pasta

here's what i have.........you? 1- Grant Green- Green Blues (Muse) REISSUE 2- Grant Green- Green Street (Blue Note) 3- Grant Green- Sunday Mornin' (Blue Note) REISSUE 4- Grant Green- The Latin Bit (Blue Note) REISSUE 5- Grant Green- Goin' West (Blue Note) 6- Grant Green- Feelin' the Spirit (Blue Note) 7- Grant Green- Solid (Blue Note) REISSUE 8- Grant Green- Street of Dreams (Blue Note) 9- Grant Green- I Want To Hold Your Hand (Blue Note) 10- Grant Green- Iron City (Cobblestone) REISSUE 11- Grant Green- Carryin' On (Blue Note) 12- Grant Green- Green is Beautiful (Blue Note) 13- Grant Green- Visions (Blue Note) 14- Grant Green- Shades of Green (Blue Note) 15- Grant Green- The Final Comedown (Blue Note) REISSUE 16- Grant Green- Live At the Lighthouse (Blue Note) 17- Grant Green- The Main Attraction (Kudu) 18- Grant Green- Easy (Versatile)

grachan moncur III- new africa.

The Mothers of Invention- "Freak Out". Masterpiece. Simple as that.

Weiz- CRAZY INSANE COVER ON THAT BRUBECK!!!!!! No idea on the label's current whereabouts, if any.

Grant Green Live at the Lighthouse. side three!

Sorry for your loss, man.

Grant Green- Live at the Lighthouse Blue Note LP, 40 clams!!!!!!!

AMEN ON THE VINYL BROTHER!

My bad. Try gasoline, preferrably 87 octane.

Sand Blaster. On Fully Automatic.

Link Wray Native-American Rock Guitar Instrumentalist has died, 76 years of age. It is with the deepest sorrow that we have to inform Links dear fans that our beloved husband and father Link Wray has deceased November 5. 2005 In respect of Links wishes, he was buried in silence and privacy from the historic protestant Church: Christians Church in Copenhagen Denmark, Friday 18th of November 2005. with attendance of his family Olive and Oliver Wray. Link passed away in their arms, safely in his home in Copenhagen, not ever aware that his heart was getting tired. This was the way he had told us, he wanted it. Born May 2nd, 1929 in Dunn, North Carolina, Link is three quarters Shawnee Indian. At the age of eight, he learned to play the guitar from Hambone, an african-american man who was travelling with Barnum and Bailey’s circus. He noticed Link on the porch banging his Maybelle-guitar. At the age of fifteen, Link paid twenty dollars a night to sit in with the country and western musician Tex Ritter (High Noon) in order to further his musical knowledge. He also played with Wild Bill Elliot. Link played with his brother Doug and first cousin Shorty Horton in his band: Link Wray and the Wraymen. He played at the Hank Williams memorial in 1953. Link is known for his instrumental hit single Rumble. And to quote Uncut magazine, who voted Link #33 of the 100 best guitarist list in the World as the composer of the worlds most threatening instrumental: “The violent intimations of Rumble so struck sensitive late 50s sensibilities that it was banned by many radio stations. Not bad for an instrumental. Rumble will outlive us all”. Link Wray is known for being the first musician to experiment with the sounds that pioneered rock and roll and punk styles. Link virtually invented fuzz tone by deliberately punching holes in his amplifier speakers. He was also a true pioneer of the use of distortion on instrumental rock recordings. In the spring of ’58, Rumble was released and quickly rocketed to the top 20. Voted the #1 Rock Instrumental of all time by the Book Of Rock Lists (Dell/Rolling Stone Press) It was a 4 million seller. Again in 1959 his single hit Rawhide sold 1 million. Link himself was influenced by, and admired guitarists like: Tal Farlow, Chet Atkins, Django Reinhard, Jimi Hendrix, George Harrison, Frank Zappa and artists like Elvis Presley & Hank Williams. Off today’s musicians he admired: Neil Young, Bob Dylan, David Gilmour, David Bowie, and Bruce Springsteen among others. Link was a musician’s musician: Elvis Presley invited him home in the 50s. Bowie, Dylan, Van Zandt and Springsteen attended Links concerts since their early youth. John Lennon carried Links music on his travel jukebox. Jerry Garcia played on Links record in the 70s. Pete Townsend wrote liner notes. In the mid 70s Link was recording in England with Richard Branson at his Virgin Records. 2004 presidential candidate John Kerry’s college band album featuring the senator as bassist was re-released to the public featuring a version of Rawhide. Link’s original sound is timeless, as evidenced by the inclusion of many of his guitar instrumentals in some of the best motion pictures of the last decade. Some of these releases include: Pulp Fiction (Quentin Tarantino) Desperado, (Robert Rodriguez) as well as in Road Racers (Robert Rodriguez) Independence Day, (Steven Spielberg) Confessions of A Dangerous Mind, Breathless, 12 Monkey’s & Blow. The legendary film composer/writer/arranger Jack Nitzsche released a big band recording of Rumble complete with a full horn section. Sadly Link was cheated out of his 50s music-rights, although he never signed them over to anyone. Link was always laughing about it though, because he knew and always told us that anyone could hear it was his sound. Link fell in love with Olive Julie Povlsen, a Danish student of Native American culture, in 1979 and has been living privately in Denmark since 1980 with her, and their son Oliver Christian Wray, born in 1983. Link appointed Olive manager in 1981. Until that day he had been managing himself. From the late 90s she has also played percussion with him on tour. Link’s impact has been felt throughout almost every genre of music for the last five decades. His original sound influenced future styles like: Country, Instrumental music, Rockabilly, Rock and Roll, Surf, Heavy Metal, Punk, Grunge, Garage, Lounge etc. Since the mid nineties, Link and Olive has toured all over the US, playing for audiences aged 18 and up. Although some of the youngest fans weren’t completely familiar with many of his earliest hits, they remained strongly drawn to his devotion, love of music and true original sound. Link toured to the very last. This year he toured America playing 40 concerts. The two last festivals of his tour were in California in July: Hootenanny & Glendale Cruise Night, Link headlined both. Link Wray has to this day respected and had nothing but devotion towards his fans. While playing his guitar he often told the audience: “..God is playing my guitar, I am with God when I play”. We saw you go with God, you were smiling. You will forever be in our hearts. Olive & Oliver Christian Wray

