Lazaro Vega

Was fun to pull out the Ornette Coleman albums on Blue Note and Impulse to kick it off Jazz From Blue Lake last night. The program is available today via www.bluelake.org/ondemand . (Photo by Marc Marnie). Redman said, "MUSIC-- that most elegant of travelers, living in living, spanning a million reincarnations/Pacifying agnostic and pious alike/MUSIC -- mastermaker of the body --intimate with the soul -- laying shame all explanations/MUSIC -- true god of the universe."

Last night Jazz From Blue Lake featured the music of Jackie McLean at the top of each hour. The program is heard here today:www.bluelake.org/ondemand . And here's a reflection on the saxophonist/educator written 10 years ago by the Detroit Free Press's Mark Stryker: "When [McLean] died in the spring of 2006, I opened my obituary/tribute with this: 'There was nothing in jazz like the sugar-free sound of alto saxophonist Jackie McLean, who died last week at his home in Hartford, Conn., at age 74. McLean produced a searing, anguished wail that rode the sharp side of the pitch like a cowboy trying to tame a wild steer. Even those of us who worship him recognize that his acidic tone and slippery tuning are not to everyone’s taste. But for true believers, McLean’s bittersweet sound remains one of the most soulful cries in American music, and the hot-blooded intensity of his style manifests the same urgent quest for self-expression that made us fall in love with jazz in the first place.'"

Yes. Hope it went well. Featuring her music tonight, too.

The recordings of the Thad Jones/Mel Lewis Orchestra taking the stage at the Village Vanguard opening night 50 years ago capture a band in a crowd at one with time. Yesterday marked the 87th anniversary of Mel Lewis's birth, so we dove in to this new deluxe double cd package of those historic New York nights during the first part of each hour of Jazz From Blue Lake, which you can hear, here: www.bluelake.org/ondemand

Trumpeter Jack Walrath brings over 40 years of professional musical life to his improvisations, giving his music a daring energy that's rooted in creativity and seasoned with a strange sense of humor. You can hear his unique contribution to the history of recorded music at the opening of each hour of Jazz From Blue Lake from last night, found on demand today from this page: www.bluelake.org/ondemand

Is there a thread here with reactions to the national broadcast of Jazz From the White House?

That "kid" song, Daydream? During tonight's program that comes in a set with Rene Marie's "Many Years Ago," Jimmy Greene's "Ana's Way" and Alison Miller's Boom Tic Boom playing "Otis Was a Polar Bear."

Vocalist Gregory Porter's album "Liquid Spirit" is the most streamed jazz album of all time (20 million). The follow up, "Take Me To the Alley," was featured last night on Jazz From Blue Lake. The 5 hour radio program is available here: www.bluelake.org/ondemand

Now the Doris Duke to Mr. Threadgill, too.

Percussion master Adam Rudolph's 2009 appearance with multi-instrumentalist Ralph Jones on Blue Lake Public Radio presented the world premier of "Yeyi (yay-yee), A Wordless Psalm of Prototypical Vibrations." With permission of the artists, for a limited time, Blue Lake Public Radio offers the hour long radio program on demand. www.bluelake.org/ondemand .

Jazz From Blue Lake featured the forthcoming recording "In Movement" by Jack DeJohnette last night. Here are links to the broadcast: http://199.176.235.218/ondemand.pl . The album includes a duet with saxophonist Ravi Coltrane dedicated to Rashied Ali. DeJohnette says, "Ravi came up with that melody. I came up with the motion: that kind of motion, propulsive motion; multi-directional motion. And, yeah, that was a first take, actually." Hear DeJohnette with Coltrane and bassist Matthew Garrison tonight at St. Cecilia Music Center, Grand Rapids, MI. The links are only good for today. Lazaro Vega Blue Lake Public Radio 300 East Crystal Lake Road Twin Lake MI 49457 www.bluelake.org/radio

Saxophonist Ravi Coltrane's music was featured last night on Jazz From Blue Lake, especially his appearance on the new album by the Jack DeJohnette trio, "In Movement." We listened to an interview with DeJohnette, too, and featured music by the Beer City Saxophone Ensemble which appears tonight at the Waldron Public House in a benefit for Blue Lake. Catch the DeJohnette Trio this Thursday at St. Cecilia Music Center, www.scmc-online.org. Here are links to last night's Jazz From Blue Lake. Hope you have time to listen: http://199.176.235.218/ondemand.pl

This week Jazz From Blue Lake is featuring music in advance of the Jack DeJohnette Trio concert at St. Cecilia Music Center on Thursday. DeJohnette's trio features bassist Matthew Garrison, son of John Coltrane's bassist Jimmy Garrison. In addition to recordings by Jimmy Garrison, last night's broadcast includes an interview with drummer/composer/pianist/bandleader Jack DeJohnette: http://199.176.235.218/ondemand.pl

