chewy-chew-chew-bean-benitez

i wonder what Schneider thinks of all this

omg X 1,000 are you guys following this... are any of you guys going to read Mackenzie phillips new book, "high on arrival". i mean omg. lucky for bud shank they just called him, payed him, and he was off with it: Mackenzie grew up with the band- i dont think papa john phillips was a bad scary weird person i think he was just compeletly crazy and must of took too much lsd early on. do you know what im more pissed off about? i the 45 mono mix isnt like the mono lp mix its compelely different and so far i only have the mono 33 and stereo 33 counterpart but the 45 only on youtube.

most of my Q's are operational? just how the hell did they move so much product? i mean come on-- did they record it right there at 5810 or did they have studios they used elsewhere or how was it all put together? how did they survive till 1979? is there some crown records re-record of "Thriller" that i don't even know about yet?

why is it the greatest T.T.K?

oh god, Jsngrys making me WORK! i would 1st start w/ asking about when the true LAST record was....obviously this 1979 manufacutured lp is in my pile right here by the computer. but what else? did they survive into the 80s? i also would want to know if they still own the bldg or is their old crown printing stuff is still in it i also want to know a lot about Crown and their operations, etc,

should i call joe bihari and ask him about this, i think hes still alive and i found a number in Beverly Hills. hes like 84 now, maybe i should leave him alone

this cat likes blue note more than i do!! good work, snnoslops!!!

or as i like to call it, the bean machine's prostiute album: this album has been issued on more labels, than any record in the Great Beans catalogue. it might start w/ jazztone, but it doesnt end there. hold on to your hats. i dont know the story of what happened with these master tapes, but you guys MUST know what im talking about...........

didnt anyone see this?!?

i notce a lot of the items are listed as dubs on to Maxell cassettes: so brubeck saves his orginals , or only had maxcell tape dubs in his possession?

college of the pacific special collections...........boo-ya!!! BOX 50: BRUBECK'S PERSONAL AUDIO RECORDINGS---DB + BILL SMITH: WITCHES BREW (BRU), December 9, 1964 (Note from Iola Brubeck 5/2008: All compositions by Smith, produced by Teo Macero. Includes: Devil, Dave's Incantation, Mouse, Gene's Incantation, Coven, Hex, Fox, Scotch, Joe' Incantation, Bill's Incantation.) 4B.50.1: Witches Brew/Job 92347/Part I ---"The Devil," "Goblins," "Druids," "Senator Reverend Wright Talks"---n.d. [brand unknown; 1800 ft.; 7.5; mono] 4B.50.2: Witches Brew/Job 92347/Part 2 ---"Coven," "Hex"---n.d. [brand unknown; 1800 ft.; 7.5; mono] 4B.50.3: Witches Brew/Job 92347/Part 3 ---"Scotch etc."---n.d. [brand unknown; 1800 ft.; 7.5; mono] 4B.50.4: Witches Brew/Job 92347/Part 4 --n.d. [brand unknown; 1800 ft.; 7.5; mono] 4B.50.5: Job #92347/Witches Bru/Side 1, n.d. [brand unknown; 1200 ft.] 4B.50.6: Job #92347/Witches Bru/Side 2, n.d. [brand unknown; 1200 ft.] 4B.50.7: Witches Bru---last half of side #2, n.d. [scotch 120 acetate, 1200 ft.; 7.5 ips; half track] 4B.50.8: Side 1: DB & Bill Smith Swinging on the Golden Gate; Side 2: DB & Bill Smith, Witches Bru, n.d. [sony PR-150 polyester, 1800 ft.; 7.5 ips, stereo] 4B.50.9: Side 1: DB & Bill Smith Swinging on the Golden Gate; Side 2: DB & Bill Smith, Witches Bru, n.d. [scotch 111 acetate, 1200 ft.; 7.5 ips; half track]

sonny rollins was hittin that?

ooo chicos on it?

Backed by the Red Callender Sextet, “Papa (I Don’t Treat That Little Girl Mean)” was an “answer” record to Ruth Brown’s 1953 Atlantic label mega-hit, “Mama, He Treats Your Daughter Mean,” even though the catalog issue number placed it immediately after “Elaine.” Trusting the issue number would have meant it was released in about 1951, or a year and a half prior to the record it answered.Most likely what happened was that the RIH label had label paper left-over from the Callender-backed Imogene Meyers 78rpm flop, “Tonight Of All Nights” b/w “How Come, Baby,” an earlier example of RIH 142 issued in 1951. Alternatively, was Dolphin deviously using old label paper in an ill-advised attempt to establish his version of the material as the original, about a year and a half before Brown’s release?As Callender was featured name on many sequential 78s, it’s not out of the question that Callender’s name would have been pre-printed on many labels with only the vocal artist and title remaining to be added, thus forever confusing discographers. The flipside of the Crothers’ disc was Red Callender’s “Till I Waltz Again With You,” probably on labels printed up at the same time as that rash of Callender issues from 1951.

side note red callender also plays bass on this Rickie Lee Jones target i just got, it has to be orig. from '79....

ok 1st of i found a googled listing for a Federal 78 rpm disc from 1951 but mine is clearing "recorded in hollywood". (hell yeah) whos the sax on it? and everyone else? any talking u guys wanna do about this 78 i just got?

i am declairing this the last Bihari manufactured item, until cd reissues came about (thats ace in uk)

this is like discovering that Coltrane recorded an unrealsed studio album in the 80s!

let me reiterate that one guy on the steve hofmann forums said that this might be the only example of a sealed mono rca victor three suns on a magic carpet, in the world

definetly not, Big Beat!!!!

i was so excited i wasnt looking maybe i should of put this in Discog. category cause its really a discographical discovery....

immidiately after i saw this, i thought hmm....somethings not right about this cover....hmmm.....then i looked on the back cover (idendical to the front cover)....w/ the exception of on the back... RPM Recrods & Tapes 5810 S. Normandie Ave--- but now lets look at the songs DA YA THINK IM SEXY? [thats how its spelled] I WILL SURVIVE TRAGEDY HEART OF GLASS STUMBLIN IN LE FREAK YMCA GOT TO BE REAL w/ performers incl. Jerry Walsh, Pia Muni, Betsy Mae, Susy Hall, Kip Weile [who are these people, LA studio musicans??] OK FIRST OFF "HEART OF GLASS" from Parallel Lines, wasnt released until SEPTEMBER 1978, and wasn't released as a SINGLE until JAN. 1979. SO AS SIMPLE AS THAT, IT CAN BE POSTULATED THAT CROWN/MODERN/RPM/UNTIED/CORONA OR WHATEVER SUBSIDARARY YOU WANNA REFER TO, WAS IN OPERATION AS LATE AS ****1979*****, I ACTUALLY DID NOT KNOWN THEY SURVIVED THE 70s. BUT THIS GOES TO SHOW THEY DID. LET US ALL COMMENT AND DISCUSS NOW record is RPM-602 STEREO

ive passed up that kenny cox lp at least twelve times, sometimes for .99 cents even- then my friend etherbored told me omg that lp is really amazing late 60s blue note lp! and now i cant find a copy

orig price sticker was for 3.98, my price was 3.95 (close)--- it is not cellophone but a little looser type bag around it, not as brittle as cellophone, more kinda like a thin bag someone on steve hofmann forums said it might be the only example of a sealed mono three suns on a magic carpet rca victor left in the WORLD-- what u think of that!!!!!!!!!!

i think a long time ago they opened for yes but i didnt wanna see them so i didnt go to that part, it was all steve howe, all night for me baby!!!!!!!!!!!!!!!!!