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gmonahan
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Posts posted by gmonahan
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The grand master of spaces. What a great touch he had. RIP.
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On 4/13/2023 at 9:41 PM, Gheorghe said:
20 years ! Wow, congratulations.
I´m very very glad to be here, great guys from all over the world. My English is not the best, I learned it mostly from reading liner notes when I was a boy, and from musician´s talk when it´s up to play, so sometimes it´s a bit harder for me, but really a challenge.
So interesting, and like a family.Gheorghe, your English is just fine, and you have excellent taste in Bop-era trumpeters!!
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Some very fine Brown on this one
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Just watched Fellini's "La Dolce Vita" recently. Despite its 3-hour length, it moved quickly. Fascinating film.
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Disc 5 of this one, among my favorite Mosaics
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Disc two of this very good comp
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It seems like I remember Mosaic once considered a Betty Carter set, but begged off due to those licensing issues. Given recent attention to "women in jazz" (finally), a Mary Lou Williams set might actually sell, but I wouldn't want to have to pick through all those Andy Kirk things to find the jewels in the rough.
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Hey, if these things actually do succeed in turning someone on to the music, then, great. It can use all the listeners it can get.
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Finally got hold of this one. Sometimes you have to go back to the beginning.
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On 4/4/2023 at 3:22 PM, mikeweil said:
Back to main topic: Apart from those I repeatedly suggested or supported, like an early Ellington set and a Lionel Hampton Decca/MGM set, I'd like Ben Webster and Illinois Jacquet Clef/Verve sets.
I'd definitely go for those!
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On 3/31/2023 at 7:33 PM, Matthew said:
Dinner at Eight. All time classic final scene.
THE greatest double take in all of film history!!
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On 4/1/2023 at 8:03 AM, medjuck said:
The Goodman estate is holding up releases which feature Charlie Christian and Lester Young. In the case of Prez, there are jam session in which Goodman wasn't even the leader. (I'm referring to broadcasts in the Savory collection. )
Yes, it's the holdup of the Savory stuff that aggravates me. I think they want too much money (which reinforces the idea that they are overvaluing the material), but I also wonder if there are contractual issues with Yale.
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I'm 69. I go back to at least 1990, maybe before. My first "brochure" is number 4, and my first set was the Monk Blue Note. So, over thirty years and still at it.
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On 3/31/2023 at 3:09 PM, mjzee said:
No, he's referring to the bulletin board that used to be on Blue Note Records' website. The taxonomy of this BB is based on the BNBB (Blue Note Bulletin Board) with the addition of a Classical discussion. The opinions expressed on BNBB could be a bit rawer than here (if you can believe that). Blue Note Corporate pulled the plug after a stream of vicious attacks on Norah Jones (aka their bread and butter). I really couldn't blame them. Jim A. then sponsored this board with a few restrictions, mostly to promote civility; chief among them is no political discussions.
Fascinating--thanks for the history! And, of course, thanks again to Jim for keeping it going. When I tell people (rarely) about my jazz fanaticism (and the size of my collection), they sometimes shake their heads as if to say, poor man, he's crazy. Only here are there people equally as......devoted!
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I still want the inside story on the Goodman estate, and why they are apparently so hard to deal with.
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Some early Wes
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Ditto! Is the "bluenote" board Aggie87 is talking about "rec.music.bluenote," the old usenet group? That's where I came from. That's how old *I* am! Stereo Jack clued me to this one, so I'm his fault! Thanks Jim and all for your work in keeping it going!
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I still think packaging all of those 1957 Newport albums that Norman Granz put out on Verve would make a nice box. I used to babble on about a Hodges 60s Verve box, but then the Andorrans put paid to that by issuing almost all of them as twofers.
What about labels? They've done Savoy, Dial, Bee Hive, and Black and White. Is there enough material on Mercer for a box? Maybe grouped with some other small labels from that era??
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1 minute ago, JSngry said:
At least as important as Tina Brooks, if by "important" you mean having an original approach to the instrument and to music in general. Definitely.
If you mean easily packaged for Blue Note fetishists who would have not known any better had Cuscuna not justifiably taken up his cause, then no.
I was kidding, of course. It would be a great box.
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2 hours ago, JSngry said:
Bill Barron.
Really Jim? I mean, was he *that* important? 😁😁
After Jim's Bill Barron box gets issued, I still want to see that Lionel Hampton Big Band 40s Decca box, with maybe the MGM stuff tossed in for good measure! And yes, Lon, I suggested it to them. They said they'd think about it.
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I'm curious--how much of this material has Mosaic NOT reissued?
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I've enjoyed reading this thread. I wonder if one can differentiate between a jazz singer and a "jazzy" singer. Frank could swing--and does on that cool version of "Serenade in Blue," but if you then listen to Stan Getz's version of the same song from his Cool Sounds record, you see how a real jazz artist does it. As much as I love Sinatra (and I *really* love Sinatra's music), I've never been able to see him as a jazz singer, per se. I think improvisation really is the soul of jazz, and while Frank occasionally embellished a song--especially singing live--he didn't improvise much.
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Responding to the title of the thread, Mosaic has issued material from Muse before (the Woody Shaw set), but it has in general seldom had access to material owned by Concord.
Saxophone Colossus - The Life And Music Of Sonny Rollins
in Jazz In Print - Periodicals, Books, Newspapers, etc...
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I just read this section last night (I'm taking my own sweet time reading it!). Fascinating and *so* Rollins to turn down what would have been a LOT of money.