Guitarist Ed Cherry is known in jazz circles for his time with jazz giant Dizzy Gillespie. Today, he's enjoying the organ/guitar/drums combination with two recent releases on Posi-tone records. Friday night's Jazz From Blue Lake, featuring music by Ed Cherry, Jack DeJohnette and The Beer City Saxophone Ensemble is still available today on demand fromhttp://199.176.235.218/ondemand.pl

WEDNESDAY, APRIL 20TH AT 6 P.M. The Waldron Public House, 58 Ionia Ave SW, Grand Rapids, Michigan presents Gary McCourry’s Beer City Saxophone Ensemble in a benefit concert for Blue Lake Public Radio. (800) 889 - 9258. Blue Lake Public Radio’s annual spring on-air membership drive begins Friday, April 22nd, and The Waldron Public House is getting this year’s fundraiser off with a special event, a concert by the nine member Beer City Saxophone Ensemble. “This group performs compositions by bebop great Charlie Parker and other Jazz Legends arranged in a ‘Supersax’ style for 5 saxophones and rhythm section,” explains baritone saxophonist and music instigator Gary McCourry, a gifted bandleader who returned to Grand Rapids after years of performing at the West Point U.S. Military Academy. “Supersax” was a 1970’s-era Grammy-award winning ensemble performing harmonized versions of jazz giant Charlie Parker solos. “The Beer City Saxophone Ensemble” uses them as a starting point for their jazz arrangements of standards, too, such as “Save Your Love For Me,” “I Let A Song Go Out of My Heart,” and “It Could Happen to You.” This concert promises a dinner hour of high quality improvisation, driving swing and unmatched musical unity. The Waldron Public House at 58 Ionia Ave. SW in downtown Grand Rapids features a menu of homemade cuisine, an extensive cocktail list, as well as European and American craft beers. Doors open at 6, music begins at 6:30. Concert only advance tickets are $10 for individuals, $15 per couple, and available through http://bluelake.eventbrite.com/ or Blue Lake Public Radio, (800) 889 – 9258. At the door tickets will be $12 for individuals, $20 per couple. Because of the Beer City Saxophone Ensemble’s popularity with musicians they carry one additional saxophonist who switches in during the performance. In Wednesday’s concert as part of this benefit for Blue Lake Public Radio, you’ll hear saxophonists McCourry, Mike Lutley, Tom Lockwood, Tom Stansell, Greg Marsden and Bob Nixon, plus a rhythm section including pianist/composer Robin Connell, bassist Joe Oprea and drummer Tim Froncek. This concert marks the first collaboration between Waldron Public House and Blue Lake Public Radio, which is committed to an aesthetic driven presentation of music under the direction of Lazaro Vega, now in his 34th year with the radio station. The Waldron Public House, 58 Ionia Ave SW, Grand Rapids, Michigan, (616) 454-9105, features live jazz every Friday night, 6-8 p.m. Video links: https://www.youtube.com/watch?v=jBUJKPKODP0 https://www.youtube.com/watch?v=l7ayOUPyMvI

Dear Adventuremusic fans, We’re sorry to inform you that because of illness the Karuna tour with Adam Rudolph and Hamid Drake cancelled. The Underground Series hopes to bring the duo to LaFontsee Galleries in next season’s concert series. The artists are very disappointed by this turn of events as they know how enthusiastically you were looking forward to their unique music Sunday afternoon in Grand Rapids. Please keep an eye on www.adventuremusic.org for updates on next year’s Underground Series.

Joe Chambers is a musician's musician -- a master of drums, mallet instruments and piano; composer and bandleader. Last night Jazz From Blue Lake featured this veteran of 1960's Blue Note Records sessions with Max Roach's percussion ensemble M'Boom, and the Woody Shaw "Iron Men" to kick it off. You can hear the program today only via the links here: http://199.176.235.218/ondemand.pl

Please join Blue Lake Public Radio for a trip through the multi-dimensional musical world of Herbie Hancock as part of Jazz From Blue Lake’s 76th birthday celebration of the exceptional artist, available here: http://199.176.235.218/ondemand.pl

Here are today's on demand links to last night's radio program: http://199.176.235.218/ondemand.pl Women's History Month continued on Jazz From Blue Lake last night as we heard the dramatic music of Abbey Lincoln in the first part of each hour, from her early recordings with drummer Max Roach (many lyrics by Oscar Brown Jr.) to her fully formed originals, so striking in their depiction of the human condition. Photo taken at her home in Manhattan in 2002 by Chester Higgins Jr./The New York Times.

