HutchFan Posted July 23, 2018 Report Posted July 23, 2018 (edited) Pres for me too: Edited July 23, 2018 by HutchFan Quote
sidewinder Posted July 23, 2018 Report Posted July 23, 2018 13 minutes ago, soulpope said: Touche ! Quote
soulpope Posted July 23, 2018 Report Posted July 23, 2018 9 minutes ago, sidewinder said: Touche ! Thnx for reminding me .... Quote
soulpope Posted July 23, 2018 Report Posted July 23, 2018 More Clifford Jordan goodies ahead .... Quote
HutchFan Posted July 23, 2018 Report Posted July 23, 2018 George Russell - Jazz in the Space Age and New York, N.Y. Quote
paul secor Posted July 23, 2018 Report Posted July 23, 2018 4 minutes ago, HutchFan said: George Russell - Jazz in the Space Age and New York, N.Y. Two good ones! Quote
duaneiac Posted July 23, 2018 Report Posted July 23, 2018 I suppose the Razor & Tie label is no more, but they did put out some fine compilations back in the day. This was one of them. Quote
JSngry Posted July 23, 2018 Author Report Posted July 23, 2018 3 hours ago, Chuck Nessa said: First impressions? Quote
Chuck Nessa Posted July 23, 2018 Report Posted July 23, 2018 2 minutes ago, JSngry said: First impressions? Old impressions. Great vocals and productions. Just got aound to buying the material. Quote
Chuck Nessa Posted July 23, 2018 Report Posted July 23, 2018 3 minutes ago, JSngry said: See, you ARE the champions! Just one. Quote
duaneiac Posted July 24, 2018 Report Posted July 24, 2018 12 minutes ago, Brad said: I got that one last week, but haven't listened to it yet. So much music, so little time! Quote
Justin V Posted July 24, 2018 Report Posted July 24, 2018 3 hours ago, Peter Friedman said: That is a great one. Jerome Richardson had TONE for days. I found a used copy a few years ago and discovered that he had signed it and given it to a friend, so that was a nice surprise. Quote
JSngry Posted July 24, 2018 Author Report Posted July 24, 2018 Spent the weekend with this, liked it a lot, this was what Olu Dara was a lot about when I first heard him with Threadgill in Chicago at the Underground Festival, you want a lot harmonic movement, go elsewhere. You want a lot of flurryburry specific or non-specific notes, hey, plenty of other people for that. Etc and so forth. But if you want somebody who has looked at the trumpet from all sides (And the serpent horn from whatever angles there are to look at the serpent horn) and at this particular point decided that multiphonics built of of pedal tones and other ways of using it (them) as first and foremost a heralding instrument with all sorts of timbral colorations in the service of coding the heralding, then Oly Dara from this period, and on this record in particular, that's gonna be your guy. And of course, when is Phillip Wilson ever not gonna be your guy? Quote
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