The third - and best - Franzen I've read, which as a 560-page contemporary American novel obviously invites comparison with Tartt's blockbuster. It was a relief after Tartt's verbal torrents to encounter a more measured prose style. And, unlike her, structure is all: a very complex narrative with occasionally perplexing shifts in time and voice, but all resolves eventually into a very satisfactory book. Very contemporary feel, particularly in the part played by the internet and a Snowden/Assange character. Recommended.