JSngry

Mr. Magic Mrs. Baird Miss Priss

Richard Starkey Charlie the Tuna Bill Parcells

Had a few listens to this last night, and it's going to be filed under "Good For The Long Haul". A superb album in every respect.

Paul Whiteman David Duke Duke Ellington

You OLD!

Damn.

SkaDEEbop!

Of course, the real Young Lion in those days was Steve Coleman, but...

Rodney Kendrick - Dance, World, Dance & Last Chance for Common Sense. Neither are "perfect" by any stretch of the imagination, but that works in their favor, I think. You don't know what you're going to hear before you hear it. I always got the impression that Kendrick was somewhat of an unwilling "Young Lion". Good for him.

I think that George Clinton should take Jerry Springer's place, that's what I think. That cut cracked me up. Disc II is every bit as good as Disc I, although it's a lot more varied in terms of style. There's a rap ode to herb featuring his grandaughter Sativa that got on my nerves at first, but it grew on me. A little. But that's the only "problem" I had with it. And btw - there's a "bonus cut" at the end (also featuring Sativa) that is freakin' hilarious. Think of it as the 21st century cousin of "Take Your Dead Ass Home"

A bump for those who have had one.

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Big Black Snow White Al Grey

Rush Limbaugh Sir Frederick Gas Doodles Weaver

Zig Ziglar Joseph Modeliste Clyde Stubblefield

Richard Allen John Wesley Zan Holmes

Is that the same song that Leon Redbone covered on his first album?

Pigmeat Markham Moms Mabley Pops Foster

Bill Mauldin Milton Caniff Ray Connif

Dennis Kucinich Albert Ayler Carl Stokes

Some of these criticisms of Davis are a little harsh, I think. Even on his earliest sides, he was playing, albeit not without a bit of unformed identit. And If is indeed a "commercial" effort, and not a particularly fine one, but I've certainly heard far worse from far better known players. Some y'all make it sound like he's some kind of hack. No such thing!

My Mother The Car My Son The Folk Singer My Brother The Pig

Buddy Terry's a Newark saxophonist who did some sides for Prestige & Mainstream in the late 60s/early 70s. Natural Soul on Prestige, the one with Shaw & Young, is my favorite, but Pure Dynamite on Mainstream is a real out-of-left-field treat. Terry's always been a solid blues-based soul-jazz/hard bop player, but on this one he ventures into sort of a stretched out late-60s Miles bag. Not necessary a "great" side, but definitely an "interesting" one. I thought that he had sorta "disappeared", but apparently not: http://www.cdbaby.com/cd/swingadelic2/from/scottp So hey - Buddy Terry lives!

Hannibal Marvin Peterson Horst Weber

Sam Butera Kato Kaelin Calo Scott