Sunday, April 17th at 3 p.m. PERCUSSIONISTS HAMID DRAKE AND ADAM RUDOLPH PRESENT KARUNA, an afternoon of spiritually inspired music at LaFontsee Galleries, Grand Rapids. After over 40 years of making music together, percussionists Hamid Drake and Adam Rudolph are choosing to share their love for rhythms in the music of the world, and music’s’ relationship to matters of the spirit, by launching their first tour as a duet, called, after the Sanskrit word, Karuna. Karuna reflects an ongoing dialog between the inner life and outward musical expression. Karuna presents the idea of creative action as a gesture of compassion, or creating music as a means of removing harm and suffering from others. Featuring Adam Rudolph on handrumset (kongos, djembe, tarija, zabumba), thumb pianos, sintir, multiphonic vocal, and percussion; with Hamid Drake on drum kit, vocals, frame drums, udu drums, tabla, and percussion, Karuna is the season finale to www.adventuremusic.orgs ‘s second season of unique musical experiences at LaFontsee Galleries, 833 Lake Drive S.E., Grand Rapids. Hamid Drake observes, “I have been developing a hand drum concept on the drum-set, while Adam says he is developing a drum-set concept on his hand drums. We understand one another.” Drake and Rudolph (now both 60 years old) grew up in Chicago and first met at age 14 in a downtown Chicago drum shop. In the mid-1970s they performed and recorded with saxophonist Fred Anderson (a co-founder of Chicago’s Association for the Advancement of Creative Musicians). In 1977 they joined Foday Musa Suso in founding Mandingo Griot Society, one of the first groups to combine African and American music. By 1978 they were touring Europe with the Don Cherry and since that time have performed together in projects with Yusef Lateef, Pharaoh Sanders, Hassan Hakmoun, Hu: Vibrational and Adam Rudolph’s Moving Pictures. Their shared Chicago roots and longtime global music research and performing experience have allowed them to forge a uniquely shared musical understanding and creative outlook. In collaboration with LaFontsee Galleries and Blue Lake Public Radio’s Lazaro Vega, Adventuremusic.org presents these Sunday afternoon musical experiences as The Underground Series, music at the highest level of creativity in the intimate, listener friendly concert environment of LaFontsee Galleries. Tickets are $20 in advance, $10 for students with a student I.D. and $25 at the door. Kids ages 12 and under are free. Advance tickets available only from www.adventuremusic.org . Please use the site to inquire about how you can insure the future of this series through a larger financial commitment. The phone number at LaFontsee Galleries is (616) 451 – 9820. LaFontsee Galleries is wheelchair accessible. To find LaFontsee Galleries please see, www.lafontsee.us/. For more on Adam Rudolph, including videos, http://www.metarecords.com/adam.html . More about Hamid Drake from: http://www.drummerworld.com/drummers/Hamid_Drake.html .

