Coda

Music written for a soundtrack to the 1926 silent film The Adventures of Prince Achmed. Drums – Nic Cecire Organ, Keyboards – Alister Spence, Casey Golden (3) Soprano Saxophone, Written-By – Phillip Johnston Trombone – Joseph Greening

Jaimie Branch

I was reviewing the charts on jazzweek and noticed a name I haven't seen since 2003. Lolly was living in MA at the time, I think a recent grad of New England Conservatory of Music. We hired her band to play for my wedding out on Block Island, RI. She had to bring all her gear by ferry, the morning after a hurricane. Seas were a bit rough but the ferries starting running in time for all to arrive, some a bit queasy. I'm thrilled to see she's still making music.

KEVIN HAYS · MARK TURNER · MARC MIRALTA Where are you? Fresh Sound records.

The Balance Lance Bryant Sax (Tenor) Alec Dankworth Double Bass Ekaya Featured Artist Adam Glasser Harmonica Cleave E. Guyton, Jr. Flute, Piccolo, Sax (Alto) Abdullah Ibrahim Composer, Liner Notes, Piano, Primary Artist Noah Jackson Cello, Double Bass Marshall McDonald Sax (Baritone) Andrae Murchison Trombone Will Terrill Drums

New musician for me Tim Collins - vibes Andy Hunter - trb Yoni Zelnik - bass Guilhem Flouzat - drums Fayçal Salhi - oud

Tribute to Randy Weston T.K. Blue —alto and soprano saxophones Alex Blake — bass Vince Ector — drums Neil Clarke — percussion Billy Harper — tenor saxophone Min Xiao Fen — Chinese pipa Sharp Radway — piano Mike King — piano Keith Brown — piano Kelly Green — piano

I won't get through the whole 4 hours today but expect to over the next several days

Double Bass – Brad Jones Drums – Joey Baron

inspired by this clip:

This is a great article full of nice info-graphics on the streaming industry. https://www.visualcapitalist.com/how-music-streaming-money/?fbclid=IwAR3uFRbiKAZUokDoHcO3N-zTx-TUGKkPdPOzdbguV-20kCITQH66Fh4CMvQ It ends with this depressing statement: Currently, artists can increase their chances of being featured on more playlists and ultimately earn more money by altering their music based on streaming platform algorithms. For example, artists only get paid if their song is listened to for 30 seconds, which results in much shorter songs that open with the chorus to keep the listener’s attention. While streaming platforms continue to provide more avenues for artists to get in front of the right ears, many industry critics argue that music is no longer about creating something for pure enjoyment, but rather about using a formulaic approach to make more money. Is the future of music safe in the hands of tech giants?

Jon Christensen Drums John Clark French Horn David Darling Cello David Friedman Marimba, Vibraphone

Electric Guitar, Effects – Stian Westerhus Voice – Sidsel Endresen

Double Bass – Larry Gray Drums – Rick Frigo Piano – Joe Vito Vibraphone – Terry Gibbs Violin – Johnny Frigo, Rob Thomas

Sweet! This is one of my favorite Liebman/Beirach recordings.