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Posts posted by Teasing the Korean
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1 hour ago, JSngry said:
It's really not that much different than a Classical player being able to perform a recital of a variety of musics. EXCEPT - Jazz was not created to be this, Jazz was created for people to find THEIR voices. That's a major difference imo, and also a deal-breaker as to what I would want to support in any way.
I completely agree with your statement, but this concert - or at least the way the concert is being promoted - is not designed for folks with hundreds of jazz albums, or who frequent message boards like this. If there is an audience willing to pay for this kind of thing, some players will line up to exploit the opportunity. It is one more example of jazz becoming a legacy genre.
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6 minutes ago, randyhersom said:
You are correct!
Yay! I'm learning!
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1 hour ago, randyhersom said:
This was one of the greatest straight lines of all time, and I can no longer resist. Apologies in advance.
It's OK TTK. Everybody Plays the Fool!
I'm guessing The Main Ingredient, and I didn't cheat!
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1 hour ago, JSngry said:
as said by Kai Oh Ti.
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48 minutes ago, JSngry said:
Laps are sensitive areas!!!!!
You know the ancient Chinese proverb: Better to have a plum fall in your lap than an Acme anvil on your head!
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My Dad has been gone for more than 30 years. We shared music in common. When a pianist or arranger used an interesting chord substitution, we would intuitively make eye contact, both thinking the same thing. One of my last musical memories was riding in the car with him listening to an early Randy Weston album on a cassette. I remember we had pulled into the garage just when "Again" started. I said, "Wait, you have to hear this." And we sat in the parked car listening to Randy Weston play "Again" without saying a word.
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I did a few needle drops on this last night. I think it is likely mono mislabeled as stereo. If there is an rechanneling, it is so mild that the audio collapses to mono without any weird phasing or artifacts.
Looking forward to a full spin this weekend!
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Prepping for a yard sale, I'm going through stacks and stacks of never played, never cleaned LPs, and I came across this one. It seems promising, as it features strings and voices, with some tunes arranged by Neal Hefti. I suspect that this will teeter into my beloved Space-Age Bachelor Pad aesthetic. Giving it a scrub on the ol' Nitty Gritty. Will report back.
EDIT: The YouTube needle drops I just did confirm my suspicions!
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On 6/10/2021 at 8:25 PM, HutchFan said:
TTK,
I only picked up Puente in Percussion recently, so these are still-evolving impressions. But I would say that Puente in Percussion compares VERY favorably with Top Percussion. I may even prefer the Tico album over the RCA.
One aside: The cover on my Tico CD reissue is different than the illustration above. The cover I have is shown below:
So more than a year after asking about this album, I am going through my massive stack of "new" acquisitions, "to be cleaned," etc. No rhyme or reason to the filing. "New" can mean it is as recent as 15 years old!
And I come across a Tito Puente album I've never spun called Rhythm + Drums + Timbales + Percussion. It is on Roulette, courtesy of French Vogue.
I turn it over and look at the track titles. It is a French release of Puente in Percussion, with different cover art! It looks to be in great shape. Can't wait to clean it and give it a spin!
The cover says it's stereo. Was this actually recorded in stereo, or do you think is electronically reprocessed from mono?
So here I was, looking high and low for an affordable copy of an album I had all along. I doubt I paid more than a dollar for it.
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10 hours ago, Ken Dryden said:
That should be fun. I got to hear Rod Serling give a speech in 1974 when I was in college, the year before he died.
Whenever the topic comes of the WWII generation looking older than their counterparts today, I like to bring up the fact that Serling, during The Twilight Zone, was roughly between the ages of 36 and 40! He left us way too early.
3 hours ago, sidewinder said:I was in Binghamton some years ago and remember seeing the memorial to Serling that they have - might have been at the airport. In early December the place was bone-chillingly cold.
I can imagine! Nice that they recognize his contributions!
Here is the score. Many Herrmann fans cite this as one of the most beautiful things he wrote.
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1 hour ago, JSngry said:
Possibly the same record?
The titles appear to be different, but they could have changed the titles, as budget labels were known to do.
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1 hour ago, JSngry said:
Who is it really by?
My mistake. I was mixing it up with this budget album on Design:
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9 minutes ago, JSngry said:
I love how they have a record by Brazil 67.
And it's great!
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14 minutes ago, Brad said:
According to Discogs Wyncote acted as a distributor for this record. I don’t recognize most of the artists listed under Wyncote so I’m assuming they were pop. Very little jazz.
Wyncote was a budget label for Cameo/Parkway. They did some jazz, or quasi-jazz, along the way.
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The Binghamton Philharmonic, in Rod Serling's hometown of Binghamton, NY, will present Bernard Herrmann's score to the Twilight Zone episode "Walking Distance" on October 22. They will first play it instrumentally as a suite, and then perform it again with actors reading the script.
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1 minute ago, JSngry said:
It's Don Gardner Trio stuff and was a staple of labels such as this back in the day, in part or in whole.
Thanks. Is it any good for what it is?
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Jimmy Smith - Home Cookin' - Blue Note
Original mono deep groove NY press.
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Anyone know anything about this LP?
The tracks are:
- Strange Love
- It's A Sin To Tell A Lie
- Lost In Loveliness
- Dancing On The Ceiling
- Night Winds
- You Go To My Head
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Am I the only one who mixes up these late-'60s/early-'70s soul acts?
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22 minutes ago, AllenLowe said:
Dory Previn is on vocals.
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When I quickly read the thread title, I thought it said "Andre Previn Piece."
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44 minutes ago, JSngry said:
Of course they were cheap. This was before Prestige got bought by Fantasy. A totally indie label then. Bob Weinstock was making his money from Bob Porter & Soul Jazz. There was not necessarily a big market for this stuff yet. Yet. But the times were changing and not everybody was enjoying that. So they created a rather interesting "series" (or two...) and gave it a unified look. Cheap, but unified.
Well, there's cheap, and then there's cheap.
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The one with the Don Martin cover is the best.
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12 minutes ago, JSngry said:
I loved it. The photos were more or less always time-period accurate, which was a real changeup for Prestige.
Agree about the photos. The graphics struck me as cheap. Keep in mind I saw these in an era during which there were lots of cheap jazz reissues, and it was sometimes hard to separate the wheat from the chaff, especially for a kid who was still learning about all this stuff.
Nat King Cole
in Artists
Posted
Yes, the CD has 5 bonus tracks for a total of 17.
I even have a French LP reissue with all 17 tracks, but it teeters into groove-cramming territory. Luckily, because it is mono, you can hit the mono button and reduce distortion.