FOR IMMEDIATE RELEASE St. Cecilia Music Center Presents Grammy Award winner Jack DeJohnette, one of the most Influential Jazz Drummers of the 20th Century & Great Jazz Virtuoso, in concert with Ravi Coltrane and Matt Garrison on Thursday, April 21st The concert will feature music from the trio’s brand new album entitled “In Movement” to be released in May 2016 GRAND RAPIDS, MI (March 23, 2016) – On Thursday, April 21 at 7:30 pm the audience at St. Cecilia Music Center will witness one of the most influential jazz drummers of the 20th Century, Jack DeJohnette in concert with Saxophonist Ravi Coltrane (son of Jazz legend John Coltrane and mother Alice Coltrane) and Electric Bassist Matt Garrison (son of bassist of the classic Coltrane quartet Jimmy Garrison). This trio has traveled the world for many years performing and finally came together in studio in October 2015 to record their brand new album entitled “In Movement”, produced by Manfred Eicher. “In Movement” that be release in May 2016 features original songs and renditions of classics such Civil Rights Era elegy “Alabama,” “Blue in Green” by Miles Davis and Bill Evans, and “Serpentine Fire” from the hit ’70s R&B songbook of Earth, Wind & Fire. There are also original homages such as “The Two Jimmy’s”, which nods doubly to fellow innovators Jimmy Garrison and Jimi Hendrix, and “Rashied” saluting the late, great Rashied Ali, a key foil on drums during Coltrane’s free-minded late period. Cathy Holbrook, Executive Director of St. Cecilia Music Center comments, “Jack DeJohnette alone is a world-class jazz legend who has performed with every known jazz great in his lifetime. To have him at St. Cecilia with this trio, made up of the second generation of jazz legends, when their first album is just coming out is a dream come true for St. Cecilia Music Center’s Jazz Series.” Jack DeJohnette was responsible for bringing Matt Garrison and Ravi Coltrane together musically, years ago. Ravi Coltrane, 50 and Matt Garrison, 45 are the children of important jazz artists whose lives were entwined: the saxophonist John Coltrane and the bassist Jimmy Garrison, who played in Coltrane’s quartet of the 1960s. DeJohnette, 73, has often recalled the rare privilege he had to sit in with John Coltrane’s quartet, when he was in Chicago. Concert tickets are $43 and $48 and can be purchased by calling St. Cecilia Music Center at 616-459-2224 or visiting the box office at 24 Ransom Ave. NE. Tickets can also be purchased online at www.scmc-online.org. A post-concert “Meet-the-artists” reception will be offered to all ticket-holders giving the audience the opportunity to meet Jack DeJohnette, Ravi Coltrane and Jimmy Garrison and obtain signed CDs of his releases. NEA Jazz Masters Fellowship and Grammy award winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the jazz. His career spans five decades as a performer and as a bandleader and includes work with Miles Davis, John Coltrane, Sonny Rollins, and Thelonious Monk, to name a few. The longer list of creative associations throughout his career is lengthy and diverse: Ornette Coleman, Thelonious Monk, Bill Evans, Stan Getz, Keith Jarrett, Chet Baker, George Benson, Stanley Turrentine, Herbie Hancock, Dave Holland, Joe Henderson, Freddy Hubbard, Betty Carter and many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century. DeJohnette’s Peace Time won a Grammy in 2009 for Best New Age Album. The album consists of an hour-long, continuous piece of music that eMusic described as “flights of flute, soft hand drumming, and the gently percolating chime of cymbal play, moving the piece along a river of meditative delight.” But the 2009 Grammy is just one many awards that DeJohnette has received over the years. He has figured prominently into readers’ polls and critics’ polls conducted by Downbeat and JazzTimes over the past two decades. He was awarded an honorary doctorate of music from Berklee College of Music in Boston in 1991, and was inducted into the Percussive Arts Society’s Hall of Fame in 2010. DeJohnette has been a bridge between the mainstream and the avant-garde. In 2015 he helped celebrate the 50th anniversary of the Association for the Advancement of Creative Musicians, with several acclaimed colleagues. www.jackdejohnette.com “Jack DeJohnette gave me a deep groove that I just loved to play over.” - Miles Davis - Upcoming Concerts at St. Cecilia Music Center Jazz Series Single tickets (no additional service fees) Jack DeJohnette April 21, 2016 A section $48 B section $43 Acoustic Café single tickets (no additional service fees) Leo Kottke Alejandro Escovedo April 14, 2016 May 5, 2016 A section $40 A section $35 B section $35 B section $30 Jack DeJohnette’s Bio (from his website www.jackdejohnette.com) In a career that spans five decades and includes collaborations with some of the most iconic figures in modern jazz, Grammy winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the genre. The list of creative associations throughout his career is lengthy and diverse: John Coltrane, Miles Davis, Ornette Coleman, Sonny Rollins, Thelonious Monk, Bill Evans, Stan Getz, Keith Jarrett, Chet Baker, George Benson, Stanley Turrentine, Herbie Hancock, Dave Holland, Joe Henderson, Freddie Hubbard, Betty Carter and so many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century. Born in Chicago in 1942, DeJohnette grew up in a family where music and music appreciation was a high priority. Beginning at age four, he studied classical piano privately and later at the Chicago Conservatory of Music, then added the drums to his repertoire when he joined his high school concert band at age 14. “As a child, I listened to all kinds of music and I never put them into categories,” he recalls. “I had formal lessons on piano and listened to opera, country and western music, rhythm and blues, swing, jazz, whatever. To me, it was all music and all great. I’ve kept that integrated feeling about music, all types of music, and just carried it with me. I’ve maintained that belief and feeling in spite of the ongoing trend to try and compartmentalize people and music.” By the mid-1960s, DeJohnette had entered the Chicago jazz scene – not just as a leader of his own fledgling groups but also as a sideman on both piano and drums. He experimented with rhythm, melody and harmony as part of the Association for the Advancement of Creative Musicians during the group’s early days, and later drummed alongside Rashied Ali in the John Coltrane Quintet. He garnered international recognition during his tenure with the Charles Lloyd Quartet, one of the first jazz groups to receive crossover attention. In 1968, DeJohnette joined Miles Davis’s group just prior to the