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Adam

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Posts posted by Adam

  1. I don't think he's a phony. He's just playing what he plays. It's other people promoting him. (I haven't heard him, just read the articles, so I won't speak to the playing).

    But your writing, Allan, makes it seem like he was the instigator and is at fault for all of this, when the story I read just said he was playing at his nursing home and getting occasional local gigs. Other people started thinking he should record. No one is a "phony" here; just one person who isn't that great a player (I suppose) and people who thought he should have a chance.

  2. The Pan Afrikan People's Arkestra under Horace Tapscott, formed in LA in the early 1960s.

    http://www.myspace.com/panafrikanpeoplesarkestra

    And the Sun Ra Arkestra.

    And other "collectives."

    It seems to me you can trace notions of freedom in music to political developments as one thematic line. But then I would also look at more traditional folk music, and the changing economic times that led to the dearth of gigs for R&B and traditional jazz performers in the late 1960s and 1970s. The nature of political songs. Is a political song like Archie Shepp's work in that period actually effective in any way? It's not a folk song in one way (you can't have people singing it while protesting) but it is inspired by and perhaps does engender forms of anger or revolt.

    But did anyone ever start a riot while listening to jazz?

    I think the link mentioned above to the revolutions (and non-revolutions) of 1968 is important.

  3. Dear Friend,

    The following two new CDs are on the way to the distributors.

    hatOLOGY 706

    Samuel Blaser Quartet

    Samuel Blaser tb, Marc Ducret gt , Banz Oester bs, Gerlad Cleaver dm.

    Recorded live Lausanne Zurich, Basel October 2010..

    Boundless

    hatOLOGY 717

    Albert Ayler Quintet

    Albert Ayler ts, Donal Ayler tp, Michel Samson vl, William Folwell bs,

    Beaver Harris dm. Recorded live Stockholm, Berlin 1966

    Best regards,

    Werner X. Uehlinger

    Hat Hut Records LTD.

    Box 521

    4020 Basel, Switzerland

    wxu.hathut.com@bluewin.ch

    Phone +41.61.373.0773

    http://www.hathut.com

    The Journey Continues the 37th Year too!

  4. Yes, I read it recently. It's a hearty tome; a bit of Shaw patting Shaw's back at times, but he was at a lot of places, so it ended up fine by me.

    Also out there to read:

    Nervous Man Nervous: Big Jay McNeely and the Rise of the Honking Tenor Sax, by Jim Dawson (but out of print)

    Upside Your Head! Rhythm and Blues on Central Avenue, by Johnny Otis

    Listen to the Lambs, by Johnny Otis

    Midnight at the Barrelhouse, by George Lipsitz (a bio of Johnny Otis - seemed a bit more introductory than some of Lipsitz's other writings)

    Brand new, not read but sitting here, is

    The Chitlin' Circuit and the Road to Rock 'N' Roll, by Preston Lauterbach

    Also more on LA but with a healthy amount of R&B discussion:

    The Great Black Way: L.A. in the 1940s and the Lost African American Renaissance, by R.J. Smith

  5. Sadly I don't think that they make this any more:

    Ben & Jerry's Chubby Hubby

    According to their website, it's still in production:

    http://www.benjerry.com/flavors/our-flavors/

    Flavor graveyard:

    http://www.benjerry.com/fun/halloween/?fg=1

    But in neither is listed one that I liked a lot but only found twice in stores (never in a shop):

    http://www.icecreamsource.com/Dave-Mathews-Band-Magic-Brownies_p_65.html

    hmm, maybe found a source

    The flavor locator is pretty cool:

    http://www.benjerry.com/flavors/flavor-locator/

    and so is this:

    /www.icecreamsource.com

    otherwise, I have a soft spot for Baskin Robbins Peanut Butter & Chocolate, but not really any other Baskin-Robbins flavors.

    And I generally get chocolate & vanilla form Trader Joe's, and that serves my purposes.

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