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The Nation: Louis Armstrong's Last Word (Ethan Iverson)


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1 hour ago, Mark Stryker said:

Ethan peruses this site regularly, and then gets mad when I don't defend him. So in case he is watching, let me say I intend to read this article and enjoy it, whether I like it or not.

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I have read it, very nice piece. The ONLY thing I would suggest is that, even after all of these years, there is a somewhat misguided sense of Armstrong's importance as a great innovator of melody and rhythm - which  he was; but I think his innovations, especially in the early years  - 1925-1940 - are much more radically modernist, as I have posted before. He was, accidentally or not, exactly in tune with the new modernism of Dada, of Joyce, of new theater like King Ubu. His was a radical restructuring of traditional and recognizable elements, ingenious reordered so that the effect was of something both strange and familiar at the same time -

Edited by AllenLowe
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