GA Russell

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Artist Title Time Cathy Segal-Garcia Dreamsville 06:15 Cathy Segal-Garcia The Three of Us 04:41 Cathy Segal-Garcia Canto Triste 07:09 Cathy Segal-Garcia Scarlatti Sonata in B minor L33 02:54 Cathy Segal-Garcia September in The Rain 05:18 Cathy Segal-Garcia Zingaro 04:20 Cathy Segal-Garcia You Are There 04:13 Cathy Segal-Garcia Pensativa 06:29 Cathy Segal-Garcia Beyond The Years 05:34 Cathy Segal-Garcia Sometime Ago / Children's Song 03:48 Cathy Segal-Garcia Dreamsville 05:01 Cathy Segal-Garcia "Dreamsville" Impacting: July 29 2019 Format(s): Jazz Dreamsville is a true musical collaboration between three accomplished artists. Cathy Segal-Garcia is a prolific recording artist, an exceptionally creative singer and a linchpin on the Los Angeles jazz scene. She’s also a singer who’s not afraid to take chances. On Dreamsville, her twelfth CD as a leader, she’s teamed up with two of the busiest, most sought after musicians on the Southern California jazz scene: guitarist Larry Koonse and pianist Josh Nelson. The recording is replete with rich textures of sound as Segal-Garcia’s warm, dark vocals float over the lush guitar and piano accompaniment. The CD comprises a mix of standard, originals, and gems that are certainly off the beaten track, such as “Scarlatti Sonata in B Minor L33,” which was written by the Italian composer Domenico Scarlatti in the 18thcentury, as well as two tunes penned by Segal-Garcia. The music on Dreamsville is truly a dialogue between voice, piano, and guitar. The open, airy arrangements invite us to listen in on the conversation. There is no shouting, no grandstanding. There are onlyCathy Segal-Garcia, Josh Nelson, and Larry Koonse, three sensitive musicians with the performance chops and profound connection to the music that transport us to a place of great emotional depth and beauty. Recorded: August 2018 at Talley Sherwood Studios in Burbank, CA Engineered and mixed by the masterful Talley Sherwood Executive Producer: Dan Davilla Mastered by: Ron Boustead Cover art and graphics: Kaoru Mansour Photography: Freddy Lopez Promotion: Holly Cooper - Mouthpiece Music, Ben Scholz - Scholz Productions. 2018 Dash Hoffman Records DHR 1023 Dreamsville (6:00) (Ray Evans, Jay Livingston, Henry Mancini - Jay Livingston Music In, Northridge Music Co, St Angelo Music - ASCAP) The Three of Us (4:37) (Cathy Segal-Garcia - Dash Hoffman Music BMI) Canto Triste (7:08) (Eduardo Lobo, Lani Hall, Vincius De Moraes - Warner-Tamerlane Publishing Corp BMI) 4) Scarlatti Sonata in B minor L33 (2:52) (Domenico Scarlatti - Princeton University Press) 5) September in The Rain (5:20) (Al Dubin, Harry Warren - Warner Bros Inc. ASCAP) 6) Lonely Woman (5:03) (Horace Silver ASCAP, Zenon Miguel Angel - MA Zenon Music BMI) 7) Zingaro (4:17) (Antonio Carlos Jobim - Corcovado Music Corp BMI) 8) You Are There (4:10) (Dave Frishberg - Marissa Music ASCAP, John Mandel - Swiftwater Music ASCAP) 9) Pensativa (6:46) (Clare Fischer - Coast Music BMI) 10) Beyond the Years (5:33) (Cathy Segal-Garcia - Dash Hoffman Music BMI) 11) Sometime Ago/Children’s Song (3:50) (Sergio Mihanovich - Second Floor Music BMI, Chick Corea - Universal Music Corp ASCAP) CONTACT: Cathy Segal-Garcia cathy@cathysegalgarcia.com Attachments *Cath 1 Larry Koon.. Josh Nelso.. *New Bio (.. Onesheet f..

