Gravatt and Charnett Moffatt.) The last time I saw Brubeck a few years back, however, he put on a fantastic show.
I agree Montreal has had a "same old, same old" program to it the past few years.
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At least Quebeckers have Suoni per il Popolo and Victoriaville, which more than balance Montreal's reliance on glamour acts.
Vancouver isn't averse to pop either. The Cowboy Junkies are at this year's fest. But at least there's Iro Haarla, Barry Guy and Tim Berne.
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http://www.montrealjazzfest.com/Fijm2008/accueil_en.aspx
The programmation is all there, it is a very shitty year, can't tell you how much i'm disgusted , this festivan is an insult to my intelligence. I won't go to details, i'm just so angry...
Are you angry at the lack of "jazz" or no Celine Dion?
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Has anyone heard the companion release, Evan Parker's Boustrophedon?
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"Perfume of a Critic's Burning Flesh" by Naked City
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And the clip of track four (of disc #1) sounds like "Mack The Knife" (though that's not the title given, so did this clip just happen to fall on a quote??).
Sprechen zie Deutsch?
"Moritat" is "Mack the Knife."
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Has anyone else heard "Kete Kuf" by Ahava Raba? The cover art:
I've been wanting to pick that up. I've heard some clips and it sounds intriguing.
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From the Downtown Music Gallery newsletter...
LOU REED/LAURIE ANDERSON/JOHN ZORN - The Stone: Issue 3 - Live The Stone January 10th, 2008 (Tzadik 0004 LTDED; USA) The third issue Benefit for The Stone presents the recordings from the 2 sets of the Reed/Anderson/Zorn improv trio at The Stone in early 2008! [discounted to $20 + tax if purchased in-store with cash; otherwise $21 + tax and/or shipping if using credit card]
ALL PROCEEDS [100% of $20] FROM THE SALE OF THIS CD WILL GO DIRECTLY TO SUPPORT 'THE STONE' NON-PROFIT PERFORMANCE SPACE. ONLY WITH YOUR HELP CAN WE KEEP THE STONE ALIVE!
It seems hard to believe that these three icons of the NYC art/world would end up collaborating, as well as becoming friends over the past few years. It was a big surprise for many of us at attendance last year for Old Knitting Factory Celebration & Stone benefit at Town Hall organized by Michael Dorf, to see Lou Reed collaborating with John Zorn on stage. It was actually a trio with cellist Jane Scarpantoni that night and you know what - it worked! Laurie Anderson, Lou's life-partner for quite a while now, also performed an inspired set that night as well. In February of this year (2008), Zorn premiered a new piece called "Shir Ha-Shirim" scored for two narrators and five female voices at the Abrons Center. The two narrators were Lou Reed and Laurie Anderson and the piece was most impressive. On January 10th of this year, Zorn put together a Stone benefit show that featured Lou Reed & John Zorn plus Laurie was added as well. The show of course, sold out in advance and was truly something to behold. I caught only the second set but was impressed by the way it unfolded and worked as a collaboration. Lou Reed has been a pioneer of noise/rock guitar since his days in the Velvet Underground, some 40 years ago. His classic solo effort, 'Metal Machine Music,' an often misunderstood masterwork, was recently resurrected and performed by a New Music ensemble in Germany with playing some of the guitar parts. For the Stone gig, it was wonderful to see and hear Lou Reed dig deep into his electric guitar manipulations and unique sounds and show that he is still a master. Each set began with Lou playing solo, then Zorn coming in later and finally Laurie entering on electric violin. The pieces evolved organically all the musicians showed that they are gifted improvisers and played supremely well together. It was quite a special night that only 150 folks could witness due to the small size of The Stone. This disc does capture that great night quite well, so dig deep, my friends and support one of the last great experimental performance places in NYC - The Stone! - BLG
CD $21
Four new Tzadik releases for April!