Agreed, but there's this: http://www.garagepunk.com/forums/viewtopic...=asc&highlight= http://en.wikipedia.org/wiki/Link_Wray man, i remember when elvin jones' passing was rumor too...........damn it.

Legend Link Wray passed away, details are sketchy at best. Thanks for all the music, Link.

Buddy Rich: The Last Blue Album Volume One

.................... Williams shot the young man execution-style and mocked the gurgling sounds the victim made as he lay dying. uh, sorry. maybe this poor bastard who died a horrible death would have done ten times the good work williams has. two sides to the coin.

brownie- had no idea! thanks for the insight!

Appreciate the responses! More info????

1) Charles Williams- Charles Williams (MRL 312) 1971 (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bobby Shad Liner Notes: Leonard Feather Liner Photos: Chuck Stewart Personnel: Charles I. Williams- Alto Saxophone David "Bubba" Brooks- Tenor Don Pullen- Organ Bill Curtis- Drums Gordon Edwards- Bass Earl Dunbar, Jr.- Guitar Side One: (TT- 20:47) You Got Me Running- 7:53 (J. Reed) Please Send Me Someone To Love- 7:51 (P. Mayfield) Bacon Butt Fat- 5:33 (C. Williams) Side Two: (TT- 17:34) Country Mile- 3:50 (C. Williams) Catfish Sam'ich- 5:05 (C. Williams) There Is No Greater Love- 8:39 (J. Jones/ M. Symes) TT- 38:21 Music: Very close to Lou Donaldson's Blue Note stuff from the '60's; Soul-Jazz, laid back. 2) Harold Land- A New Shade of Blue (MRL 314) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bobby Shad Liner Notes: Leonard Feather Photography: Dick Sanders Personnel: Harold Land- Tenor Saxophone Bobby Hutcherson- Vibes Buster Williams- "Buster" Bass Bill Henderson- Piano & Electric Piano Billy Hart- Drums Mtume- Conga Side One: (TT- 20:00) A New Shade of Blue- 9:48 (H. Land) Mtume- 10:12 (B. Hutcherson) Side Two: (TT- 23:38) Ode to Angela- 6:12 (H. Land) De-Liberation- 8:39 (H. Land) Short Subject- 8:47 (H. Land) TT- 43:38 Music: Slightly Out; Land and Hutcherson explore this type music on Hutcherson's LP "San Francisco", etc. Note the Black Power related titles of the first two tracks on side two. 3) Dave Hubbard- Dave Hubbard (MRL 317) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bobby Shad Liner Notes: Leonard Feather Photography: Jarry Lang Personnel: Dave Hubbard- Tenor Saxophone Jimmy Rowser- Bass Buck Clarke- Conga Albert Dailey- Piano & Electric Piano Harold White- Drums Side One: (TT- 18:25) Booga Bop- 8:00 (Hubbard) Patience- 5:45 (A. Dailey) Dailey Bread- 4:40 (A. Dailey) Side Two: (TT- 23:38) One For Becky- 5:10 (Hubbard) Some Other Blues- 4:04 (Coltrane) TB's Delight- 3:44 (Hubbard) TT- 36:28 4) Hadley Caliman- Hadley Caliman (MRL 318) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bobby Shad Liner Notes: Leonard Feather Photography: Lloyd Johnson Personnel: Hadley Caliman- Tenor Saxophone & Flute Larry Vuckovich- Piano John White, Jr.