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Joseph Daley "The Seven Heavenly Virtues and The Seven Deadly Sins" Impacting: July 30 2019 Format(s): Jazz Artist Title Time Joseph Daley PATIENCE 06:37 Joseph Daley DILIGENCE 10:24 Joseph Daley CHASTITY 03:04 Joseph Daley HUMILITY 07:39 Joseph Daley CHARITY 03:11 Joseph Daley KINDNESS 02:18 Joseph Daley TEMPERANCE 06:18 Joseph Daley INVIDIA (Envy) 04:36 Joseph Daley AVARITA (Avarice) 03:58 Joseph Daley GULA (Gluttony) 05:26 Joseph Daley SUPERBIA (Pride) 04:05 Joseph Daley LECHERY (Lust) 12:21 Joseph Daley IRA (Anger) 04:13 Joseph Daley DESIDA (Sloth) 03:29 PROGRESSIVE JAZZ ADD: ASAP * Celebrating Joseph's 70th Birthday - August 6th, 2019 JOSEPH DALEY “THE SEVEN HEAVENLY VIRTUES / THE SEVEN DEADLY SINS” JoDaMusic Records 005 Progressive jazz composer, euphonium and tuba master reissues, remasters and combines lauded works for a comprehensive and refreshed collection Suggested Tracks: 2, 4, 8, 9, 10, 11 After nearly 50 years of recognition as one of the consummate sidemen on the adventurous music scene – with remarkable artists like Sam Rivers, Carla Bley, Gil Evans, Charlie Haden, Muhal Richard Abrams, Taj Mahal and so many more – Joseph Daley has emerged as one of Jazz’ and contemporary music’s most extraordinary composers and leaders. Stunning musicians and fans alike with his brilliant 2011 CD, The Seven Deadly Sins, featuring his Earth Tones Ensemble (a full Jazz orchestra augmented by six additional low-tone horns, and including a seven-member rhythm section and four special guests), this powerfully innovative music mines the same rich vein of musical expression as that of immortals like Charles Mingus, Duke Ellington and George Russell, receiving rave reviews and making several Best of Year lists. In 2013 he followed up with The Seven Heavenly Virtues, then in 2014 Portraits: Wind, Thunder and Love which includes the five movement suite Wispercussion: Five Portraits of Warren Smith – both featuring string orchestras. Drawing the attention of a number of prominent educators and university programs, since 2018 Joseph has become an in-demand and highly compelling educator, providing activities at various institutions in Pennsylvania, Ohio, New Mexico, Washington, as well as a residency at Dartmouth College resulting in a performance of selections from The Seven Deadly Sins project. Plans for extended residencies are in motion for the future, including a week-long residency that will take place at Seattle Pacific University in January 2020, culminating in a full concert performance of The Seven Deadly Sins. Plans are also in place to repackage both Seven Deadly Sins and Seven Heavenly Virtues into a single CD entitled Sins and Virtues on his Jodamusic label in fall of 2019. In addition to his orchestral endeavors, Joseph is developing a significant reputation as a leader of smaller ensembles. In 2015, The Tuba Trio Chronicles – dedicated to his long time friend and mentor Sam Rivers, in whose Tuba Trio he performed extensively in the U.S. and Europe during the ‘70s and ‘80s – was released to high acclaim, and when time allowed three years later the ensemble toured in more than 15 U.S. cities in the spring of 2018. Joseph is also focused upon developing a series of life celebration projects dedicated to his late wife Wanda Daley, in which Joseph will use both his Tuba Trio Rituals Ensemble and Earth Tones Ensemble to realize this musical quest. Joseph is also currently a member of the highly eclectic ensemble Hazmat Modine, under the direction of musician and visual artist Wade Schuman. It was Schuman’s paintings that helped inspire the creation of Daley’s Seven Deadly Sins project, which was developed at the MacDowell Colony in 2001. "In the initial development of both projects, I was enlightened by how important it is to be aware of these guidelines as a vehicle to spiritual growth. The Virtues are the tools of growth and the Sins are clearly defined tools of destruction. Finally, this project is the initial musical tribute honoring my loving soul mate Wanda who I miss dearly." Whether performing with his large ensemble; with his evocative Ebony Brass Quintet, his stunning World-music influenced Rituals Ensemble, the Tuba Trio or in sparer solo, or duo contexts; sheer musicality, deeply-hewn emotion and jubilant innovation are always at the core of Joseph’s most singular musical expression. Best known for playing the tuba, Joseph also plays euphonium, trombone and piano; but these days his growing reputation as a visionary composer is bringing him worldwide acclaim. Born in New York City’s Harlem, Joseph began his musical studies in elementary school and received high honors and recognition throughout his school years (including the renowned High School of Music and Art), and was a member of the most prestigious ensembles in the New York City school system. During his high school years, he began performing on the Latin music scene – well-known as one of the most powerful foundations of higher musical learning – performing alongside such fine musicians as Rene McLean, Monquito Santamaria, Andy Gonzalez, Jerry Gonzalez, Alex Blake and many others. A scholarship to the Manhattan School of Music resulted in his Bachelor’s degree in Performance and a Master’s degree in Music Education and led to a career as an educator in the New York and New Jersey school systems from 1976 until his retirement in 2005. Heavily dedicated to the education of young people to the highest values in musical understanding and expression, Joseph balanced his extensive educational commitments with recording and performing in the ensembles of some of the most provocative musicians on the contemporary jazz scene. In addition to those mentioned above, Joseph contributed heavily to groups led by other major artists including Muhal Richard Abrams, Makanda Ken McIntyre, Jason Hwang and Dave Douglas, and is an original member of Howard Johnson’s groundbreaking tuba ensemble, Gravity. He also produced the latest Gravity CD: Testimony. Joseph has also been a longtime collaborator with the highly respected composer/ethnomusicologist and master of non-Western instruments, Bill Cole – a relationship that is still in bloom. Summing up the purpose and commitment of Joseph Daley…. “If the music I compose provides one with a sense of beauty, inner peace and introspection then I am fulfilled" http://www.jodamusic.com/ Watch Joseph Daley - Seven Deadly Sins & Seven Heavenly Virtues here (Credit: Robert O'Haire)

