Cityscape (Highnote)
Nothing at all here that you wouldn't expect, but DAMN!!!!
Fathead in front of a small, bottom-heavy horn section that recalls the old Ray Charles band (or the Stanley Turrentine/Duke Pearson collaborations), The program is varied, familiar in orientation yet delivered with sincerity, soul, and groove. You can play this while your wife/girlfriend/whatever is in the room and you'll both dig it, and quite possibly for the same reasons.
Also (and I don't say this lightly or fliply), Fathead's reading of "A Flower Is A Lovesome Thing" here might well be becoming the "definitive" version of the tune for me. If there's a jazz musician (of any "style") alive today who can deliver a melody (of any "style") better than Fathead, I don't know who it is. When it comes to improvisation, hey, he does what he does (and has always done) - deliver archtypical "bluebop". You either "get it" or you don't. But when it comes to playing a melody, this guy has become one of the true masters. This Strayhorn melody, like many Strayhorn melodies, presents a tricky course to navigate in that it is equal parts ethereal & sentimental, abstract & syrupy. Fathead isn't bothered by any of this. He just plays the melody the same way he plays every melody - deeply personally paraphrased yet retaining it's essence. It's no small gift that he has, and I'll be damned if his take on this melody isn't one for the ages.
Newman is more than a little easy to take for granted, or even to dismiss. He's made a lot of disposable albums over the years, and his archetypical solo spots on the old Ray Charles sides have cast him in the minds of some as "merely" an R&B player. Whatever. The man is a treasure, one of the last living links to a school of Southwestern jazz that made no differentiation between art & commerce, or between functionality and intent. Whatever recording sins he's committed in the past, he's also made some real gems, and this new release is definitely one of them.
Sometimes the rarest talent is that of combining obviousness with subtlety. This new release by Fathead Newman is a case in point. Don't be surprised if you "get it all" the first time through. But don't be surprised if you also keep playing it (and enjoying it) over and over, for years and years. It's that kind of a thing.