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Bluesnik

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Posts posted by Bluesnik

  1. 12 hours ago, BFrank said:

    That Grissom album is from 2011, but he has some sort of contract with PRS, so it could be an early one that he got directly from PRS himself.

    Yeah, I guess it must be that, because the operating start from PRS is 1985. And The Blow Monkeys are my favorite 80s band, despite of what I said. That's in hindsight but I remember how The Blow Monkeys (I heard some REAL blow monkeys in jungles later) blew me away in 1985 or so. With their first, Limping for a generation. After that they were not as good anymore.

  2. To me the two bands that best define the 80s for me are The Smiths and Talking Heads. From Talking Heads I prefer their four first over the later, when they were already mainstream. But the best for me is Remain in Light, from 1980, the fourth. It's produced between David Byrne and Brian Eno, and presents a very interesting African influence and polyrythms. Another album I like very, very much from the same time period (80/81) is My Life in the Bush of Ghosts, which the pair also did together. Look up the list of samples it contains. It is overwhelming. From African Bushmen, to chants from Ethopia, to lebanese mountain singers...

  3. “Reynolds masterfully captures the excitement of this period, when every week seemed to bring a new musical advancement”--The Tampa Tribune

    That's something I remember very clearly from the period. All the times there was a new thing or current. But seriously. Every year was quite different to the one that preceded it. Maybe that's why I like so much David Bowie and his Ch, Ch, Changes.

  4. 15 hours ago, BFrank said:

    a3734439125_16.jpg

    That must have been an early PRS, because the headstock is bit akward and because it still doesn't carry the bird inlays.

    22 hours ago, EKE BBB said:

    EF3EE2DD-FE03-4D17-A29F-608B4F681B30.jpeg

    I really like and discovered U2 with the following album, October. It's their second, produced by Steve Lillywhite and it's my favorite U2. This one's also great as it was their first and from the beginning. They did a later album with the same boy on the cover. Some years later and a bit bigger. I also like very much Echo and the Bunnymen. :tup

  5. 10 hours ago, ghost of miles said:

    I deliberately sought out the UK edition when I read it a couple of years ago.  The US version is abridged and about 200 pages shorter.  It's a great book!

    Yes it's a great book, and I was after the UK edition as opposed to the US, because of what you said some time ago. But I ordered it from my local bookshop and didn't know what I got. Specially since the cover was different. But now I know it's a reprint of the UK edition and can be calm. But it was logical they were ordering from the UK. I'm in Europe after all.

  6. On 8/30/2022 at 8:05 PM, Bluesnik said:

    I know the initial British edition had a different cover, but I don't know if this is a reprint or what.

    I have checked today and the book is a 2019 reprint of the English edition from 2005. One year later, in 2006, there was the American. On Penguin. The British is and was on Faber & Faber.

  7. Just finished this:

    BOOK REVIEW: A Legacy of Spies - Washington Times

    It is a very fine book and it's true it connects back to The spy who came in from the cold, which I luckily had read beforehand.

    Now on to this one:

    Rip it up and start again · Discografías y Técnicas musicales · El Corte  Inglés

    Which I like a lot. First because that music interests me very much. And second because I lived through all that when I was about 20. And it's true what Reynolds says about punk being destructive and post-punk (which the book deals in) constructive. I already said once here that I was never so much into punk, but all that came afterwards yes. Because for me post-punk was as exhilarating as 60s music. And here I agree with the author. A book I'll enjoy very much. But I don't know if I have the US or British version. I have that exact version. I know the initial British edition had a different cover, but I don't know if this is a reprint or what. A good review of when the book was published in 2005.

  8. On 7/23/2008 at 11:46 AM, Jazzjet said:

    Lord Of The Flies. I'm not sure whether it was a treatment of a theme used in the film of the same name or just 'inspired by' the film.

    Or the book, which was before the movie, you might say.

  9. 1 minute ago, jazzbo said:

    That's the model I have--it's been modified to have the Phat Cats and the Ghost piezo system. 

    Yes, it's Indonesian. Fit and finish are excellent. The Laurel fretboard is really nice to be honest.

    Ah, I see. Because the model is HH, AFAIK. But with the piezo it should be really nice. I've also heard that Laurel is very near to Rosewood. But I like to have Rosewood. By the way, I made an error about the Murphy Lab guitars. They start at over 6000 or 7000 and go as far up as beyond 10.000.

  10. 14 hours ago, BFrank said:

    I guess it doesn't really bother me because I don't have much interest in these.

    I'm also very much against reliced or aged guitars. I hate when they are made old looking from their original state. They will come to look like that over time. But I'm not buying like this new. Something that has been damaged purposely. But this process costs much more than a pristine new guitar. Look at Gibson's Murphy Lab for an example. They all cost from 10.000$ upwards.

    On 8/26/2022 at 1:45 AM, jazzbo said:

    it's an Indonesian made FMT Custom

    I've been eyeing one of those too. But maybe mine was the FMT HH. Plus points for me: it's made of mahogany with a nice carved maple top and a set neck, which is also mahogany. And its Duncans, one 59 and one Pearly Gates. I didn't know they carry P90s.

    Wekanesses: its Indian Laurel fingerboard (no Rosewood), no case (it's Indonesian made and relatively cheap), Urethane finish, no Nitro (like in all Fenders for that matter).

  11. On 8/25/2022 at 9:42 PM, jazzbo said:

    "Flautista! Herbie Mann Plays Afro-Cuban Jazz" recorded live at New York City's Basin Street East in June 1959.  Verve cd. Herbie Mann flute, bass clarinet, Carlos "Valdes percussion, vibraphonist Johnny Rae, bassist Knobby Totah, and percussionists Santos Miranda and Luis Mangual.

     

    Ny5qcGVn.jpeg

    That one I wanted to post a long time ago (I love the cover), after I had stumbled upon it diggin up Cal Tjader's Soul Burst, but I still have them lying around without having played them.

  12. 15 hours ago, ghost of miles said:

    Way, way too soon.  Heartbreaking.  

    Just yesterday added her Fly or die and she was definitely someone to watch for, for me. When I saw this I thought it can't be the same person. She was young. Then I  decided let's see. So what Ghost said.

  13. I have just finished today this

    9780008507770-es.jpg

    And it's as superb as everybody says it is. I'm a big Winslow follower, mind you. And if it's the beginning of a new trilogy. It's the Irish mob against the Italian one in New England. So an end with Mexico and back to the USA.

  14. On 5/11/2009 at 0:12 AM, Joe said:

    Recordings of Cinderella apart from the Melle group are not exactly plentiful

    He also recorded with Tal Farlow as his backing guitarist. There was no piano as I remember. Parts of it are on the Mosaic.

  15. On 5/25/2022 at 5:28 PM, mjzee said:

    Sony released maybe 10 titles on Betamax (beta only, no VHS)

    Logical, they were the inventors and main supporters of Betamax.

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