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Ottawa 30....Montreal 27 https://www.cfl.ca/games/2590/ottawa-redblacks-vs-montreal-alouettes/ https://www.cbc.ca/sports/football/cfl/ottawa-redblacks-montreal-alouettes-cfl-week-8-1.5235269 https://stats.cbc.ca/football/cfl/recap/76099 https://3downnation.com/2019/08/02/devonte-dedmon-runs-reblacks-to-overtime-win-in-montreal/ https://3downnation.com/2019/08/03/redblacks-snap-skid-with-ugly-win-eleven-other-thoughts-on-beating-montreal/ Take a look at Dedmon's punt return. https://www.cfl.ca/2019/08/02/dedmon-pinballs-down-field-for-incredible-td/ ***** Calgary 24....Edmonton 18 https://www.cfl.ca/games/2591/edmonton-eskimos-vs-calgary-stampeders/ https://www.cbc.ca/sports/football/cfl/cfl-edmonton-calgary-recap-week-8-1.5235757 https://stats.cbc.ca/football/cfl/recap/76100 https://3downnation.com/2019/08/03/eskimos-fail-to-rally-late-as-stampeders-move-into-first-place-tie/ ***** Ottawa analysis https://3downnation.com/2019/08/02/six-things-weve-learned-about-the-redblacks-after-six-games/

ECM Enrico Rava /Joe Lovano - Roma release date: September 6, 2019 Enrico Rava: flugelhorn; Joe Lovano: tenor saxophone, tarogato; Giovanni Guidi: piano; Dezron Douglas: double bass Gerald Cleaver: drums Enrico Rava, the doyen of Italian jazz, joined forces with Joe Lovano, masterful US tenorist of Sicilian heritage, for a brief tour in November 2018. On this album, recorded live at Rome's Auditorium Parco della Musica, the two masters lead a spirited quintet that includes lyrical pianist Giovanni Guidi, dynamic drummer Gerald Cleaver and virtuosic bassist Dezron Douglas (making his ECM debut here). Well-loved tunes by the two bandleaders form the core of the program, including Enrico's intricate "Interiors" and "Secrets" and Joe's vigorous Texas blues "Forth Worth", which recalls the energies of Ornette Coleman and Dewey Redman. The album concludes with an extended and powerful medley that roams across the history of modern jazz as it gathers together Lovano's "Drum Song", John Coltrane's "Spiritual" and the standard tune "Over The Rainbow". ECM Avishai Cohen / Yonathan Avishai - Playing The Room release date: September 6, 2019 Avishai Cohen: trumpet Yonathan Avishai: piano Playing The Room bears testimony to the long musical friendship of Avishai Cohen and Yonathan Avishai. They began to explore jazz as teenagers in Tel Aviv, and have continued to play together over many years, with Yonathan making important contributions to Avishai's group albums Into The Silence and Cross My Palm With Silver on ECM. Their first duo album begins with music composed by the trumpeter and by the pianist and concludes with a touching interpretation of Israeli composer Alexander Argov's cradle song "Shir Eres". Along the way, Avishai and Yonathan improvise - freely, playfully, soulfully - on themes from jazz tradition. And, as the album titles implies, they also invite the recording space, the Auditorio Stelio Molo RSI in Lugano, to be part of the sound, making full use of its resonant acoustic properties in a performance with the intimacy and focus of chamber music. Recorded in September 2018, and produced by Manfred Eicher, Playing The Room releasing on both audiophile vinyl and compact disc. ECM Ethan Iverson Quartet with Tom Harrell - Common Practice release Date: September 20, 2019 Ethan Iverson: piano; Tom Harrell: trumpet Ben Street: double bass; Eric McPherson: drums Ethan Iverson Quartet with Tom Harrell in concert: Oct. 15 Cambridge, MA at the Regattabar Oct. 16 New York, NY at the Jazz Standard Oct.17 Philadelphia, PA (venue tba) ***further dates in preparation The latest ECM album to feature pianist Ethan Iverson - following last year's duo recording with saxophonist Mark Turner, Temporary Kings, and two lauded discs with the Billy Hart Quartet - presents the Brooklyn-based artist at the head of his own quartet in a program of standards and blues, recorded live at Manhattan's famed Village Vanguard. The Guardian has praised the former Bad Plus pianist as "endlessly resourceful," while Time Out New York selected him as one of 25 essential New York jazz icons, describing Iverson as "perhaps NYC's most thoughtful and passionate student of jazz tradition - the most admirable sort of artist-scholar." Iverson's quartet for Common Practice features as its prime melodic voice the veteran Tom Harrell, who was voted Trumpeter of the Year in 2018 by the U.S. Jazz Journalists Association. Iverson extols the quality of poetic "vulnerability" in Harrell's playing, particularly in such ballads as "The Man I Love" and "Polka Dots and Moonbeams," two of the album's highlights. Common Practice also courses with an effervescent swing, thanks to the top-flight rhythm team of bassist Ben Street and drummer Eric McPherson, whose subtle invention helps drive Denzil Best's bebop groover "Wee" and two irresistibly bluesy Iverson originals.

