Well, Bradshaw got it right again! - "mid-list potboiler". What intelligence, ingenuity and wit it had came straight from Le Carré's book. As soon as it came on the screen I was appalled by the colour palette - or whatever you call it in movies - and throughout the film a yellow brown tinge was never far away. Bradshaw also homed in on this, but in slightly different terms: "Director Susanna White favours a generic spy-movie look: those chilly blue filters surely need resting now."