THE HUB [JOHN BISCHOFF/CHRIS BROWN/TIM PERKIS/MARK TRAYLE/PHIL STONE/SCOT GRESHAM-LANCASTER] - Boundary Layer [3 CD set] (Tzadik 8050; USA) A new recording by the band that pioneered laptop ensembles over twenty years ago coupled with an historic overview of their recordings, unreleased tracks and video clips of the band in performance. Functioning in the West Coast tradition of composer as instrument builder - redefining music from the ground up - The Hub makes music using electronic and digital systems of their own devising. A natural extension of the late 1970's ensemble the League of Automatic Music Composers, the group has performed worldwide over the past two decades and continues to break new ground in the ever-growing laptop medium.
This is the definitive document of this important west coast collective and contains recordings covering three decades of activity. Most of this material is being issued here for the first time, much of it has been unavailable for years, and all of it is some of the most imaginative and compelling electronic music ever made. This specially priced 3 CD set includes a deluxe booklet with photos, technical diagrams and written testaments by group members and collaborators giving new insights and historical perspective to one of the most infamous electronic ensembles since Musica Elettronica Viva.
TZADIK COMPOSER SERIES
3 CD set for $27
MAJA S.K. RATKJE - River Mouth Echoes (Tzadik 8051; USA) Maja Ratjke is a remarkable vocalist and composer based in Norway. Her work ranges from orchestral and chamber works to electronics, improvisation and creative combinations of all of the above. This special collection of Maja's work showcases several aspects of this composer's unique and intense approach to sound and features two of her most personal chamber works along with electronic and electro-acoustic works for voice, saxophone and more.
TZADIK COMPOSER SERIES
CD $14
JEREMIAH CYMERMAN - In Memory of the Labyrinth System (Tzadik 8049; USA) Jeremiah Cymerman is a remarkable clarinetist and conceptualist who now resides in Brooklyn. He has performed and recorded with Matt Welch, Sam Kulik, Mary Halvorson and Jessica Pavone among many others. The bulk of his work centers around creating a new language for the clarinet through extended techniques and the manipulation of microphone placement and Pro Tools editing. This CD presents several radical studio compositions that take the sonic language of the clarinet to some startling and surprising places. A fascinating and extreme debut by this brave young explorer of reed music.
TZADIK COMPOSER SERIES
CD $14
TANGELE [LLOICA CZACKIS/JUAN LUCAS AISEMBERG/ GUSTAVO /BEYTELMANN] - The Pulse Of Yiddish Tango (Tzadik 8124; USA) Tangele explores the fascinating nexus of Yiddish song and Tango and features songs from European Ghettos and Concentration Camps, and from the Yiddish Theatre in Buenos Aires and New York, radically transformed into the language of Tango by the renowned composer/arranger Gustavo Beytelmann. Together since 2002, this virtuosic trio has been presenting this delightful program, created by singer Lloica Czackis to enthusiastic audiences all over the world and now they have entered the studio for a perfect reading of their repertoire. Tzadik is proud to present this distinctive project, created with a JMI Millennium Award (UK) and recorded with a grant from the Foundation for the Memory of the Shoah (France.) TZADIK RADICAL JEWISH CULTURE SERIES
CD $14
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I recently picked up Zorn's "Six Litanies for Heliogabalas", which is the third in a series following "Moonchild" and "Astronome". I haven't heard those two (which are just the trio of Patton/Dunn/Baron), but this recording is intense! From Jurek's review at allmusic: "this is music equal parts classical, heavy metal, hardcore thrash, free jazz, and structured improvisation simultaneously." I will warn anyone who's not a fan of Patton to avoid this one.
John Zorn: Alto Sax, Composer
Joey Baron: Drums
Trevor Dunn: Bass
Ikue Mori: Electronics
Mike Patton: Voice
Jamie Saft: Organ
Martha Cluver: Voice
Abby Fischer: Voice
Kirsten Soller: Voice
PS - Heliogabalas is quite an interesting character. I wasn't very familiar with him before picking this cd up. Also, I think the cd packaging is perfumed to match it's look, too.
