Jazz Kat Posted July 14, 2006 Report Posted July 14, 2006 (edited) Man, this tune is a bitch to solo over! Well, maybe it's the fact, I don't know the changes. What's the first chord? Edited July 14, 2006 by Jazz Kat Quote
JSngry Posted July 14, 2006 Report Posted July 14, 2006 Follow the bass line on the record. Merritt delineates the changes quite clearly. It's not a hard tune to solo over in that the changes go off in some wildass direction, or that there's a lot of wierd superimpositions going on, it's just hard in that the form goes on and on and on and on. And on. Very much a linear, "story telling" form as opposed to a cyclical one. But once you get that part down, you'll see that the changes move very logically, and you'll have a blast playing over them. Quote
Jazz Kat Posted July 14, 2006 Author Report Posted July 14, 2006 I would assume, that the changes are more clear on Art Blakey's version. I have been listening to and trying to play along with the Pat Martino version. It's not an easy task. Thanks for the info Jim. I'll take everything into consideration the next time i sit down to practice. After I finish mowing the lawn. Quote
JSngry Posted July 15, 2006 Report Posted July 15, 2006 When learning tunes like this, it's often best to start with the original (or a very early) version. The tune was new (maybe having been seen for the first time in the studio, or a few days before), so the players were focused on "the basics". Merritt's bass line is a good case in point - if he had been playing this tune for a while, he'd no doubt have been playing a more "open" bass line. As it is, he's dead on the changes, often outlining triads, or roots, or roots and fifts. Basic bass line stuff. Helluva good way to learn the changes, and not just for this tune. Quote
sheldonm Posted July 15, 2006 Report Posted July 15, 2006 I would assume, that the changes are more clear on Art Blakey's version. I have been listening to and trying to play along with the Pat Martino version. It's not an easy task. Thanks for the info Jim. I'll take everything into consideration the next time i sit down to practice. After I finish mowing the lawn. That's about the only relaxing time I have in the week....no phone calls...or other interruptions~ m~ Quote
JSngry Posted July 15, 2006 Report Posted July 15, 2006 Lawn mowing is for men what bubble baths are for women. Quote
Nate Dorward Posted July 15, 2006 Report Posted July 15, 2006 I hate lawn-mowing. BBQing on the other hand... Quote
Alexander Hawkins Posted July 16, 2006 Report Posted July 16, 2006 Fm9 FWIW, I've always played it a perfect 4th up from here...can't find the album right now to check out the original key! Quote
Nate Dorward Posted July 16, 2006 Report Posted July 16, 2006 Yes it's a B-flat m9 on the original record--I assume the difference is because Jim plays on a transposing instrument? Quote
JSngry Posted July 16, 2006 Report Posted July 16, 2006 No, it's because Jim hasn't played the tune in years, was almost ready for bed when he read the original question, half-assed remembered the tune when he went to the piano, and played the song in the wrong key. Quote
Alexander Hawkins Posted July 16, 2006 Report Posted July 16, 2006 No, it's because Jim hasn't played the tune in years, was almost ready for bed when he read the original question, half-assed remembered the tune when he went to the piano, and played the song in the wrong key. I do whole solo gigs in this mode. Quote
Jazz Kat Posted July 16, 2006 Author Report Posted July 16, 2006 hmm, better go try it the RIGHT way.. Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.