GregK
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Posts posted by GregK
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Ron,
Radically improved? No. They're improved though I believe. A bit more open, less congested sounding. Neither are too bright. You can hold steady with the big box if you have it, you're not missing out on a trememdous new remastering. Though I DO like the way these sets are compiled thematically, makes sense and makes good listening.
What Lon said! If you already have the old box, there really isn't a reason to upgrade. If you're like me, though, and don't have any Coltrane Prestige (or "didn't," before these boxes came out), this is definitely the way to go.
I agree with everything above, and I'd like to add that the liner notes are worthwhile too. Plus the original album covers are reprinted in the booklet.
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Roscoe is very "up" for the Yugnaut concert - he's mentioned it to me twice in the last few months.
Four Altos is Marty Ehrlich, Ned Rothenberg, Michael Attias and Andrew Laster and Third Man Trio is Han Bennink - percussion/drums, Michael Moore - reeds and Will Holshouser - accordion.
What is yuganaut?
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Damn, Roscoe will be here again? I had no idea. I most likely will not be able to make it due to kid stuff.
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will this make him funny, finally?
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Happy birthday Mr. Abrams! I'm so glad I got to see him with Roscoe Mitchell and George Lewis 2 years ago.
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As far as I can tell, I believe that the catalog numbers listed are for the US digipaks (I no longer have those, I have Japanese DSD versions).
digipacks of "Agartha" and "Pangaea"? I thought there only were the jewel case Master Works vesions (with red frame, not blue)?
I recently got those, having given up ever getting newer versions. Of all the other 2CD sets (Fillmores, In Concert etc) I got the digipack versions.
You are correct, they never were issued in the digipak. That is why I was wondering if the box set editions were different from the currently available versions because they were not reissued along with all of the other albums 10-12 years ago.
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I know, it's silly. Put some extra stuff on some, not on others, it's neither "just the original albums as released" nor " all the stuff."
Weird.
And, maybe I missed it, but are Agharta and Pangaea remastered or otherwise enhanced at all?
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From AnnArbor.com:
http://www.annarbor.com/entertainment/501-jazz-series/
Nice that they featured a picture of you when you're not playing Goodnight Gracie's until next April.
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"Interesting ECM", that's the prob, the're always 'interesting', rarely exciting or funky or greasy or...
If you are seeking funky or greasy then you're looking in the wrong place. Most ECMs are coming from a different direction. If you are attuned to that direction there's just as much excitement as anywhere else.
I'm someone who often doesn't find funky or greasy very exciting as it can sound formulaic. The problem lies in my expectations, not the music.
I think we've got a rich enough world of music for these things to live side by side.
Absolutely agree, Bev. The lack of "greasiness" is what makes these interesting for me.
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Hey GregK, you thought MOMOFUKU was formulaic? Hadn't ever thought about that, but I can see where you're coming from even if I disagree wholeheartedly. I mean, there were a lot of times listening to that record that felt like I was listening to This Year's Model (especially "American Gangster Time"), but for me that's what makes it such a fantastic record. One can retread without rehashing, and IMO EC did that brilliantly on MOMOFUKU.
Yes, formulaic in the sense that it has a sampling of a lot of the styles of music he's tried out in the past (it reminded me of Spike immediately). Not bad, just not nearly as interesting as Delivery Man, River in Reverse or Secret, etc.
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No comments on Secret, Profane, and Sugarcane?
It's fantastic! It's the best Costello I've heard since The Delivery Man (which is my favorite of all his albums), maybe even better than that. I love the instrumentation (acoustic country/folk/bluegrass) and some of his strongest songs in at least 15 years. My only problem with it is that one of the bonus songs on the vinyl is Femme Fatale, which just sounds out of place (I've never been a big fan of Lou Reed anyway). But after the rather formulaic Momofuku, it's great to hear him sound so different.
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I know Robbie Robertson worked with him but I'll still never understand the presence of Neil Diamond at that concert. Just so opposite of The Band's music and image.
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Not the most idiotic thing I've ever read on this forum, not by a long shot...
