Another Mystery Solved:

[AllenLowe]

it's somewhat well known that Rudy Van Gelder won't tell anyone what kind of microphones he uses - and that in his studio he has taken out the guts of his mics and covered them with other microphone covers, to protect his secrets - and I can confirm this from my one visit to his place about 20 years ago,

so - I was recording some stuff in my living room a few days ago - and I have two mics I was using - one a repro of a Neumann 87 and the other of a Neumann 47 - and my living room has perfect acoustics. And it was a nice 24 bit recording. Just saxophone, checking out some new mouthpieces.

Later I transferred the recording to my computer and added some very good plate reverb (as reconstructed incredibly well by the Waves Native Power Pack plug ins) -

so then, I'm listening back and I'm thinking - what does that sound like? On the 47 repro, which has a dark sound and a mid-range bump - why does that sound so familiar? Well, it was uncannily like RVG's later Blue note sax sound. Scarily so (actually I don't like RVG's 1960s work, though I'm in a small minority) - and I will tell you that there is no doubt in my mind that his sax mic of choice was a Neumann 47. Accented by the dark sound of his room and a little too much plate reverb.

you heard it here. But don't tell anyone or we'll have to silence you, forever.

[Dave James]

I frighten pretty easily. This did the trick. My mouthpiece is sealed.

[AllenLowe]

aha! the 47 - I actually like his early stuff, the things he did in his parents house, I think it was - the later stuff has too much of his personal signature for my taste.

[kt66brooklyn]

aha! the 47 - I actually like his early stuff, the things he did in his parents house, I think it was - the later stuff has too much of his personal signature for my taste.

I'm not alone! I've liked his stuff up to the move out of his parent's house for a long time now. The Lexington Avenue Blue Notes and the 10" Prestige stuff sound very well balanced with a nice piano tone. After that, he begins to make some ear bleeding choices. All the way through, sound quality varied quite a bit. Some recordings sound great while others sound muffled at best. I have a Hank Mobley record, recorded in his parent's living room, that sounds abysmal even on the Lex pressing.

[Jim Alfredson]

You can see the Schoeps on some Impulse covers. He liked that mic on sax.

As Chuck will attest, the biggest mystery is what he used on bass. Chuck has seen the mic, described it to my good friend and studio owner Glenn Brown (who knows his mics backwards and forwards) and still the mystery remains.

[AllenLowe]

but, Jim, according to Van Gelder the guts are not the same brand as the covers, unless he started doing that later - I do remember when I was in the studio how weird the mics looked, that the covers did not quite seem to fit.

[Chuck Nessa]

Where do you get this magic microphone story? I never heard it from Rudy. When were you in the studio?

[AllenLowe]

it was in some interview with Van Gelder years ago in an audio magazine, and I know I've seen reference to it since - I was in the studio maybe early '90s, not sure, it was a session with Carmen Leggio, Bill Crow, Dave Jones (a drummer) and others, for a Japanese label (maybe Venus). And from what I saw there it seemed true, the covers were hanging off, not quite connected securely. Very strange.

it is possible that he started doing this only after the audiophiles started going after him for info and interviews, which didn't really seem to happen until relatively late in the 20th century.

Edited December 20, 2010 by AllenLowe

[Chuck Nessa]

Not good enough.

[AllenLowe]

I saw them - those mic covers were not the originals, and clearly just stuck on.

[Chuck Nessa]

Still not good enough.

[AllenLowe]

I was there - and awake. Ok, I'll call up Rudy this week (though, in various internet searches, the story of him hiding his mic choices is repeated often. And I don't think it's an Urban legend).

but I'll make the call.

[Chuck Nessa]

I have heard the "tampered mike" story many times but never heard it from Rudy (I talked to him a bunch when I had chances). Just looking for truth.

[Chuck Nessa]

I was there - and awake. Ok, I'll call up Rudy this week (though, in various internet searches, the story of him hiding his mic choices is repeated often. And I don't think it's an Urban legend).

but I'll make the call.

If you need the number, call me.

[AllenLowe]

"when the legend and the truth are different....."

I have it somewhere - I'll let you know tomorrow if I need it -