recording of Bitches Brew, an album that triggered a seismic shift in jazz and permanently changed the direction of the music. Miles later wrote in his autobiography: “Jack DeJohnette gave me a deep groove that I just loved to play over.” DeJohnette stayed with Davis for three years, making important contributions to prominent Davis recordings like Live-Evil and A Tribute to Jack Johnson (both in 1971) and On the Corner (1972). During this same period, DeJohnette also recorded his first albums as a leader, beginning with The DeJohnette Complex in 1968 on Milestone. He followed up with Have You Heard in 1970, then switched to Prestige, where he released Sorcery in 1974 and Cosmic Chicken in 1975. The mid 1970s were marked by a series of groups and projects – many leaning toward the experimental side of jazz, including The Gateway Trio (featuring Dave Holland and John Abercrombie), Directions (with Abercrombie and saxophonist Alex Foster), and New Directions (Abercrombie, with Eddie Gomez on bass). Special Edition – which helped launch the careers of little known musicians like David Murray, Arthur Blythe, Chico Freeman, John Purcell and Rufus Reid – remained active into the 1990s, although the project was frequently interrupted by DeJohnette’s various other collaborative ventures, especially recordings and tours with Keith Jarrett. DeJohnette has worked extensively with Jarrett as part of a longstanding trio with Gary Peacock. The threesome will celebrate its 30th anniversary in 2013. Another of DeJohnette’s high-profile projects in the early 1990s was a touring quartet he led consisting of himself, Holland, Herbie Hancock and Pat Metheny, the results were then captured on the landmark recording Parallel Realities. In 1992, he released Music for a Fifth World, an album inspired by Native American culture that also included appearances by Vernon Reid and John Scofield. Given the diversity of players and styles that he had embraced by this point, DeJohnette was already describing his music in the ‘90s as “multidimensional.” In 2004, DeJohnette recorded and toured with two Grammy nominated projects – Out of Towners, with Jarrett and Peacock (aka the Standards Trio); and Ivey Divey, which featured Don Byron and Jason Moran. He continued to work with Jarrett and Peacock in 2005, but also launched numerous additional ventures that same year, the first of which was the Latin Project – a combo that consisted of percussionists Giovanni Hidalgo and Luisito Quintero, reedman Don Byron, pianist Edsel Gomez, and bassist Jerome Harris. Other projects in 2005 included The Jack DeJohnette Quartet, featuring Danilo Perez, John Patitucci and Harris; and the Trio Beyond, a group that celebrated the music of drummer Tony Williams, featuring John Scofield and Larry Goldings. And if that weren’t enough to make for a busy year, 2005 also marked the launch of DeJohnette’s own imprint, Golden Beams Productions. His first two projects on the new label were Music from the Hearts of the Masters, a duet recording with Gambian kora player Foday Musa Suso, and a relaxation and meditation album entitled Music in the Key of Om, featuring DeJohnette on synthesizer and resonating bells. The latter recording was nominated for a Grammy in the Best New Age Album category. He closed 2005 with the release of Hybrids, a seamless weave of African jazz, reggae and dance music that featured Foday Musa Suso and an international cast representing musical styles from around the world. Two live recordings emerged in 2006: The Elephant Sleeps But Still Remembers (Golden Beams), which captured his first musical encounter with guitarist Bill Frisell at the Earshot Festival in Seattle in 2001; and Saudades (ECM), a 2004 London concert celebrating the music of Tony Williams. DeJohnette and Frisell reunited in the fall of 2006 – along with multi-instrumentalist Jerome Harris and mix master Ben Surman – for a tour to promote The Elephant Sleeps. DeJohnette continued to explore African music in 2007 via the Intercontinental project, a partnership with South African singer Sibongile Khumalo that included a successful European tour and culminated in a performance at the Capetown Jazz Festival in South Africa. Other projects in 2007 included studio gigs and tour dates with Bruce Hornsby, Christian McBride, Herbie Hancock, Wayne Shorter and Ron Carter. DeJohnette also appeared on Michael Brecker’s posthumously released Grammy Award winning final album, Pilgrimage. Extensive touring continued in 2008, along with the recording of a trio album with Patitucci and Perez during a snow storm near DeJohnette’s home in upstate New York. The sessions resulted in Music We Are, released in April 2009 with a bonus DVD that provided a rare look at the trio’s friendship, their creative relationship and their approach to the recording process. DeJohnette’s Peace Time won a Grammy in 2009 for Best New Age Album. The album consists of an hour-long, continuous piece of music that eMusic described as “flights of flute, soft hand drumming, and the gently percolating chime of cymbal play, moving the piece along a river of meditative delight.” But the 2009 Grammy is just one many awards that DeJohnette has received over the years, beginning in 1979 with the French Grand Prix Disc and Charles Cros awards. He has figured prominently into readers polls and critics polls conducted by Downbeat and JazzTimes over the past two decades. He was awarded an honorary doctorate of music from Berklee College of Music in Boston in 1991, and was inducted into the Percussive Arts Society’s Hall of Fame in 2010. In 2011, he was chosen to perform at the Kennedy Center in tribute to his longtime friend and musical inspiration, Sonny Rollins. Marking his 70s birthday in 2012, he received a National Endowment for the Arts Jazz Master Fellowship – the highest U.S. honor for jazz musicians – in recognition of his extraordinary life achievements, contributions to advancing the jazz art form, and for serving as a mentor for a new generation of aspiring young jazz musicians. The year-long birthday celebration included performances at the Monterey and Newport Jazz festivals, a tour of Europe with The Jack DeJohnette Group (a quintet he formed in 2010) and several concerts with Chick Corea and Stanley Clarke. Despite all the awards and accolades, though, DeJohnette continues to make the creative process his highest priority. To that end, his most recent recording is Sound Travels, a nine-song, genre-spanning album that includes Latin rhythms and West Indian energy, meditative pieces and straightahead jazz. Included in the long list of guest players is Esperanza Spalding, Bobby McFerrin, Bruce Hornsby and Jason Moran. ###