Artist Title Time Moy Eng & Wayne Wallace Filthy Gorgeous 06:05 Moy Eng & Wayne Wallace Sleepless in Paris 04:52 Moy Eng & Wayne Wallace You Put A Spell on Him 06:21 Moy Eng & Wayne Wallace I Love A Girl Who Parties 04:58 Moy Eng & Wayne Wallace Hong Kong 05:46 Moy Eng & Wayne Wallace Wild Plum 04:38 Moy Eng & Wayne Wallace Magnolia Light 06:06 Moy Eng & Wayne Wallace Alpha Girl 04:22 Moy Eng & Wayne Wallace A New York Moment 07:17 Moy Eng & Wayne Wallace Thursdays In May 04:21 Moy Eng & Wayne Wallace "The Blue Hour" Impacting: July 30 2019 Format(s): Jazz ★★★ ½ "Part travelogue, part emotional exploration, The Blue Hour is a deeply felt experiment in unconventional musical storytelling. Eng’s lyrics often speak to her heritage as a Chinese-American, and Wallace has couched them in sumptuous arrangements that span rock, chamber music and more." Carlo Wolff, DownBeat, July 2019 MOY ENG, WAYNE WALLACE “THE BLUE HOUR” Patois Records PRCD026 Poet-vocalist Moy Eng debuts with original lyrics set to original music by 4-time Grammy nominee Wayne Wallace Suggested Tracks: 1, 3, 6 Latin 2, 5, 9 Recording debuts often provide only a starting point: the seeds of a musician’s artistic vision, which may or may not flower and grow in the course of a career. The Blue Hour, the debut recording from vocalist and poet-lyricist Moy Eng, is something altogether different. It introduces the measured and mature work of a new (not young) artist – a woman who has excelled as a visionary arts administrator and philanthropic executive, embarking on a second-act career that she had hardly anticipated. In collaboration with her songwriting partner and producer, the four-time GRAMMY-nominated trombonist and bandleader Wayne Wallace, Eng has created a debut masterwork. The songs on The Blue Hour, slated for release by Wallace’s Patois Records on July 26, 2019, embody the lessons of a lifetime even as the writing retains the wideeyed delight of a gifted sensualist. Eng’s lyrics are a blend of autobiography and her expansive imagination, and they range across the emotional landscape. There’s the spiky sass of “Filthy Gorgeous,” her inspired description of the dichotomies inherent in a new relationship; the ethereal sweep of “Magnolia Light,” a lazing dreamscape that transforms the sky itself into a lead character; and, in the ramp-up to “I Love A Girl Who Parties,” Eng’s remembrance of the impact Aretha Franklin’s music had on her, growing up in a traditional Chinese-American family during the 1960s. Traversing themes related to love, loss, travel, and identity, Eng presents these songs as a colorful basket of individual gifts, each wrapped in a gently sumptuous and frankly beautiful alto – a silky but unruffled singing voice as warmly clear as the poetic “voice” that infuses her writing. To complement her words, Wallace’s compositions – and especially his spot-on arrangements which draw on his eclectic musical experiences in pop, rock, jazz, and Latin music – enhance each of Eng’s lyrics, underscoring emotions both spoken and implied. Eng’s achievement is all the more impressive when you consider that, despite having “always had an affinity” for literature and writing, she only started putting pen to paper about 15 years ago. Since then she’s written some 500 poems, finding that genre best suited to what she needs to express. “Trusting myself with the process of capturing a memory, a scent or an experience – there’s something powerful that unfolds,” she explains. Her affinity for music runs even deeper. “I’ve never not sung,” she says; “it’s part of my earliest memories, since I was 4 or 5. It has always been part of my daily life, like breathing.” Nonetheless, and despite her early classical voice training, she has performed only occasionally on stage; this explains why most people are hearing her now for the first time. But in the arena of philanthropy and grant making, she’s a superstar, with more than three decades’ experience supporting initiatives in the arts, renewable energy, gender equality, and human rights. Wayne Wallace requires no such introduction to modern jazz listeners. He is perhaps best known as a powerful trombone soloist with expertise in a startling range of Afro-Caribbean and South American rhythms, as displayed in his eponymous Latin Jazz Quintet, which has earned three of his four