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I'd think it might be interesting to hear how first hand exposure to "Free World" culture changed his musical philosophy, if indeed it did. One of the things that made the Ganelin trio so powerful was the context that their music was created in and was reacting to. I'd think that finally being able to get out/away from the environment that forged their esthetic might have resulted in some interesting internal changes.

Or not. But if you don't ask, you'll never know.

  • 1 year later...

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