colinmce Posted February 16, 2015 Report Posted February 16, 2015 I can't explain how much Levine's poems have meant to me over the years. He was one of the great American artists. He was also a prodigious lover of jazz. Here is one I especially like: Call It Music by Philip Levine Some days I catch a rhythm, almost a song in my own breath. I'm alone here in Brooklyn Heights, late morning, the sky above the St. George Hotel clear, clear for New York, that is. The radio playing "Bird Flight," Parker in his California tragic voice fifty years ago, his faltering "Lover Man" just before he crashed into chaos. I would guess that outside the recording studio in Burbank the sun was high above the jacarandas, it was late March, the worst of yesterday's rain had come and gone, the sky washed blue. Bird could have seen for miles if he'd looked, but what he saw was so foreign he clenched his eyes, shook his head, and barked like a dog—just once— and then Howard McGhee took his arm and assured him he'd be OK. I know this because Howard told me years later that he thought Bird could lie down in the hotel room they shared, sleep for an hour or more, and waken as himself. The perfect sunlight angles into my little room above Willow Street. I listen to my breath come and go and try to catch its curious taste, part milk, part iron, part blood, as it passes from me into the world. This is not me, this is automatic, this entering and exiting, my body's essential occupation without which I am a thing. The whole process has a name, a word I don't know, an elegant word not in English or Yiddish or Spanish, a word that means nothing to me. Howard truly believed what he said that day when he steered Parker into a cab and drove the silent miles beside him while the bright world unfurled around them: filling stations, stands of fruits and vegetables, a kiosk selling trinkets from Mexico and the Philippines. It was all so actual and Western, it was a new creation coming into being, like the music of Charlie Parker someone later called "glad," though that day I would have said silent, "the silent music of Charlie Parker." Howard said nothing. He paid the driver and helped Bird up two flights to their room, got his boots off, and went out to let him sleep as the afternoon entered the history of darkness. I'm not judging Howard, he did better than I could have now or then. Then I was 19, working on the loading docks at Railway Express, coming day by day into the damaged body of a man while I sang into the filthy air the Yiddish drinking songs my Zadie taught me before his breath failed. Now Howard is gone, eleven long years gone, the sweet voice silenced. "The subtle bridge between Eldridge and Navarro," they later wrote, all that rising passion a footnote to others. I remember in '85 walking the halls of Cass Tech, the high school where he taught after his performing days, when suddenly he took my left hand in his two hands to tell me it all worked out for the best. Maybe he'd gotten religion, maybe he knew how little time was left, maybe that day he was just worn down by my questions about Parker. To him Bird was truly Charlie Parker, a man, a silent note going out forever on the breath of genius which now I hear soaring above my own breath as this bright morning fades into afternoon. Music, I'll call it music. It's what we need as the sun staggers behind the low gray clouds blowing relentlessly in from that nameless ocean, the calm and endless one I've still to cross. Quote
ejp626 Posted February 16, 2015 Report Posted February 16, 2015 Too bad. RIP. I liked quite a lot of his work. Don't believe I ever saw him in person at a reading, though if I did it would have been quite a while ago. Quote
Mark Stryker Posted February 16, 2015 Report Posted February 16, 2015 I wrote this appreciation yesterday. We have some terrific video of Levine too. http://www.freep.com/story/entertainment/arts/2015/02/15/philip-levine-obituary-detroit/23457965/ Quote
ejp626 Posted February 16, 2015 Report Posted February 16, 2015 I wrote this appreciation yesterday. We have some terrific video of Levine too. http://www.freep.com/story/entertainment/arts/2015/02/15/philip-levine-obituary-detroit/23457965/Very nice. I am surprised that The Last Shift was not collected/reprinted, not even in Unselected Poems.I see that there is a big gap in my collection -- nothing between New Selected Poems (1991) which intentionally didn't collect anything from What Work Is to News of the World (2009), so I will have to look into rectifying that. Sadly the public library doesn't have his recent collections, but UT library has a few. Quote
ejp626 Posted March 8, 2015 Report Posted March 8, 2015 (edited) Not sure how much interest there would be in this, but I have had a chance to read through Levine's last 5 collections and listed what I thought are the strongest poems in each: http://erics-hangout.blogspot.ca/2015/03/late-levine.html Perhaps of more interest are links to some poems - "The Simple Truth": http://www.poets.org/poetsorg/text/silence-amidst-crowd-reading-philip-levines-simple-truth-and-call-it-music The Return": http://www.theatlantic.com/past/docs/unbound/poetry/antholog/levine/return.htm "The Lesson": http://www.theatlantic.com/entertainment/archive/2003/10/the-lesson/378566/ "The Music of Time": https://thefridayinfluence.wordpress.com/2013/01/18/phil-levine-the-friday-influence/ Edited March 8, 2015 by ejp626 Quote
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