GRAMMY nominations. These accomplishments rest upon a hidden foundation forged in San Francisco’s pop, soul, and Latin music scenes of the 1970s and 80s – one of his first gigs placed him in a James Brown cover band – and as a coveted writer and producer. The stylistic variety of his work on The Blue Hour offers a glimpse into this extensive resume, demonstrating that, as he points out, “I do more than just Latin Jazz.” Eng first encountered Wallace more than a decade ago, when she enrolled in a songwriting class he was teaching at a Bay Area music camp. “I wanted to learn what made a great song, even if I were never to write one. I felt that some of the phrasing and imagery in my poems might work as songs. And Wayne was very encouraging,” she recounts. About a year later, Eng called to tell Wallace that she’d written close to 100 pieces of poetry, and asking if they might try writing a song together. His reaction? “I was wondering when you would call me.” Eng sent him close to a dozen poems. Wallace chose three of those as likely candidates, and in 2010 they got to work on their first song, “Alpha Girl,” drawn from Eng’s X-ray observations of “post-feminist women with the ambitious goal to be all things to all people.” The two have a fairly strict division of labor – music by him, words by her – but as Wallace explains, “We’re almost always in the room together when we write; it’s not like I come in and say, ‘Oh, look what I came up with on my own.’ It’s more, ‘What do you think of this? Then how about this?’ It’s definitely a collaboration – even though Moy doesn’t count herself as having written the music.” At first they had no plans to make an album at all. But as the partnership continued, they soon found themselves with some 35 fully-fledged songs and began presenting them in Bay Area clubs. Positive reaction from audiences convinced them to cull the ten they thought would best complement each other, while at the same time exploring the full range of the “Eng-Wallace Songbook.” Several tunes – “Sleepless in Paris,” “Hong Kong,” “A New York Moment” – explore the wondrous disorientation of visiting places away from home; the jazz-rock anthem “Wild Plum” uses a Chinese symbol of winter as sexy metaphor. As Eng explains: “Wayne and I try to create worlds, with words and arrangements, that people can step into and connect with their own experiences.” Born in New Jersey, Moy Eng received her M.A. in Arts Administration from New York University, then launched her professional career with a bang, as fundraiser for the Alvin Ailey American Dance Theater – where she worked directly with the company’s legendary founder – and the Orchestra of St. Luke’s. She has been a grant maker in foundations whose assets ranged from $100 million to $9 billion, including the William and Flora Hewlett Foundation. Her “day gig,” as she puts it, has earned her honors from the California Arts Council and from the World Affairs Council, which called her a social entrepreneur “who will shape our tomorrow.” She currently leads the Bay Area’s Community Arts Stabilization Trust (CAST), a young nonprofit organization that develops affordable workspaces for the arts in one of the most expensive regions to live and work in the world. In a career that spans four decades, San Francisco native Wayne Wallace has lent his myriad talents (sideman, arranger, composer, producer) to the likes of Count Basie, Aretha Franklin, Tito Puente, Sonny Rollins, and Carlos Santana. His debut album as a leader, 2000’s Three In One (Spirit Nectar), showcased his writing skills and his encyclopedic knowledge of Afro-Cuban rhythms, which he developed in the close-knit Bay Area jazz community, most notably as music director of John Santos’s Machete Ensemble. Wallace’s outsized role in Bay Area jazz includes his creation of Patois Records, with a catalog that includes his own albums and also recordings by vocalists Kat Parra and Alexa Weber Morales, as well as two highly regarded anthologies of Bay Area salsa and Latin jazz. A gifted educator, Wallace now spends the academic year as professor of jazz trombone and practice in jazz studies at the Jacobs School of Music at Indiana University, having previously taught at San Jose State University and Stanford University. Attachments ONE SHEET .. Front+Back.. Liner note.. Moy Eng & ..

