Here's some cool stuff that I discovered in 2018, all of it new-to-me:
Dizzy Gillespie - At Onkel Pö's Carnegie Hall, Hamburg 1978 (Jazz Line, 2 CDs)
I've probably listened to Dizzy more than any other artist this year. The man's music never gets old.
Chico Hamilton - Peregrinations (Blue Note)
with Arthur Blythe and Steve Turre (on bass!); thanks to Jim S. for his Chico advocacy, prompting me to dig into Hamilton's catalog.
Ethan Iverson, Albert "Tootie" Heath, Ben Street - Live at Smalls (Smalls Live)
This trio manages to sound traditional and contemporary at the same time. I think Iverson's an exceptional pianist, regardless of the context.
Johnny Lytle - Soul Rebel and People & Love (Dusty Groove/Milestone)
Jack McDuff - The Heatin' System (Cadet, 2 LPs)
Two new soul-jazz favorites. The Heatin' System is one of McDuff's best. How come it has never been reissued (other than for a minute in Japan)??? Dusty Groove should do their thing with it, just like they did with Lytle's Milestone LPs.
Carmen McRae - At The Great American Music Hall (Blue Note)
Some of the most compelling Carmen McRae that I've heard. She's with her working band, and you can tell.
James Moody - Heritage Hum (Perception)
Along with Diz, Moody's been another huge focus for me this year. (No coincidence there.) I could have easily listed five or six other new-to-me Moody records. But his flute work on Heritage Hum is irresistible -- so it gets my vote.
Cal Tjader - Primo (Fantasy)
Superb Latin jazz, featuring arrangements from Charlie Palmieri. If you think Tjader's music is fun but "lightweight," you might want to check this out. The more I dig into Tjader's discography, the more I'm impressed.
Lucky Thompson - Illuminations (Groove Note)
Originally released as two LPs, Goodbye Yesterday and I Offer You, this album features a stellar rhythm section: Cedar Walton, Sam Jones, and Louis Hayes. (Note to those who are electric-piano-averse: Walton uses both acoustic and electric piano on these sides. FWIW, I love Cedar's playing here, regardless of instrument.) Rhythm section aside, Lucky is the star of the show. His soprano sax work is otherworldly -- so vulnerable and naked that it'll break your heart. . . . If I'm picking ONE new favorite for this year, it's this one.
Who or what caught YOUR ear in 2018?