Thanks for all these! Please do keep them coming!
I think the tenor 'battle' is just a particularly compelling setting. I don't know why; some reasons, I guess, are
(a) that very full sound unison tenors get; with the various players' sounds being sufficiently different to one another that the whole thing sounds spontaneous, and none too clinical;
(B) the intrigue of the setting really making you listen to 'who does what to whom' (quotes, doubling up, all the rest of it...)
© the involving way that everyone is so damn keen to get out of the head, and just to get down to business; but then also the way they thunder back into the head at the end of the tune;
(d) the combative element, but then also
(e) the fact that actually, it's all in such good spirits, 'battle' is perhaps something of a misnomer.
In fact, actually, taxonomy is useless. I just LOVE them!