We are excited to announce the launching of The 14 Jazz Orchestra's new YouTube site (The 14 Jazz Orchestra) with new videos from our recent recording, The Future Ain't What It Used To Be. We have opened up our site with 2 compositions by Chick Corea, Blue Miles and Armando's Rhumba, featuring Latin Grammy Winner Ed Calle on Tenor and Soprano Sax, along with Ed Maina (Alto Sax & Piccolo) and Drummer Lee Levin. YouTube users can find the videos by searching "The 14 Jazz Orchestra", get a direct link at the band's Facebook Page, or at our website, 14jazzorchestra.com. We are currently working on the music for a future recording release, circa 2021. In the meantime, listeners can continue to follow our music on CD, Downloads, and by Streaming through all the major distributors. Thank you for your continuing support. Dan Bonsanti

Week 8 results Toronto 28....Winnipeg 27 https://www.cfl.ca/games/2588/winnipeg-blue-bombers-vs-toronto-argonauts/ https://www.cbc.ca/sports/football/cfl/cfl-toronto-argonauts-winnipeg-blue-bombers-recap-week-8-1.5233514 https://stats.cbc.ca/football/cfl/recap/76097 https://3downnation.com/2019/08/01/bethel-thompson-fights-penalties-20-point-deficit-as-argos-stun-bombers-for-first-win/ https://3downnation.com/2019/08/01/bombers-suffer-epic-collapse-against-boatmen-ten-other-thoughts/ Will this be the biggest upset of the season? The Bombers led 20-0 with four minute left in the first half. ***** Sask 24....Hamilton 19 https://www.cfl.ca/games/2589/hamilton-tiger-cats-vs-saskatchewan-roughriders/ https://www.cbc.ca/sports/football/cfl/cfl-saskatchewan-hamilton-recap-week-8-1.5233517 https://3downnation.com/2019/08/02/fajardo-orchestrates-last-minute-comeback-as-riders-edge-ticats/ Sask scored the winning TD with 24 seconds left in the game.

Last Week 8 picks https://doorfliesopen.com/2019/08/01/cfl-beat-93/ https://3downnation.com/2019/08/01/3down-picks-summer-time-heat/ https://rileysportsblog.wordpress.com/2019/08/01/week-8-cfl-predictions-2/ https://lastwordoncanadianfootball.com/2019/08/01/niks-picks-week-8-2019/ https://2andoutca.wordpress.com/author/2andoutcfl/

Week 8 game notes https://www.cfl.ca/2019/07/31/cfl-ca-game-notes-look-week-8-3/ ***** Week 8 picks https://www.yorktonthisweek.com/cfl-picks-hamilton-tiger-cats-turn-to-dane-evans-for-game-against-roughriders-1.23901593 http://17degreesports.com/index.php/2019/07/31/cfl-week-8-preview/ ***** league analysis http://17degreesports.com/index.php/2019/07/31/2019-cfl-1-3-mark-of-the-season/

Week 8 picks https://www.cfl.ca/2019/07/31/prediction-time-cfl-ca-writers-make-week-8-picks-2/ https://www.cfl.ca/2019/07/31/weekly-predictor-betting-bombers/ https://thegruelingtruth.com/podcast/cfl-weekly-pickem-show-week-8-w-robert-drummond/ ***** 7/31 checking down https://www.cfl.ca/2019/07/31/checking-playmakers-sidelines-week-8/ ***** power rankings https://lastwordoncanadianfootball.com/2019/07/31/cfl-week-7-power-rankings/ ***** More on Zach Collaros https://3downnation.com/2019/07/31/riders-gm-jeremy-oday-breaks-down-the-zach-collaros-trade/ https://www.cbc.ca/news/canada/saskatchewan/saskatchewan-roughriders-zach-collaros-trade-1.5231922 https://lastwordoncanadianfootball.com/2019/07/31/toronto-argonauts-acquire-zach-collaros-change-quarterback/

BREAKING: The Riders have traded Zach Collaros to the Argos for a draft pick. https://3downnation.com/2019/07/31/riders-trade-qb-zach-collaros-to-argos/ https://www.cfl.ca/2019/07/31/argos-acquire-zach-collaros-riders/ https://www.cfl.ca/2019/07/31/oleary-collaros-heading-back-began/ https://www.tsn.ca/toronto-argonauts-acquire-quarterback-zach-collaros-from-the-saskatchewan-roughriders-1.1344773 ***** The Als cut Brandon Bridge. https://www.cfl.ca/2019/07/31/als-release-bridge-activate-pipkin/ https://3downnation.com/2019/07/31/alouettes-release-canadian-qb-brandon-bridge/

Some years ago, I decided that regarding all purchases, I would be a consumer, not a collector.

QB accuracy https://www.cfl.ca/2019/07/30/accuracy-grades-target-week-7/ ***** power rankings https://3downnation.com/2019/07/30/3down-power-rankings-lack-of-respect-for-the-ticats/ ***** Week 8 picks https://www.covers.com/Editorial/Article/66f48915-b2df-11e9-a97c-0a73013d6078/CFL-Week-8-preview-odds-picks--predictions-Eskimos-pass-rush-to-pressure-Stampeders https://www.bing.com/videos/search?q=cfl+picks+this+week&view=detail&mid=C8D05244A2E5B3190446C8D05244A2E5B3190446&FORM=VIRE

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Artist Title Time The May Fall Crew Mental Maze 03:39 The May Fall Crew Old Memories 04:36 The May Fall Crew Mood Swinger. 03:21 The May Fall Crew Deflection 03:14 The May Fall Crew Spaceport 04:12 The May Fall Crew Indifferent. 02:56 The May Fall Crew Express Train 02:15 The May Fall Crew Alma Oscura 03:59 The May Fall Crew Time Expander 03:28 The May Fall Crew Recharge 02:42 The May Fall Crew Overload 03:18 The May Fall Crew Oblivios to the Obvious 03:13 The May Fall Crew "Overload" Impacting: July 29 2019 Format(s): Jazz NEW ALBUM: The May Fall Crew - Overload The May Fall Crew is a powerful trio of three highly talented musicians that manages to create diverse and groundbreaking contermporary Jazz-Fusion unrestrained by conventions of any genre, well-evidenced in their fresh debut album "Overload". We invite you to listen to the album and find more about The May Fall Crew: Stream the album on Spotify or any other major streaming platform: Watch the video of the first single "Spaceport": Visit The May Fall Crew's page for more information: Stay tuned for second single and video out next month! Attachments OVERLOAD a.. band photo.. May Fall C..

