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colinmce

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Posts posted by colinmce

  1. Obviously a million things out there, but I don't personally know of any compilations on vinyl that are small-group only. The Verve 2xLPs from the mid-70s intermix the strings & Latin stuff. That said, the original Clef albums Swedish SchnappsNow's The Time, and Charlie Parker (only available on vinyl as 10"-- the Verve Master CD expands it quite a bit) are all in the small group format and are all 3, of course, some of the finest concentrated blasts of jazz music in existence. 

  2. As far as I know that is indeed his last recording— there is one on the El Negocito label recorded a few days before in Brussels called The Alto Sessions.

    I agree that the discs with Edwards and Sanders are remarkably strong and form a fitting bookend to his career. His piano playing is especially inspired. 

    Here is a photo from the residency:

     

    5BDF2F84-AE9B-4CA2-8691-8A86FBAC0E54.jpeg

  3. 52 minutes ago, clifford_thornton said:

    You know, I never got deeply into Chapin (not out of dislike, just never followed the threads) and could probably use some recommendations too. I do have his first LP on Alacra though he advanced as a horn player quite far from those initial recordings.

    You can get the Alive box set for about $40 or less these days, so it's hard not to recommend that. Of the albums therein Night Bird Song is my pick if there could be just one. The 3xCD Never Let Me Go - Quartets '95 & '96 is astounding. Beyond that there are two way out duo recordings-- Inversions with Borah Bergman (MuWorks) and Crossing Points with William Hooker (NoBusiness), where you could easily mistake him for Brötzmann in a blindfold test. 

  4. 19 hours ago, Eric said:

    Close call between Impulse years 1 & 2, but I ultimately chose 2.  It has very little to do with the sidemen of that era, rather it is the intensity and urgency of Trane's playing.  The ideas and the ability to execute on them, although I have no idea what he is doing in a technical sense.  Among my favorite jazz ever recorded.

    My answer as well, though I will go so far as to say it is my favorite jazz ever recorded. Luckily there is a great wealth of material available from just two years of work, I never tire of any of it.

  5. 46 minutes ago, mjazzg said:

    Waiting on two of the Ni Vu Ni LPs

    Not only available on LP, they're available as downloads too

    Correct, that's how I listened. Would prefer these on CDs but oh well. 

  6. Just to update the thread a bit, Butcher has played on many albums from the last few years that I've really enjoyed-- possibly moreso than ever:

    -Last Dream of the Morning - two discs on Relative Pitch & Trost
    -Blasphemious Fragments (Rastascan) w/ Gino Robair & Phil Minton
    -Fictional Souvenirs (Astral Spirits) w/ Pat Thomas & Ståle Liavik Solberg
    -Low Yellow (Jazzwerkstatt) w/ Wilbert de Joode & Martin Blume
    -Frisque Concordance -  Distinct Machinery (Random Acoustics)
    -We met- and then (Relative Pitch) w/ Barre Phillips & Ståle Liavik Solberg ‎
    -But Everything Now Left Before It Arrived ‎(Meena) w/ John Russell & Dominic Lash
    -Sounds Of Assembly (Meena) w/ Jennifer Allum, Ute Kanngiesser, & Eddie Prévost
    -Discernment (Spoonhunt) w/ Dominc Lash, John Russell, & Mark Sanders

    And then of course the 5xLP box set on Ni Vu Ni Connu, which was uniformly excellent but unfortunately only available on LP

    The only one that fell a bit flat to me was the reunion with Shipp & Lehn on RogueArt. 

  7. Not sure it's possible to go wrong, he's a tremendous musician. He does have a bit of a two-part career, working within free improvisation and then onto composed music for medium-sized ensembles, which may be the part that's better known due to the ubiquity of the hat ART discs. Those are all uniformly excellent; some are original recordings and some are reissues of Claxon LPs, and he has many more on that label. Miere is a favorite but all of them that I've heard are good. There are also some quartet LPs, of which I have only heard Pisa.

    As for the free improvisation years I find these to be standouts. Unfortunately much of this work has not been reissued and is not easy to get ahold of these days. I would like to see that change someday. 

    -Handicaps & Tuning The Bass (ICP): perhaps the most idiosyncratic of the "early" free solo bass LPs. They’re not discussed as much as those by Barre Phillips, Barry Guy, or Peter Kowald, but it's just as great. Badly need reissue.

    -Lumps (ICP): wild album with Steve Lacy, Han Bennink, & Michael Waisvisz. Again, I truly cannot believe no one has ever reissued this. 

    -The Weavers (Po Torch): trio with Gunter Christmann & Paul Lovens. perhaps my favorite Po Torch record

    -The Fairly Young Bean (Emanem): very fun 1981 miniatures with Terry Day and John Russell

    -High, Low And Order (Claxon, later reissued on CD by hat ART): great duet with Lacy-- really among the great sax/bass duet albums

    -Two Making A Triangle (FMP): duet with Peter Kowald that was reissued in part with the Barry Guy duo LP on the Bass Duets CD.

    He can also be heard to great advantage on several Company recordings, Nedly Elstak's The Machine (ESP-Disk), an FMP duet with Tristan Honsinger, Burton Greene's amazing Célesphere (Futura), in a few of Gunter Christmann's Vario groups and in Brueker's Kollektief (this music is a blind spot of mine, so I can't precisely vouch for it specifically).

    Anyways, an unsung master of his instrument.

    Can also add to the pile the two volume Bead LP Groups In Front of People with Christmann, Lovens, Peter Cusack, and Guus Janssen, also in need of reissue. 

  8. 2 hours ago, clifford_thornton said:

    Well, Milford also had two separate but related museum retrospectives (one in Philly, one in NY/LA) in the US during the last few years. Milford is also more of a story, via the Full Mantis documentary and other cultural appearances, to those outside the music and a recognizable name among hip cognoscenti. Obviously he is a great musician and a fascinating figure, but the cache is there too -- Silva, who I find just as fascinating for similar and different reasons, does not have the cache. 

    Silva absolutely needs his due.

  9. Blue Serge is as good as it gets to me. Also worth checking out Fable of Mabel (with Twardzik) for some progressive bop that fits in alongside the RCA Jazz Workshop arranger-forward type stuff i.e. Billy Byers, Hal McKusick, George Russell etc. Even reminiscent in a way of early Mingus.

  10. All sold, thanks!


    SOLD Paul Chambers/Wynton Kelly - The Complete Vee Jay Paul Chambers-Wynton Kelly Sessions 1959-61 $125
    SOLD The Complete Candid Recordings Of Cecil Taylor And Buell Neidlinger $100
    SOLD Duke Ellington - The Reprise Studio Recordings $55
    SOLD The Complete Dean Benedetti Recordings Of Charlie Parker -- outer box has a tear at the spine that has been taped $50
    SOLD Jackie McLean – The Complete Blue Note 1964-66 Jackie McLean Sessions $75

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