Brownian Motion

Utah Phillips Brigham Young Christy Canyon

"This work was funded by the U.S. National Institutes of Health and the Department of Defense."

Donald Regan Ed Meese Jazzmoose

The Red Red Robin The Bluebird of Happiness Baltimore Oriole

Lord Haw Haw Laughin' Louie Smiley's People

Marina Oswald Paul Harvey Robert E. Lee

Dinah Shore Ed Beach The Coasters

John Ensign Ensign Pulver Bob Roberts

Coleman Hawkins Django Reinhardt Jean Cocteau

Vera Ellen Steve Allen Al Killian

Ryan's Daughter Lawrence of Arabia Dr. Zhivago

Ted Geisel Elie Wiesel King Faisal

Nick Bottom Puck Gordie Howe Pow Wow the Indian Boy Princess Summer Fall Winter Spring Tonto

Moses Mendelssohn Leopold Mozart Michael Haydn

Chubby Checker Cecil Chubb John Locke Joe Locke Guy Ritchie Guy The Gorilla Bob Monkhouse Abbey Lincoln James Prior Nunnally Johnson The Boswell Sisters The Flying Nun

Nina Al Hirschfeld Feldman Fieldmouse

Montezuma Elmo Zumwalt Grover

Don't trust those ebay sellers...

Johnny B Goode Anne Fine O K Yoni Yanni Richard Clayderman Jamie Cullum Jim Cullum Charles R Collum Dallas Nude

Donald N. Frey, the engineer who spearheaded the design and development of the Mustang, the spunky, stylish, affordably priced “pony car” that the Ford Motor Company rolled out in the mid-1960s in one of the most successful car introductions in automotive history, died March 5 in Evanston, Ill., where he lived. He was 86. The cause was a stroke, his son Christopher said. Though much of the Mustang was borrowed from other Ford vehicles, including a Falcon chassis, the car developed an identity all its own for a younger generation in search of new looks and experiences. It was designed to appeal to both men and women, had a dash of elegance copied from European sports cars, and featured a galloping steed in the middle of its grille that buyers thought was, well, really cool. http://www.nytimes.com/2010/03/29/us/29frey.html?ref=obituaries

Zero Mostel Zeno Zeppo

Starry Knight Bobby Knight Cher

Nappy Lamare A Sleepin' Bee Mrs. Murphy

Did he write that? I knew he wrote "Detour ahead". I can't see anything wrong with "Meet the Flintstones" - it's what it is. MG I don't think he wrote it, but he seemed to enjoy playing it. I find it a highly irritating melody that lodges in my brain like a splinter.

I enjoy many of the sides Herb made for Concord Jazz, particularly "The Great Guitars" series with Barney Kessel and Charlie Byrd. Thanks for everything but "Meet the Flintstones", Herb.