Artist Title Time Aaron Weinstein St. Louis Blues 04:43 Aaron Weinstein World Is Waiting For The Sunrise 02:42 Aaron Weinstein Makin’ Whoopee 05:20 Aaron Weinstein (Back Home Again in) Indiana 03:49 Aaron Weinstein Chinatown, My Chinatown 03:48 Aaron Weinstein Charlotte 05:51 Aaron Weinstein Hindustan 03:55 Aaron Weinstein The Zabar Shuffle 03:44 Aaron Weinstein There’s A Broken Heart for Every Light On Broadway 03:16 Aaron Weinstein Chicago (That Toddlin’ Town) 03:29 Aaron Weinstein Nola 04:33 Aaron Weinstein Ja-Da 02:39 Aaron Weinstein "3x3" Impacting: August 23 2019 Format(s): Jazz Album Street Date: 9.06.2019 Aaron Weinstein, a rising star in the New York Jazz community, makes his Chesky Records debut on 3x3, an album of instrumental Jazz standards that not only experiments with modern recording methodologies, but with the boundaries of Jazz expression. Featuring Aaron Weinstein (violin), Matt Munisteri (Guitar), Tom Hubbard (Bass), 3x3 is the perfect illustration of the beauty of simplicity. No unnecessary production; no extemporaneous distractions. You're left with stunning musicianship, breathtaking acoustics, and evocative and memorable music.