- Guitar Clarence Becton- Drums Bill Douglas- Bass Side One: (TT- 18:49) Cigar Eddie- 6:25 (H. Caliman) Comencio- 7:40 (H. Caliman) Little One- 4:44 (H. Caliman) Side Two: (TT- 16:16) Blues For LL- 8:40 (Larry Vuckovich) Kicking On the Inside- 4:50 (H. Caliman) Longing- 2:46 (Larry Vuckovich) TT- 35:05 5) David Young- David Young (MRL 323) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bobby Shad Liner Notes: Elliot Meadow (Color) Photography: Jarry Lang Personnel: Dave Young- Tenor Virgil Jones- Trumpet Sonny Fortune- Baritone & Flute Richard Davis- Bass Harold Mabern, Jr.- Piano Idris Muhammad- Drums Side One: (TT- 17:37) Pisces On the Cusp- 4:35 (Harold Mabern, Jr.) For You With Love- 7:40 (Dave Young) Down Yonder- 5:12 (Harold Mabern, Jr.) Side Two: (TT- 18:32) Joe Splivingates- 8:48 (Ernie Wilkins) Friday the Fourteenth- 5:20 (Dave Young) Animated Suspension- 4:14 (Virgil Jones) TT- 36:09 6) Sonny Red- Sonny Red (MRL 324) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bobby Shad Liner Notes: Harry Abraham Photography: Raymond Ross Personnel: Sylvester "Sonny Red" Kyner- Alto Sax & Flute Cedar Walton- Piano Herbie Lewis- Bass, Viola Billy Higgins- Drums Side One: (TT- 18:56) Love Song- 5:48 (Sylvester Kyner) Tears- 7:19 (Sylvester Kyner) Mustang- 5:49 (Sylvester Kyner) Side Two: (TT- 18:52) And Then Again- 4:14 (E. Jones) My Romance- 5:19 (Lorenz Hart/Richard Rogers) A Time For Love- 5:19 (Petula Clark/Tony Hatch/Vito Pallavicini) Rodan- 4:35 (Sylvester Kyner) TT- 37:48 7) Stan Hope- Stan Hope (MRL 327) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bob Shad Photography: Raymond Ross Engineer: Carmine Rubino Personnel: Stan Hope- Piano Walter Perkins- Drums Peck Morrison- Bass Side One: (TT- 18:14) Georgia On My Mind- 3:51 (Carmichael-Gorrell) They All Say You're the Biggest Fool- 5:00 (Buddy Johnson) Stanley Stealer- 3:38 (Stan Hope) All Blues- 5:45 (Miles Davis) Side Two: (TT- 20:37) You're Gonna Hear From Me- 6:14 (Andre Previn) Wave- 6:15 (Antonio Carlos Jobim) Honey- 4:03 (Simmons-Gillespie-Whiting) Ill Wind You're Blowing Me No Good- 4:05 (Ted Kohler/H. Arlen) TT- 38:51 8) Charles McPherson- Charles McPherson (MRL 329) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Produced by: Bobby Shad Photography: Raymond Ross Engineer: Carmine Rubino Liner Notes: Harry Abraham Personnel: Charles McPherson- Alto Sax Barry Harris- Piano Carl Lynch- Electric Guitar Lonnie Hilliard- Trumpet Ron Carter- Bass Nico Bunik- Piano Gene Bertoncini- Electric Guitar Leroy Williams- Drums Side One: (TT- 18:30) What's Going On- 3:28 (Marvin Gaye/A. Benson/A.Cleveland) Serenity- 7:25 (Charles McPherson) My Funny Valentine- 7:37 (Rodgers and Hart) Side Two: (TT- 18:46) Another Kind of Blues- 7:03 (Charles McPherson) While We're Young- 6:38 (A. Wilder/M. Palitz) Bird Feathers- 5:10 (Charlie Parker) TT- 37:16 9) John White- John White (MRL 330) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Recording Location: New York City (Prob. Mercury Recording Studios, West 57th Street) Photography: Lloyd Johnson Personnel: John White- Guitar Merl Saunders- Electric Piano & Organ Phil Wilson- Drums Hadley Caliman- Tenor John Wilmath- Trumpet Jack Williams- Trombone Dale Smith- Bass Terry Hensley- Bass J. Burr- Conga Robert Williams- Vocal Sonny Red- Alto Sax Side One: (TT- 17:39) Right Off- 6:38 (John White) Number 3- 3:31 (John White) Granite and Concrete- 7:28 (Hadley Caliman) Side Two: (TT- 17:06) City- 2:53 (John White) Help Us Out- 7:25 (John White) Tried To Touch- 6:48 (John White) TT- 33:45 10) Art Farmer- Homecoming (MRL 332) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Photography: Raymond Ross Engineer- Carmine Rubino Liner Notes: Herb Wong Personnel: Art Farmer- Flugelhorn Billy Higgins- Drums Warren Smith, Jr.