Ok, but is it defensible? I mean come on, can anyone really say this forum is being "taken over" by all these right-wing rednecks? You gotta be kidding me...
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Right. I discovered Chris' new blog a couple of weeks ago and what a treat it is. I sure miss his presence on this site. The right wing rednecks who seem intent on taking over Organissimo have become a huge pain in the ass. I really can't understand people who hold those views listening to jazz. The very idea is oxymoronic. Most of the musicians I've talked to over the years seemed pretty apolitical but I doubt that many - Lionel Hampton being the only exception I can think of - ever voted Republican.
Wow. This is now the most idiotic thing I have ever read on this forum. Amazing.
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I was there, right up in front near the stage. It was a blast.
I was there, right up in front near the stage. It was a blast.
could you see the snowball hanging from Neil Young's nose?
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This is an interesting discussion. thank you for sharing
demande simulation pret personnel en ligne - Pret personnel en ligne et de comparer les meilleurs taux afin de... La demande de prêt personnelen lignedemande simulation pret personnel en ligne
What about it do you find interesting?
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I hope this is temporary. The two times I saw Organissimo were at the Firefly (in it's previous location on Ashley):
http://www.annarbor.com/business-review/an...de-of-jazz-bar/
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My only ECM purchases since the '80s are by Evan Parker and Roscoe Mitchell. This might say more about me than the label, or not.
What about Tribute to Lester, the most recent Art Ensemble of Chicago ECM?
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too bad he's such a nut. I really like his new record on ECM, Remembering Weather Report. Sounds vaguely the Weather Report that he was a part of, with more of a late 60s Miles influence.
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Do all people from Canadia dream of dating tv characters?
No.
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They seemed to have stopped the longbox reissues at the Jack Johnson box- so no Seven Steps, Cellar Door or On the Corner longboxes.
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I'm interested to see how it will be packaged. But who is going to buy this thing, really? Not casual fans, not the hardcore fans.
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40% Off One of Anything thru 9 August
Exclusions apply. Brick and Mortar only.
Just curious: excludes vinyl LPs. Does YOUR Borders sell LPs?
Yes. Less now than it did a year ago, which actually was a pretty decent selection, considering what is currently available on LP.
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Well my faith in cd shopping...in an actual store...has been restored. I decided to drive to Chicago last night (spur of the moment kind of thing) and I hit Restless Records on Milwaukee St tonight, which also happened to have an Exchange just two doors down. I went to the Exchange first and not only was I floored by the selection but the female clerk actually engaged in a jazz discussion with me. I couldn't believe it! She asked, "well what kind of jazz do you like? Smooth or the real stuff'". I said "the real stuff" and she said "oh, like Blakey and Rollins? Wayne Shorter's one of my favorites!" Then she went on to say what a great bunch of stuff they got in and that a good deal of it was OOP but they still priced them at decent prices. Man, she wasn't kidding! The highlight of that batch being "This is Tal Farlow" in the slipcase for $10!!!!!!! Really???? Plus another VEE, "Art Farmer-Benny Golson Jazztet-Here and Now" for $8! I bought those in a heartbeat. They also had the Billy Bauer VEE too, but I already own that one. And they had tons more stuff: tons of Art Farmer, Chick Corea's "Early Circle" and on and on-it was nuts! Man, browsing through bins and having that excitment of can't waiting to see what's next was a feeling I haven't had in years. Then, after an hour there, I finally made my way to Reckless a few doors down and that place was filled to the hilt with jazz cd's. I actually started to panic because I knew I was going to go over my budget, but I still ended up walking out of there nearly an hour and a half later with $125 worth of more cd's. It was so much frickin' fun going through bin after bin of jazz and having a staff that knows what's what and hanging there talking to these people about your passion. I'm sorry, but I just don't get the same satisfaction with on-line suppliers. I say, Bring back the stores!!!
Wow. You're lucky. That experience is just so much better than what you would get from downloading.
Why was Bixieland banned?
in Forums Discussion
Posted
Then you should be suspicious of Johnny E, too.