Jazz at Lincoln Center Orchestra with Wynton Marsalis "Jazz & Art" Impacting: August 2 2019 Format(s): Jazz Artist Title Time Jazz at Lincoln Center Orchestra with Wynton Marsalis Stuart Davis for the Masses: The Mellow Pad 03:35 Jazz at Lincoln Center Orchestra with Wynton Marsalis Stuart Davis for the Masses: Garage Lights 02:38 Jazz at Lincoln Center Orchestra with Wynton Marsalis Stuart Davis for the Masses: New York 03:07 Jazz at Lincoln Center Orchestra with Wynton Marsalis Blue Twirl 09:17 Jazz at Lincoln Center Orchestra with Wynton Marsalis Bearden (The Block) 07:16 Jazz at Lincoln Center Orchestra with Wynton Marsalis Air, Earth, Fire, Water (Orisha Medley) 08:26 Jazz at Lincoln Center Orchestra with Wynton Marsalis Winslow Homer: Homer's Waltz 04:05 Jazz at Lincoln Center Orchestra with Wynton Marsalis Winslow Homer: Homer's Blues 03:57 Jazz at Lincoln Center Orchestra with Wynton Marsalis The Repose in All Things 05:45 Jazz at Lincoln Center Orchestra with Wynton Marsalis Twilight Sounds 07:41 Music and paintings share so many characteristics—textures, colors, layers, line, form, shape—and when these two art forms come together, they create a bold new medium. Jazz and Art, the latest studio album from the Jazz at Lincoln Center Orchestra with Wynton Marsalis, lets listeners experience that transcendent combination firsthand through seven imaginative works from celebrated composers. Taking inspiration from artists like Romare Bearden, Piet Mondrian, and Stuart Davis, the Orchestra constructs elaborate, evocative soundscapes that joyously explore the act of creation. FULL PRESS RELEASE: Announcing the Release of JAZZ AND ART by the Jazz at Lincoln Center Orchestra with Wynton Marsalis performing original compositions inspired by modern master artists Available digitally on August 2, 2019 from Blue Engine Records In past concerts that have been described by the New York Times as being “soulful,” “evocative,” and “playing directly to the band’s strengths,” the Jazz at Lincoln Center Orchestra with Wynton Marsalis performed original compositions inspired by masters of modern art including Romare Bearden, Stuart Davis, Sam Gilliam, Winslow Homer, Wifredo Lam, Norman Lewis and Piet Mondrian. On August 2, 2019, Blue Engine Records will release the studio recordings of these charts on a new album entitled Jazz and Art. Jazz and Art will be released on all digital platforms on August 2nd, 2019. GRAMMY Award-winner and Jazz at Lincoln Center Orchestra member Ted Nash says, “Music and paintings share so many characteristics; textures, colors, layers, line, form, shape. No wonder they are such agreeable collaborators. When these two art forms come together, they create a new medium. In February 2010, the audience in Jazz at Lincoln Center’s Rose Theater got to experience that transcendent combination when seven imaginative composers presented new works accompanied by projections of the paintings that inspired their creations.” Jazz and Art displays impressive musicianship and a range of musical styles, from modern jazz to gospel, American pastoral music, Afro-Cuban, spirituals, New Orleans, Indian chants, avant garde, and beyond. The compositions were inspired by works of art from beloved museums such as The Guggenheim, The Metropolitan Museum of Art, and the Museum of Modern Art. TRACK LISTING 1. Stuart Davis for the Masses: The Mellow Pad For Stuart Davis Written & Arranged by Doug Wamble Solo: Vincent Gardner (trombone) 2. Stuart Davis for the Masses: Garage Lights For Stuart Davis Written & Arranged by Doug Wamble Solo: Marcus Printup (trumpet), Sherman Irby (alto saxophone) 3. Stuart Davis for the Masses: New York For Stuart Davis Written & Arranged by Doug Wamble Solo: Dan Nimmer (piano) 4. Blue Twirl For Sam Gilliam Written & Arranged by Vincent Gardner Solo: Wynton Marsalis (trumpet), Ted Nash (alto saxophone), Elliot Mason (trombone) 5. Bearden (The Block) For Romare Bearden Written & Arranged by Chris Crenshaw Solo: Dan Nimmer (piano), Victor Goines (tenor saxophone) 6. Air, Earth, Fire, Water (Orisha Medley) For Wifredo Lam Written & Arranged by Papo Vasquez Solo: Papo Vazquez (trombone), Wynton Marsalis (trumpet) 7. Winslow Homer: Homer’s Waltz For Winslow Homer Written by Bill Frisell Arranged by Andy Farber Solo: Walter Blanding (tenor saxophone) 8. Winslow Homer: Homer’s Blues For Winslow Homer Written by Bill Frisell Arranged by Andy Farber Solo: Wynton Marsalis (trumpet), Walter Blanding (tenor saxophone), Dan Nimmer (piano) 9. The Repose in All Things For Piet Mondrian Written & Arranged by Tim Armacost Solo: Sherman Irby (alto saxophone), Ryan Kisor (trumpet) 10. Twilight Sounds For Norman Lewis Written & Arranged by Sherman Irby Solo: Victor Goines (bass clarinet), Wynton Marsalis (trumpet) Personnel: THE JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS REEDS Sherman Irby (alto saxophone, clarinet, and flute) Ted Nash (alto saxophone, clarinet, and flute) Victor Goines (tenor saxophone, bass clarinet, and clarinet) Walter Blanding (tenor saxophone) Joe Temperley (baritone saxophone, bass clarinet) TRUMPETS Ryan Kisor Marcus Printup Kenny Rampton Wynton Marsalis, trumpet and vocals TROMBONES Vincent Gardner Chris Crenshaw Elliot Mason RHYTHM SECTION Dan Nimmer, piano Carlos Henriquez, bass Ali Jackson, drums and tambourine SPECIAL GUESTS: Papo Vazquez, trombone Iwao Sado, Batá drums Xavier Rivera, Batá drums Anthony Carrillo, Batá drums About Blue Engine Records Blue Engine Records, Jazz at Lincoln Center’s platform that makes its vast archive of recorded concerts available to jazz audiences everywhere, launched on June 30, 2015. Blue Engine Records releases new studio and live recordings as well as archival recordings from Jazz at Lincoln Center’s performance history that date back to 1987 and are part of the R. Theodore Ammon Archives and Music Library. Since the institution’s founding in 1987, each year’s programming is conceived and developed by Managing and Artistic Director Wynton Marsalis with a vision toward building a comprehensive library of iconic and wide-ranging compositions that, taken together, make up a canon of music. These archives include accurate, complete charts for the compositions – both old and new – performed each season. Coupled with consistently well-executed and recorded music performed by Marsalis and the Jazz at Lincoln Center Orchestra, this archive has grown to include thousands of songs from hundreds of concert dates. The launch of Blue Engine is aligned with Jazz at Lincoln Center’s efforts to cultivate existing jazz fans worldwide and turn new audiences on to jazz. For more information on Blue Engine Records, visit blueenginerecords.org.

That was my favorite Tijuana Brass album. Still had The Wrecking Crew, I think.

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Artist Title Time Philip Bailey Billy Jack 06:57 Philip Bailey You're Everything 04:50 Philip Bailey We're A Winner (feat. Bilal) 05:32 Philip Bailey Stairway To The Stars 04:56 Philip Bailey Brooklyn Blues 02:56 Philip Bailey Once In A Lifetime 05:53 Philip Bailey Just To Keep You Satisfied 05:17 Philip Bailey Sacred Sounds 08:16 Philip Bailey Long As You're Living 04:40 Philip Bailey Love Will Find A WayLove Will Find A Way (feat. Casey Benjamin) 06:31