I can speak for the Lowe: somewhat less explosive than his more "famous" sessions (e.g., "Black Beings"), but enjoyable in its own way. Again, don't expect a wail fest; this one is more in line with his later work on CIMP. The band--which is all star--doesn't stray far from freebopish melody/groove excursions. In fact, a number of the cuts are relatively "inside"--but hardly boring. Lowe, Cherry, Moncur (etc.) had a taste for the subtler side of the New Thing, and this album shows it. I'd say middle-of-the-road, but that statement doesn't seem to do the album justice. "Low key", perhaps?
←
I love that Lowe side! "Melodic" and/or "singing" is how I've always thought of it, somewhat akin to Cherry's Art Deco in aftertaste. If you like one, you should like the other, unless you're coming at the Cherry side from the more conservative side, in which case you might still like the Lowe. The odds might be just a little less, though.
The Dewey side is another darn good'un. Dewey & Geri go together every bit as nicely as do Ornette & Geri.