1. Thom Keith seems to know a lot more about this one than I do, so I'll just say it's pleasant, listenable Latin jazz.
2. Solo piano before a live audience. Fairly recent, judging by the recording quality. I have a track from Harold Mabern's Philadelphia Bound which, like this, has so much going on it sounds like a piano duo. So, Mabern?
3. Starts as super fast boogie (12 bar blues, of course) - and gets faster. Speeded-up or electronically processed recording. Would be great with an animated film.
4. My guess is this is Bix-type music around 1928.
5. Ah, the authentic boogie! Can't make his mind up whether it's 8 or 12 bar blues and deploys so many of the boogie licks and patterns. Love it! One of those guys around 1930 with names like Montana Taylor or Romeo Nelson.
6. Is this a trombone, or some other "horn" - euphonium or some such? I have vague memories of Matthew Gee soloing with the Ellington orchestra on (?)English horn. The drummer sounds very like Connie Kay, so could it be John Lewis on piano?
7. I'll back Thom's suggestion that it's Woody Shaw on trumpet.
8. A piano trio playing Monk's "Bye Ya".
9. This appeals less than the other tracks. "Old Man River", of course.
10. Nothing to add.
11. This sounds like Earl Hines' famous "trumpet style" piano and the piano is very upfront, so is this an Earl Hines orchestra?
12. Surely the bass clarinet is Dolphy. A peep in Cook and Morton suggests the Illinois Concert is the only recording with a group of this instrumentation, so is this it?
13. Reminds me of when I saw Gary Valenti with Carla Bley. South Africa also comes to mind.
14. Big-toned tenor and pianist who doesn't just comp but sometimes plays rhapsodic counterlines. Obvious rapport. Beautiful track. Might be George Adams and Don Pullen, but that's just a guess.
As you'll gather, written after reading Thom's contribution, but not Spontooneous' reply to this.
All in all, some really nice listening here. Thanks!