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7/4

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Everything posted by 7/4

  1. http://www.organissimo.org/forum/index.php...topic=17080&hl=
  2. Jim Hall & Basses Personnel: Jim Hall (acoustic & electric guitars); Dave Holland, Christian McBride, George Mraz, Scott Colley, Charlie Haden (bass). (most of the tracks are duets)
  3. Closer View Ralph Towner, Gary Peacock
  4. I think the tracks with Abercrombie and Graves count.
  5. I can't think of many. Here's this one with Pat and Charlie, any others. Beyond The Missouri Sky (Short Stories) Pat Metheny, Charlie Haden
  6. Beyond The Missouri Sky (Short Stories) Pat Metheny, Charlie Haden
  7. Picking nits here, but I should point out that Lisa isn't 12...she's 8! Bart is 10 and Lisa is two years his junior... It's not math folks, it's arithmetic... My bad. Stil...when's she going to turn 18???
  8. No kidding! It's now being prominently featured on "classic rock" radio, ESPECIALLY Def Leppard (who I've hated with a vengeance since day one). Who made this decision? the right?
  9. That's Jimmy Johnson in the background, formerly of Alan Holdsworth's IOU band. Everyone has to pay the bills.
  10. YEAH MAN, NOBODY PLAYS GUITAR.
  11. Well thumbs up! I'm glad you folks had a good time and even a chance to network a bit too. Maybe I'll check out the Christo next week...
  12. For some reason, I can't remember the '50s.
  13. It's got to be a better babe car than my 2001 Merc Cougar. At this point, ANYTHING IS A BETTER BABE CAR THAN MY 2001 MERC COUGAR. It sure isn't working... Maybe it's the music...
  14. Well, on that one episode with Steve Martin as the garbage commisioner (and musical guests U2), when newly re-hired Garbage Commissioner Ray Patterson came onstage to address the townspeople a pit band played the theme from "Sanford and Son". And then there was that one episdoe where Lisa dreamed she was accepting a Kennedy Center honor along with Arthur Miller and Ornette Coleman. The Ornette ref was pretty cool, it's been ages since I saw that one. I forgot all about it. Coltrane is cool, but hey...Ornette!
  15. Here's a '60. Did they make one in '59?
  16. Two door? Four door? Wagon?
  17. Sounds mighty affordable. I live in NJ, I wouldn't buy it with out a place to keep it. Hmm...AAA Plus and you're covered. That's such a cool car...
  18. Tempting.
  19. How much? Does it run? Do you have a garage for it?
  20. what was I thinking.
  21. That's true. At least she's not listening to what most 12 year olds are... Hell...I was listening to Mahavishnu when I was 12 or 13!
  22. If she was into Holdsworth or Mahavishnu... That would be great! Note to Lisa: Jazz fusion shouldn't be tepid. It would help if she would turn 18. I mean, how long has Lisa Simpson been 12??? Let her grow up a bit and maybe she'd get into some Dolphy.
  23. Okay. You're right. Schonberg's post-Transfigured Night work is very obviously dissonant...atonal...whatever. I was simply trying to make a point regarding the use of the word "atonal". I think that too often it gets used in relation to the 12-tone row when, (again) as I understand it, the 12-tone row was developed as a method of composing progressions, not harmonies (e.g. the organization of multiple tones at any one given moment). You see what I'm saying...? close ..but: The serial procedures were primariy designed to AVOID the remaining restrictions of very advanced ( although triadically based ) chromatic harmonic practices ( eg: Transfigured Night was a latter example of the "before" picture ) They were based on rule and sets designed to bring an equality to the twelve tones by linear and contrapuntal means in the basic sense ..progressions were not a feature of the style ..harmonies resulted from: 1. a concurrence of any number of contrapuntal horizontal lines or 2. clusters of pitches drawn from the basic pitch" sets " ( pitch sets being the 48 tone configuration resulting from the four twelve tone row forms : original , backwards [retrograde], inverted [ a mirror of the original row where the interval between two pitches goes UP equally where it went DOWN in the original row] and retrograde of the inversion .. gee ..wasn't that pedantic of me? serial musically definitely did NOT feel greasy yeah man, I'm hip: disfuncional tonality!
  24. I found out about the Cow years after the fact. Back then it was all about Zep, Purple, Jeff Beck...
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