Houston Jazz Concerts

[mjzee]

Peter Brötzmann and Keiji Haino

Three Nights: Solos, Duo, and Art Opening

presented by Nameless Sound, Rice University's Department of Visual and Dramatic Arts, the Shepherd School of Music, and the Chao Center for Asian Studies

courtesy Peter Gannushkin / downtownmusic.net

Keiji Haino: SOLO

Monday, October 7, 2013, 8pm

at venue to be determined.

Peter Brötzmann: SOLO

free at James Turrell's 'Twilight Ephiphany' Skyspace

Tuesday, October 8, 2013, 8pm

Rice University

OPENING RECEPTION for 'Peter Brötzmann: Graphic, Design Work 1958 -2013,' Rice Media Center, Rice University to follow at 9:30pm.

Peter Brötzmann/Keiji Haino: DUO

Wednesday, October 9, 2013, 8pm

at Rice Media Center, Rice University.

Keiji Haino (Japan): vocals, guitar

Peter Brötzmann (Wuppertal, Germany): saxophones, clarinets

Monday and Wednesday:

Single tickets for Monday and Wednesday are $13 for general admission or $10 for student with I.D. Free admission for those 18 and under. A $20 pass for both performances is also available. The Tuesday performance at the Skyspace is free. Purchase by PayPal or call 713-928-5653.

Two of creative music's most iconic and monumental voices join forces in a North American debut.

The inscrutable Keiji Haino (b. 1952, Chiba, Japan) is both an improvising instrumentalist and a singer-songwriter who uses volume, distortion, and theatricality in the extreme to manifest a uniquely personal vision of what music can be. Appealing to fans of rock, improvisation, damaged blues, psychedelia, minimalism, and drone music, Haino's protean output is enhanced by a distinctive personal mystique: he is never seen without black clothes and sunglasses, and his live performances are among the most unpredictable in modern music. Haino began his career in the early 1970s, when he collaborated with psychedelic multi-instrumentalist Magical Power Mako and film composer Toru Takemitsu. By the end of that decade, he formed Fushitsusha, the group that could arguably be the definitive improvising power trio. Though he has performed on a remarkable (and unpredictable) range of instruments, he is known for a consistent and singularly cathartic embodiment of sound exploration. As an electric guitarist, he has created some of the most physical and earth-shattering monuments of sound ever produced on the instrument. As a vocalist, Haino goes deep into his self, communicating the ecstasy and anguish of an inner-world. His Texas debut in 2007 featured a show in which he performed exclusively on gamelan and other percussion instruments, followed by a howling electric guitar concert. Haino opens this three-night festival on Monday, October 7th with a solo concert at a venue still to be announced.

For over forty years, the groundbreaking German multi-reedist Peter Brötzmann (b. 1941, Remscheid, Germany) has peeled the paint off concert halls with his massive tone, rough timbre, and relentless attack. Broötzmann studied painting at the Art Academy of Wuppertal in the late 1950s and soon began associating with Fluxus artists including Joseph Beuys and Nam-June Paik. By 1968 he had refocused his creative efforts on music and with an eight-piece group, recorded and self-issued Machine Gun, an incendiary LP that documented the leading voices of the burgeoning European free jazz revolution. In the decades since, Brotzmann has released over fifty albums as a leader while rampaging his way around the globe, taking on such fellow travelers as Han Bennink, Derek Bailey, Cecil Taylor, Bill Laswell, William Parker, Joe McPhee, and countless others, and maintaining an extremely physical and expressionistic approach to music making. On Tuesday, October 8th at 8pm, Brötzmann will perform a free solo set at James Turrell's 'Twilight Epiphany' Skyspace at the Suzanne Deal Booth Centennial Pavilion, immediately followed by the opening reception for 'Peter Brötzmann: Graphic, Design Work 1958-2013' at the Rice Media Center.

Haino and Brotzmann's musical partnership dates back to April 1996 when a Japanese tour yielded the CD 'Evolving Blush or Driving Original Sin.' Their collaboration was further developed during a handful of subsequent engagements including the 2008 Berlin JazzFest and an appearance at London's Cafe Oto in 2011. They share an uncompromising individualism, and a reputation for extreme and powerful expressions. But a more in depth exploration of both artists reveals music with a more vulnerable and lyrical core, music with roots in the blues. The two artists make their North American debut as a duo on Wednesday, October 9th at the Rice Media Center.

These concerts are co-presented with the Rice University Department of Visual and Dramatic Arts, the Shepherd School of Music, and the Chao Center for Asian Studies.

www.arts.rice.edu

www.music.rice.edu

www.chaocenter.rice.edu

[Chuck Nessa]

Saw Brotzmann a month or two ago (solo/duo with Joe McPhee in Buffalo) and he sounded wonderful - a rhapsodic tenor to the end.

[JSngry]

One will also have the chance to hear him play solo in the West Texas desert:

http://namelesssound.org/events/2013_10_12_brotzmann_hill.html

We will check-in all guests at Ranch Road from 2p.m. to 2:30 p.m. Check-in is mandatory. Shuttles will also be available at this location from 2pm to 2:30pm. However, you are welcome to walk to the Hill from this point, which is approximately two miles away. Please allow time for either.

Please note that The Hill is on Mountain Standard Time (one hour behind Houston, San Antonio, Dallas, Austin, etc.)

. Phone service cannot be relied on, but sometimes a signal is possible. If you get lost, feel free to call 713-248-3927. We will have this cell on, but cannot guarantee service.



Comfortable clothing and footwear, as well as a hat and sunscreen are recommended.

I just can't get that into the guy, but that would be such a surreal experience...

[mjzee]

November 16 @ 8 PM: Omer Avital Quintet (Greg Tardy, Yonathan Avishai, Eli Degibri, Daniel Freedman). JCC Kaplan Theatre, 5601 South Braeswood. For additional information: 713-551-7255.