FOR IMMEDIATE RELEASE St. Cecilia Music Center Presents Grammy Award winner Jack DeJohnette, one of the most Influential Jazz Drummers of the 20th Century & Great Jazz Virtuoso, in concert with Ravi Coltrane and Matt Garrison on Thursday, April 21st The concert will feature music from the trio’s brand new album entitled “In Movement” to be released in May 2016 GRAND RAPIDS, MI (March 23, 2016) – On Thursday, April 21 at 7:30 pm the audience at St. Cecilia Music Center will witness one of the most influential jazz drummers of the 20th Century, Jack DeJohnette in concert with Saxophonist Ravi Coltrane (son of Jazz legend John Coltrane and mother Alice Coltrane) and Electric Bassist Matt Garrison (son of bassist of the classic Coltrane quartet Jimmy Garrison). This trio has traveled the world for many years performing and finally came together in studio in October 2015 to record their brand new album entitled “In Movement”, produced by Manfred Eicher. “In Movement” that be release in May 2016 features original songs and renditions of classics such Civil Rights Era elegy “Alabama,” “Blue in Green” by Miles Davis and Bill Evans, and “Serpentine Fire” from the hit ’70s R&B songbook of Earth, Wind & Fire. There are also original homages such as “The Two Jimmy’s”, which nods doubly to fellow innovators Jimmy Garrison and Jimi Hendrix, and “Rashied” saluting the late, great Rashied Ali, a key foil on drums during Coltrane’s free-minded late period. Cathy Holbrook, Executive Director of St. Cecilia Music Center comments, “Jack DeJohnette alone is a world-class jazz legend who has performed with every known jazz great in his lifetime. To have him at St. Cecilia with this trio, made up of the second generation of jazz legends, when their first album is just coming out is a dream come true for St. Cecilia Music Center’s Jazz Series.” Jack DeJohnette was responsible for bringing Matt Garrison and Ravi Coltrane together musically, years ago. Ravi Coltrane, 50 and Matt Garrison, 45 are the children of important jazz artists whose lives were entwined: the saxophonist John Coltrane and the bassist Jimmy Garrison, who played in Coltrane’s quartet of the 1960s. DeJohnette, 73, has often recalled the rare privilege he had to sit in with John Coltrane’s quartet, when he was in Chicago. Concert tickets are $43 and $48 and can be purchased by calling St. Cecilia Music Center at 616-459-2224 or visiting the box office at 24 Ransom Ave. NE. Tickets can also be purchased online at www.scmc-online.org. A post-concert “Meet-the-artists” reception will be offered to all ticket-holders giving the audience the opportunity to meet Jack DeJohnette, Ravi Coltrane and Jimmy Garrison and obtain signed CDs of his releases. NEA Jazz Masters Fellowship and Grammy award winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the jazz. His career spans five decades as a performer and as a bandleader and includes work with Miles Davis, John Coltrane, Sonny Rollins, and Thelonious Monk, to name a few. The longer list of creative associations throughout his career is lengthy and diverse: Ornette Coleman, Thelonious Monk, Bill Evans, Stan Getz, Keith Jarrett, Chet Baker, George Benson, Stanley Turrentine, Herbie Hancock, Dave Holland, Joe Henderson, Freddy Hubbard, Betty Carter and many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century. DeJohnette’s Peace Time won a Grammy in 2009 for Best New Age Album. The album consists of an hour-long, continuous piece of music that eMusic described as “flights of flute, soft hand drumming, and the gently percolating chime of cymbal play, moving the piece along a river of meditative delight.” But the 2009 Grammy is just one many awards that DeJohnette has received over the years. He has figured prominently into readers’ polls and critics’ polls conducted by Downbeat and JazzTimes over the past two decades. He was awarded an honorary doctorate of music from Berklee College of Music in Boston in 1991, and was inducted into the Percussive Arts Society’s Hall of Fame in 2010. DeJohnette has been a bridge between the mainstream and the avant-garde. In 2015 he helped celebrate the 50th anniversary of the Association for the Advancement of Creative Musicians, with several acclaimed colleagues. www.jackdejohnette.com “Jack DeJohnette gave me a deep groove that I just loved to play over.” - Miles Davis - Upcoming Concerts at St. Cecilia Music Center Jazz Series Single tickets (no additional service fees) Jack DeJohnette April 21, 2016 A section $48 B section $43 Acoustic Café single tickets (no additional service fees) Leo Kottke Alejandro Escovedo April 14, 2016 May 5, 2016 A section $40 A section $35 B section $35 B section $30 Jack DeJohnette’s Bio (from his website www.jackdejohnette.com) In a career