My favourite of the Patton/Dunn/Baron group. But I've found this gets diminishing returns after a few spins. Still, it's a lot of fun if you like this kind of stuff.
Make that really diminishing returns.
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Re: New York Times. All the stories seem to be written in this archaic, faux formal style which clouds the substance of stories. It’s still an institution for those raised on newspapers, but for the younger generation it must be like listening to a teetollalering great uncle talk about how he spent the 1960s organizing church bazaars and guess the pie weight contests.
Re: the Coleman concert. I am sure it was a great concert, but the New York crowd may have missed out on an added plum from the preceding tour. I saw the quartet plus Charnett Moffat on a very groovy electric bass play in February.
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They had just put up a couple of Coleman's Empty Foxhole recordings.
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Finally got around to buying this and it is fantastic music. His compositions are endlessly fascinating. A few rough spots for sure, but nothing to scare off anyone interested in Hill's music.
It's almost a year ago that Andrew left us.
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I can't speak to his later work, but:
Public Image Ltd: Second Edition (Metal Box)
Public Image Ltd: Paris au Printemps
I'm a big fan of the latter.
A few years ago, Wobble did a pretty good album with Evan Parker called Passage to Hades.
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Somone at the Braxton Yahoo group mentioned they contacted Mosaic and For Four Orchestras will be part of the set.
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Those hatOLOGY reissues of Braxton's material went OOP PDQ, IIRC. Those were issues of 2,000 copies? Basel 1977? Dortmund 1976? These are all in that sweet spot that this box would cover.
Basel and Dortmund were both 3,000 copies.
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I just hope this doesn't bankrupt Mosaic. I don't think it will sell well.
Why would it bankrupt Mosaic? A lot of people have been dying to see this music get reissued.
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OK, I've separated the Braxton Arista out
and tried to present it chronologically as well.
I'm leaving out the session with Ran Blake on Novus and the
"Arista/Freedom" refs too:
Total time is about 9hr:45min [585 minutes],
so I would think it impossible for 7 discs
and I'm not sure if 8 would do it either.
Let me know if I've left anything out:
Knock off Time Zones, which is a Teitelbaum date, had no involvement by Cuscuna and is not considered part of the core Arista Braxton recordings, Mosaic may be able to jam this into seven discs.
It would be disrepectful not to include For Four Orchestras and For Two Pianos. Braxton's music of this period goes far beyond the quartet stuff.
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How many discs is this one likely to be ?
The Arista material should fit on 8 discs, depending on extra material. There are two versions of 23G that were recorded but rejected for the Berlin/Montreux Concerts.
As for the "Freedom" material, the Complete Braxton was a 2 LP set and Silence was 1 LP. Time Zones with Teitelbaum was 1 LP with Braxton on both sides. Silence and Time Zones were reissued on 1 disc by Black Lion.
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I just received The Complete United Artists Sessions after ordering it through the Makanda website http://www.mkmjazz.com/ There's some samples on the site.
It's a cheaper alternative to the sharks at Amazon marketplace.
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I have this feeling that if the NYT critics (at the time) had written about her as a pop singer rather than as an avant-garde performance artist, my expectations would have been different, and I might actually have enjoyed her show.
That was the best way to approach her in the 1980s.
I found her a breath of fresh air back in the 1980s compared to most of the synth-drenched dreck of the time. She was either good at getting attention or the attention just followed her—whatever the case, it's the kind of trait that holds her in high esteem by New York Times music critics and deep suspicion by Organissimo board members in roughly the same measure.
For an avant-garde musician, a lot of her stuff has date horribly.
100 Essential Jazz Albums in the New Yorker
in Jazz In Print - Periodicals, Books, Newspapers, etc...
Posted
These lists will never make anyone happy.
The list hits most of the obvious, but there’s many oddities. Pharoah Sanders’ Karma? Ornette’s Dancing in Your Head? Why only volume 1 of Monk, when there’s a box set?
On the other hand, thumbs up for picking Money Jungle, Open Sesame and Conquistador!