- Percussion James Heath- Tenor Sax, Soprano Sax, Flute Cedar Walton- Piano Samuel Jones- Bass James Forman (Mtume)- Conga Drums Side One: (TT- 18:38) Homecoming- 4:06 (Art Farmer) Cascavelo- 8:39 (Horst Muhlbradt) Some Other Time- 5:53 (Leonard Bernstein) Side Two: (TT- 13:13) Blue Bossa- 6:47 (Kenny Dorham) Here's That Rainy Day- 6:26 (Burke & Van Heusen) TT- 31:51 11) Curtis Fuller- Crankin' (MRL 333) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Photography: Raymond Ross Engineer: Carmine Rubino Liner Notes- Leonard Feather Personnel: Curtis Fuller- Trombone Lenny White- Drums, Electronic Percussion George Cables- Electric Piano Stan Clarke- Bass, Fender Bass Bill Washer- Electric Guitar Ray Moros- Tenor Sax Bill Hardman- Trumpet Side One: (TT- 17:49) Crankin'- 6:53 (Curtis Fuller) Maze- 10:56 (Curtis Fuller) Side Two: (TT- 19:57) Black Bath- 9:30 (Curtis Fuller) Ballade- 4:52 (Curtis Fuller) The Spirit- 5:35 (Curtis Fuller) TT- 37:46 12) Mike Longo- Matrix (MRL 334) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Photography: Raymond Ross Engineer: Carmine Rubino Liner Notes: Michael Cuscuna Personnel: Mike Longo- Piano Mickey Roker- Drums Potato Valdes- Congo/Drums Sam Jones- Bass Al Gafa- Guitar Ron Carter- Bass & Fender Bass Side One: (TT- 18:12) Night Rider- 5:20 (Mike Longo) Soliloquy- 7:33 (Mike Longo) Matrix- 5:19 (Mike Longo) Side Two: (TT- 19:18) My San Francisco- 8:51 (Mike Longo) Let Me Out- 4:48 (Mike Longo) Travel On- 5:39 (Mike Longo) TT- 37:30 13) Buddy Terry- Awareness (MRL 336) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Engineer: Carmine Rubino Photography: Raymond Ross Liner Notes: Nat Hentoff Personnel: Buddy Terry- Tenor Sax, Soprano Sax, Flute, Percussion Cecil Bridgewater- Trumpet, Percussion Stanley Cowell- Acoustic Piano, Fender Electric Piano Buster Williams- Acoustic Bass, Electric Bass Victor Gaskin- Acoustic Bass, Electric Bass, Percussion Mickey Roker- Drums Mtume- Conga Drums Roland Prince- Electric Guitar Side One: (TT- 18:49) Awareness (Suite)- 10:49 (Buddy Terry) -Omnipotence - Babylon - Unity - Humility (Trio for two bassists and tenor) Kamili- 8:00 (Mtume) Side Two: (TT- 23:59) Stealin' Gold- 7:04 (Stanley Cowell) Sodom and Gomorrah- 12:06 (Buddy Terry) Abscretions- 4:49 (Stanley Cowell) TT- 43:48 14) Hal Galper- The Guerilla Band (MRL 337) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Engineer: Carmine Rubino Photography: Raymond Ross Liner Notes: Nat Hentoff Personnel: Hal Galper- Electric Piano Bob Mann- Guitar Mike Brecker- Soprano Sax, Tenor Sax Randy Brecker- Trumpet, Electric Trumpet, Flugelhorn Steve Haas- Drums Charles Alias- Drums Side One: (TT- 16:58) Call- 6:05 (Hal Galper) Figure Eight- 7:37 (Hal Galper) Black Night- 3:16 (Hal Galper) Side Two: (TT- 19:44) Welcome