that spans five decades and includes collaborations with some of the most iconic figures in modern jazz, Grammy winner Jack DeJohnette has established an unchallenged reputation as one of the greatest drummers in the history of the genre. The list of creative associations throughout his career is lengthy and diverse: John Coltrane, Miles Davis, Ornette Coleman, Sonny Rollins, Thelonious Monk, Bill Evans, Stan Getz, Keith Jarrett, Chet Baker, George Benson, Stanley Turrentine, Herbie Hancock, Dave Holland, Joe Henderson, Freddie Hubbard, Betty Carter and so many more. Along the way, he has developed a versatility that allows room for hard bop, R&B, world music, avant-garde, and just about every other style to emerge in the past half-century. Born in Chicago in 1942, DeJohnette grew up in a family where music and music appreciation was a high priority. Beginning at age four, he studied classical piano privately and later at the Chicago Conservatory of Music, then added the drums to his repertoire when he joined his high school concert band at age 14. “As a child, I listened to all kinds of music and I never put them into categories,” he recalls. “I had formal lessons on piano and listened to opera, country and western music, rhythm and blues, swing, jazz, whatever. To me, it was all music and all great. I’ve kept that integrated feeling about music, all types of music, and just carried it with me. I’ve maintained that belief and feeling in spite of the ongoing trend to try and compartmentalize people and music.” By the mid-1960s, DeJohnette had entered the Chicago jazz scene – not just as a leader of his own fledgling groups but also as a sideman on both piano and drums. He experimented with rhythm, melody and harmony as part of the Association for the Advancement of Creative Musicians during the group’s early days, and later drummed alongside Rashied Ali in the John Coltrane Quintet. He garnered international recognition during his tenure with the Charles Lloyd Quartet, one of the first jazz groups to receive crossover attention. In 1968, DeJohnette joined Miles Davis’s group just prior to the recording of Bitches Brew, an album that triggered a seismic shift in jazz and permanently changed the direction of the music. Miles later wrote in his autobiography: “Jack DeJohnette gave me a deep groove that I just loved to play over.” DeJohnette stayed with Davis for three years, making important contributions to prominent Davis recordings like Live-Evil and A Tribute to Jack Johnson (both in 1971) and On the Corner (1972). During this same period, DeJohnette also recorded his first albums as a leader, beginning with The DeJohnette Complex in 1968 on Milestone. He followed up with Have You Heard in 1970, then switched to Prestige, where he released Sorcery in 1974 and Cosmic Chicken in 1975. The mid 1970s were marked by a series of groups and projects – many leaning toward the experimental side of jazz, including The Gateway Trio (featuring Dave Holland and John Abercrombie), Directions (with Abercrombie and saxophonist Alex Foster), and New Directions (Abercrombie, with Eddie Gomez on bass). Special Edition – which helped launch the careers of little known musicians like David Murray, Arthur Blythe, Chico Freeman, John Purcell and Rufus Reid – remained active into the 1990s, although the project was frequently interrupted by DeJohnette’s various other collaborative ventures, especially recordings and tours with Keith Jarrett. DeJohnette has worked extensively with Jarrett as part of a longstanding trio with Gary Peacock. The threesome will celebrate its 30th anniversary in 2013. Another of DeJohnette’s high-profile projects in the early 1990s was a touring quartet he led consisting of himself, Holland, Herbie Hancock and Pat Metheny, the results were then captured on the landmark recording Parallel Realities. In 1992, he released Music for a Fifth World, an album inspired by Native American culture that also included appearances by Vernon Reid and John Scofield. Given the diversity of players and styles that he had embraced by this point, DeJohnette was already describing his music in the ‘90s as “multidimensional.” In 2004, DeJohnette recorded and toured with two Grammy nominated projects – Out of Towners, with Jarrett and Peacock (aka the Standards Trio); and Ivey Divey, which featured Don Byron and Jason Moran. He continued to work with Jarrett and Peacock in 2005, but also launched numerous additional ventures that same year, the first of which was the Latin Project – a combo that consisted of percussionists Giovanni Hidalgo and Luisito Quintero, reedman Don Byron, pianist Edsel Gomez, and bassist Jerome Harris. Other projects in 2005 included The Jack DeJohnette Quartet, featuring Danilo Perez, John