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gmonahan

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Posts posted by gmonahan

  1. On 5/18/2023 at 11:18 PM, Gheorghe said:

    Too bad I didn´t buy this when it came out. I hate reading when all pages fall apart. 

    I think about two books I would have liked to read. One of them is this one, and the other is the book Teddy Reig wrote about his time as a "Jazz Hustler". 

    You really aren't missing that much with the Babs Gonzales book. I'd call it a fun read, but how much of it can be believed is difficult to assess. Since it was self published back in the 60s, it is hard to find and expensive to buy if you do find it (though its original price was 95 cents!). I got it from an ebay seller who was, I'm pretty sure, a member of this Board, though I don't know whether s/he still is!

    As for the Reig book, that one is worth finding. I got if from my local library. I see that it's for sale on Amazon and Ebay, but for too much money (in my view)!

  2. On 5/5/2023 at 7:02 PM, John L said:

    Historically, the majority of great female jazz musicians have been vocalists.   Mosaic has issued box sets for Sarah Vaughan, Ella Fitzgerald, Anita O'Day, Dinah Washington, and even Mildred Bailey.   There certainly would have also been a Billy Holiday set if all her studio recordings had not already been reissued in lavish box sets by Columbia, Decca, and Verve.   I don't really understand the charge of sexism. 

    They also did the Peggy Lee/June Christy Capitol Transcriptions set.

  3. 6 hours ago, Justin V said:

    I recently lobbied Scott Wenzel for a set of Mary Lou Williams' work with Andy Kirk.  It'd to be great to have it all in one place, properly remastered.  

    And they could probably do that. Kirk recorded for Decca, and Mosaic has usually been able to license stuff from Universal. They could probably get hold of the Asch label material too, but who knows about the other stuff? She recorded some for Victor, Continental, Savoy, and Vogue. Sony owns the Victor and Vogue material and have been unwilling recently to license it. But a Decca/Asch set would be cool, and the Asch stuff could use a good sound magician like Doug Pomeroy to try to bring it back. I'd go for that set.

     

  4. A couple of fun stories as I approach the end of the book about how Sonny intimidated other players:

    Terrence Blanchard was going to play with him at Carnegie Hall. "I called Branford. I said, 'Man, Sonny called me to do a gig with him at Carnegie Hall.' Branford said, 'Go ahead and get your ass kicked like all the rest of us. This is your time."

    Jackie McLean was also going to play with him. He "went to Boston to give his horn a checkup with legendary saxophone technician Emilio Lyons. 'He said, Emilio, chick my instrument, 'cause I got to go in the ring with Sonny Rollins'.:"

    I love stories like that!

  5. On 1/22/2023 at 10:38 AM, ghost of miles said:

    Pg 606-612 a nicely-detailed account of how Sonny came to record for the Stones on Tattoo You and his subsequent ambivalence about doing so, as well as the Stones’ attempts to get him to perform live with them.  No surprise that Charlie Watts figures prominently in this section, although Jagger was the one who made the approach. 

    I just read this section last night (I'm taking my own sweet time reading it!). Fascinating and *so* Rollins to turn down what would have been a LOT of money.

     

  6. On 4/13/2023 at 9:41 PM, Gheorghe said:

    20 years ! Wow, congratulations. 

    I´m very very glad to be here, great guys from all over the world. My English is not the best, I learned it mostly from reading liner notes when I was a boy, and from musician´s talk when it´s up to play, so sometimes it´s a bit harder for me, but really a challenge. 
    So interesting, and like a family. 

    Gheorghe, your English is just fine, and you have excellent taste in Bop-era trumpeters!!

     

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