To My Dream- 4:50 (Burke & Van Heusen) Rise and Fall- 9:05 (Hal Galper) Point of View- 5:49 (Hal Galper) TT- 36:42 15) Reggie Moore- Wishbone (MRL 341) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Engineer: Carmine Rubino Photography: Raymond Ross Liner Notes: Nat Hentoff Personnel: Reggie Moore- Piano Hank Haynie- Electric Bass & Fender Bass Chip Lyles- Drums Side One: (TT- 17:10) Wishbone- 3:42 (Reggie Moore) What Are You Doing the Rest of Your Life- 8:21 (M&A Bergman) Fuzzy- 5:07 (Reggie Moore) Side Two: (TT- 19:33) Pinnochio- 3:40 (Wayne Shorter) Vonetta- 5:48 (Wayne Shorter) Have Mercy- 4:35 (Reggie Moore) A Love Remembered- 5:30 (Reggie Moore) TT- 36:43 16) Blue Mitchell- Vital Blue (MRL 343) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Photography: Dick Sandres Liner Notes: Leonard Feather Personnel: Blue Mitchell- Trumpet Walter Bishop- Piano Stan Gilbert- Bass Ernie Watts- Tenor Sax Doug Sides- Drums Joe Henderson- Flute & Tenor Sax Susaye Greene- Vocal Effects Side One: (TT- 14:01) Booty Shakin'- 5:20 (Ernie Wilkins) Vital Blue- 5:17 (Ernie Wilkins) Unseen Sounds- 3:24 (Jimmy Bonn) Side Two: (TT- 14:30) Herman's Helmet- 6:57 (Jack Wilson) I Love You- 5:09 (Cole Porter) For All We Know- 2:32 (Fred Karlen/Robert Royer/James Griffin) TT- 28:30 17) Harold Land- Choma (Burn) (MRL 344) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Photography: Dick Sandres Liner Notes: Leroy Robinson Personnel: Harold Land- Tenor Sax N'Dugu- Drums Bill Henderson- Piano & Electric Piano Bobby Hutcherson- Vibes and Marimba Harold Land, Jr.- Piano & Electric Piano Woody Theus- Drums Reggie Johnson- Bass Side One: (TT- 15:48) Choma (Burn)- 9:57 (Harold Land) Our Home- 5:51 (Bill Henderson) Side Two: (TT- 20:50) Black Caucus- 10:01 (Harold Land) Up and Down- 10:49 (Harold Land) TT- 36:38 18) Johnny Coles- Katumbo (Dance) (MRL 346) 1971? (Unipak) "A Red Lion Production" Stylized Lion Logo Produced by: Bob Shad Directed by: Ernie Wilkins Photography: Raymond Ross Engineer: Carmine Rubino Liner Notes: Nat Hentoff Personnel: Johnny Coles- Trumpet & Flugelhorn Bruce Ditmas- Drums Gregory Herbert- Tenor Sax Astley Funnell- Trombone Howard Johnson- Tuba Cedar Walton- Electric & Acoustic Piano Reggie Workman- Electric & Acoustic Bass Side One: (TT- 15:47) Never Say Goodbye- 3:01 (Clifton Davis) September of My Years- 5:29 (J. Van Heusen & S. Cahn) 728- 7:17 (Johnny Coles) Side Two: (TT- 14:58) Petits Machins- 3:41 (Miles Davis) Betty's Bossa- 4:28 (Cecil Bridgewater) Funk Dumplin'- 6:49 (Johnny Coles) TT- 30:45

pasta cries himself to sleep, picturing those delicious bins full of impulse lp's, all pretty orange and black, sob sob sob!

Pasta jumps into a time machine, heads back to 1969 or so, then goes nuts with depression when the record stores won't accept his 21st Century currency............................

How much was a gatefold Impulse LP in, say, 1967-1969? A Blue Note?

Paul, make the time left count for her and for yourself every way you can.

Hi, wolff!!!!

Thanks!

Thanks! BRIAN? Is that an acronym for..........? Songography was less clunky than trackography............I guess..............Cheers!