The story of Al Haig by an ex-wife. I had expected a fully organised biography and was surprised and disappointed to find 500 pages of undigested source materials culled from a vast array of sources; e.g. hundreds of verbatim recollections of Haig from people who knew him, arranged into chapters by decade and in alphabetical order of contributor's name.
The book also needed serious attention of a copy editor. There are numerous spelling errors, particularly of people's names ("Harold Maybern") and many meaningless "sentences":
" Al didn't impart like Lou Levy I thought when I found most of the jazz compers chords and feed and play along and sit down and give the piano Al could do that."
Here, failure to divide into two sentences turns jazz history on its head:
"Al Haig was one of the rare white musicians who influenced black musicians twenty years before Frankie Trumbauer influenced Benny Carter and Lester Young."
That said, I was fascinated by the book's revelations about a pianist whose work I love and and an era in jazz that's my favorite.
And, of course, I have no misgivings whatever about the excellent contribution of Mr Allen Lowe on pp. 430-31.