may1620 Posted June 16, 2022 Report Posted June 16, 2022 (edited) A project for the Brubeck family and archive - the Ordeal By Innocence soundtrack. OK, granted it's contrived, incongruent, inexplicably mono, overlayed with sound effects and dialog and unreleased in any separate soundtrack form. But also kind of interesting and worthy of a proper release. https://en.wikipedia.org/wiki/Ordeal_by_Innocence_(film) Edited June 16, 2022 by may1620 Quote
Ken Dryden Posted June 17, 2022 Report Posted June 17, 2022 I loved the music for the film, particularly the slowed down opening number “Truth.” I heard that the film was briefly available on dvd. Quote
Teasing the Korean Posted June 17, 2022 Report Posted June 17, 2022 12 hours ago, may1620 said: ... inexplicably mono... Mono would have been standard for the mix of a film score in 1984. Who knows whether the multi-tracks still exist. Also, one of the main criticisms of the film is Brubeck's music. I've never seen it. Quote
Ken Dryden Posted June 17, 2022 Report Posted June 17, 2022 I think that I recorded the movie on a VHS, though I'm not sure where it is and if it would still play. My wife periodically purged VHS tapes without asking me. Quote
Teasing the Korean Posted June 17, 2022 Report Posted June 17, 2022 3 minutes ago, Ken Dryden said: My wife periodically purged VHS tapes without asking me. We've all been there. Quote
medjuck Posted June 17, 2022 Report Posted June 17, 2022 (edited) 3 hours ago, Teasing the Korean said: Mono would have been standard for the mix of a film score in 1984. I don't think so. Last mono movie I worked on came out in '81. Edited June 17, 2022 by medjuck Quote
Teasing the Korean Posted June 17, 2022 Report Posted June 17, 2022 7 hours ago, medjuck said: I don't think so. Last mono movie I worked on came out in '81. Well I will defer to your expertise. I knew that 1980s blockbusters may have had stereo scores, but not every film. And there must have been films with stereo audio (dialog, effects, etc.) but mono scores, correct? Quote
medjuck Posted June 17, 2022 Report Posted June 17, 2022 20 minutes ago, Teasing the Korean said: Well I will defer to your expertise. I knew that 1980s blockbusters may have had stereo scores, but not every film. And there must have been films with stereo audio (dialog, effects, etc.) but mono scores, correct? Perhaps on release but IIRC most scores were at least recorded multi-track. Quote
Teasing the Korean Posted June 17, 2022 Report Posted June 17, 2022 15 minutes ago, medjuck said: Perhaps on release but IIRC most scores were at least recorded multi-track. Yes, of course. I was referring to the mono mix for the film, which I believe is what the OP was referring to also. Quote
may1620 Posted June 19, 2022 Author Report Posted June 19, 2022 So, The (valid) criticism has been that the music does not fit the movie, not that the music isn't good. It was a last minute rush job and Dave never saw the film he was working on, I believe. And I'd suggest don't judge a soundtrack if you haven't heard it. It was sort of my point that the music, separated from the actual movie, is worth hearing. And I stand by that. Quote
Teasing the Korean Posted June 20, 2022 Report Posted June 20, 2022 (edited) 16 hours ago, may1620 said: So, The (valid) criticism has been that the music does not fit the movie, not that the music isn't good. It was a last minute rush job and Dave never saw the film he was working on, I believe. And I'd suggest don't judge a soundtrack if you haven't heard it. It was sort of my point that the music, separated from the actual movie, is worth hearing. And I stand by that. The criticisms that I read were about the use the of the music, not about the music itself. I probably have more film scores than I do jazz albums (though many of the film scores I own contain jazz or jazzy elements to varying degrees). I agree with you that film music away from the film should be assessed on its own terms rather than as the film score. There are excellent film scores that do not work for me as isolated listening experiences. (Carter Burwell's scores for Cohen Brothers films and Michael Nyman scores for Peter Greenaway films come to mind.) And there are scores that didn't work so well in the respective films, but that work as albums. (Ellington's Anatomy of a Murder and Leonard Bernstein's On the Waterfront being two examples.) Edited June 20, 2022 by Teasing the Korean Quote
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