Thanks, Bev. I like my music to be a bit more daring as well. I'm starting to get the sense that as ECM ages, its repertoire as a whole is less and less likely to be daring. I could be wrong though, just my impression. FWIW, I'm a big fan of the label.
i went through an ecm phase for most of the 70s when i bought little else.
some of the early ecm has aged so very beautiful and many stand alone for their stark beauty and uniqueness..
the touchstone, crystal shadows, egberto, some of the very classy surman stuff, nice guys, eberhard, chick's solo efforts, some of the rypdal stuff, keith's gorgeous staircase, paul bley's prodigous and introverted enter, to love.
i think maybe my reactions to jarrett have colored my perspective on all of ecm for the past decade. he is barely tolerable these days and i dont know why.
i know that i have missed much really fine music.