Patitucci and Harris; and the Trio Beyond, a group that celebrated the music of drummer Tony Williams, featuring John Scofield and Larry Goldings. And if that weren’t enough to make for a busy year, 2005 also marked the launch of DeJohnette’s own imprint, Golden Beams Productions. His first two projects on the new label were Music from the Hearts of the Masters, a duet recording with Gambian kora player Foday Musa Suso, and a relaxation and meditation album entitled Music in the Key of Om, featuring DeJohnette on synthesizer and resonating bells. The latter recording was nominated for a Grammy in the Best New Age Album category. He closed 2005 with the release of Hybrids, a seamless weave of African jazz, reggae and dance music that featured Foday Musa Suso and an international cast representing musical styles from around the world. Two live recordings emerged in 2006: The Elephant Sleeps But Still Remembers (Golden Beams), which captured his first musical encounter with guitarist Bill Frisell at the Earshot Festival in Seattle in 2001; and Saudades (ECM), a 2004 London concert celebrating the music of Tony Williams. DeJohnette and Frisell reunited in the fall of 2006 – along with multi-instrumentalist Jerome Harris and mix master Ben Surman – for a tour to promote The Elephant Sleeps. DeJohnette continued to explore African music in 2007 via the Intercontinental project, a partnership with South African singer Sibongile Khumalo that included a successful European tour and culminated in a performance at the Capetown Jazz Festival in South Africa. Other projects in 2007 included studio gigs and tour dates with Bruce Hornsby, Christian McBride, Herbie Hancock, Wayne Shorter and Ron Carter. DeJohnette also appeared on Michael Brecker’s posthumously released Grammy Award winning final album, Pilgrimage. Extensive touring continued in 2008, along with the recording of a trio album with Patitucci and Perez during a snow storm near DeJohnette’s home in upstate New York. The sessions resulted in Music We Are, released in April 2009 with a bonus DVD that provided a rare look at the trio’s friendship, their creative relationship and their approach to the recording process. DeJohnette’s Peace Time won a Grammy in 2009 for Best New Age Album. The album consists of an hour-long, continuous piece of music that eMusic described as “flights of flute, soft hand drumming, and the gently percolating chime of cymbal play, moving the piece along a river of meditative delight.” But the 2009 Grammy is just one many awards that DeJohnette has received over the years, beginning in 1979 with the French Grand Prix Disc and Charles Cros awards. He has figured prominently into readers polls and critics polls conducted by Downbeat and JazzTimes over the past two decades. He was awarded an honorary doctorate of music from Berklee College of Music in Boston in 1991, and was inducted into the Percussive Arts Society’s Hall of Fame in 2010. In 2011, he was chosen to perform at the Kennedy Center in tribute to his longtime friend and musical inspiration, Sonny Rollins. Marking his 70s birthday in 2012, he received a National Endowment for the Arts Jazz Master Fellowship – the highest U.S. honor for jazz musicians – in recognition of his extraordinary life achievements, contributions to advancing the jazz art form, and for serving as a mentor for a new generation of aspiring young jazz musicians. The year-long birthday celebration included performances at the Monterey and Newport Jazz festivals, a tour of Europe with The Jack DeJohnette Group (a quintet he formed in 2010) and several concerts with Chick Corea and Stanley Clarke. Despite all the awards and accolades, though, DeJohnette continues to make the creative process his highest priority. To that end, his most recent recording is Sound Travels, a nine-song, genre-spanning album that includes Latin rhythms and West Indian energy, meditative pieces and straightahead jazz. Included in the long list of guest players is Esperanza Spalding, Bobby McFerrin, Bruce Hornsby and Jason Moran. ###

In 2006 John Litweiler observed "Fred Anderson has finally become recognized as a major figure in the free-jazz, free-improvisation world." The tenor saxophonist, talent nurturer was featured in the first part of each hour last night on Jazz From Blue Lake, including performances with Adam Rudolph, Ken Vandermark, Timothy Daisy, Harrison Bankhead and others. We also included Roscoe Mitchell's brilliant tribute to Anderson on Chuck Nessa's label. You can listen to Jazz From Blue Lake today only, here: http://199.176.235.218/ondemand.pl

I'm sorry Alankin -- Jazz From Blue Lake. The links are good for a day and then are replace by the next night's broadcast.

http://www.thegilmore.org/festival/