EKE BBB

Thanks!!!!

Intégrale Louis Armstrong, vol. 7 & 8 Tryin' to keep this collection up to date!

Dan I know you knew I'd be here...

This was published in 2009, but haven't found any comment on it: http://www.amazon.com/exec/obidos/ASIN/0307266095/jerryjazzmusicia#noop Interview with author David Robertson in Jerry Jazz Musician: http://www.jerryjazzmusician.com/linernotes/w.c._handy.html

<<<WOMEN SONG WRITERS Chicago Tribune, November 17, 1907 Woman has invaded another field in which man thought he was supreme. She has become a writer of popular songs and instrumental numbers, and many of the most tuneful and affecting ditties of the day are written by women... [details on some composers] Although the women may have just as much talent as the men, it is not to be expected that their songs and music numbers ever will become as genuinely popular as are those of the men. The men have this advantage: For the purpose of "plugging" (a term used by the profession for popularizing) their new creations, they can go where they please, when they please, and stay out as late as they please without shattering any of the traditions of propriety. The women, however, cannot do this. Imagine a woman song writer standing at a stage door until she can converse with some masculine performer and impress upon him that she has the one song that will "make his act." Imagine her running around until 1 o'clock or later in the morning leaving orchestrations of her latest with the orchestra and piano players of the good, bad, and indifferent cafés. She can't do it, and it isn't expected of her. These are but two of the many things she can't do to "push" her song. Of course her work is placed ultimately where it will do the most good, but it isn't given the close attention the men can pay to their own screeds. Despite these handicaps, however, the writings of women song makers are growing more popular with each succeeding year, and it is only a question of a little while when their work will stand on an equally sound footing with the ditties of the men.>>>> Love to dig into those old newspapers. Plenty of interesting points of view... ;-D

This was a complete disaster. It smells again like all great championships except last Eurocup: failure, fiasco, bust, flop... Absolutely disappointed.

2010 JJA Jazz Awards Winners (...) 35. Best Book about Jazz: Thelonious Monk: The Life and Times of an American Original, Robin D.G. Kelley, Free Press

Spanish saxophonist Vlady Bas and his daughter, vocalist Paula Bas

Jordi & Mario Rossy.

New Orleans jazz musician Henry Kimball (string bass) was the father of Narvin Kimball (banjo and string bass), who married Jeannette Kimball (née Salvant). Narvin and Jeannette were members of the Papa Celestine Band. Len Bruckmann (bass) and M. Bruckmann (tenor saxophone). Both played in the "President" riverboat. Master clarinetists from New Orleans Lorenzo Tio Jr. (1893-1933) and his father Lorenzo Tio Sr. (1867-1908).

Trumpeter and bandleader Sam Morgan's younger brothers were also jazz musicians: Isaiah (trumpet), Andrew (reeds) and Al (bass).

French Open 2010... Rafa's back again, getting his seventh Grand Slam, his 40th tournament (of which, apart from 7 Grand Slams, he has won 18 ATP Masters Series/ATP World Tour Masters 1000), the first "Red Grand Slam" ever (Montecarlo, Roma, Madrid & RG in the same year)... and he's back leading the ATP ranking!!!! Singles Career Titles (40): 2010 (4) Roland Garros (Outdoor/Clay), ATP World Tour Masters 1000 Madrid (Outdoor/Clay) , ATP World Tour Masters 1000 Rome (Outdoor/Clay) , ATP World Tour Masters 1000 Monte Carlo (Outdoor/Clay) 2009 (5) ATP World Tour Masters 1000 Rome (Outdoor/Clay) , Barcelona (Outdoor/Clay) , ATP World Tour Masters 1000 Monte Carlo (Outdoor/Clay) , ATP World Tour Masters 1000 Indian Wells (Outdoor/Hard) , Australian Open (Outdoor/Hard) 2008 (8) Beijing Olympics (Outdoor/Hard) , ATP Masters Series Canada (Outdoor/Hard) , Wimbledon (Outdoor/Grass) , London / Queen's Club (Outdoor/Grass) , Roland Garros (Outdoor/Clay) , ATP Masters Series Hamburg (Outdoor/Clay) , Barcelona (Outdoor/Clay) , ATP Masters Series Monte Carlo (Outdoor/Clay) 2007 (6) Stuttgart (Outdoor/Clay) , Roland Garros (Outdoor/Clay) , ATP Masters Series Rome (Outdoor/Clay) , Barcelona (Outdoor/Clay) , ATP Masters Series Monte Carlo (Outdoor/Clay) , ATP Masters Series Indian Wells (Outdoor/Hard) 2006 (5) Roland Garros (Outdoor/Clay) , ATP Masters Series Rome (Outdoor/Clay) , Barcelona (Outdoor/Clay) , ATP Masters Series Monte Carlo (Outdoor/Clay) , Dubai (Outdoor/Hard) 2005 (11) ATP Masters Series Madrid (Indoor/Hard) , Beijing (Outdoor/Hard) , ATP Masters Series Canada (Outdoor/Hard) , Stuttgart (Outdoor/Clay) , Bastad (Outdoor/Clay) , Roland Garros (Outdoor/Clay) , ATP Masters Series Rome (Outdoor/Clay) , Barcelona (Outdoor/Clay) , ATP Masters Series Monte Carlo (Outdoor/Clay) , Acapulco (Outdoor/Clay) , Costa Do Sauipe (Outdoor/Clay) 2004 (1) Sopot (Outdoor/Clay)

This is the complete session info, from my Tete Montoliu chronology/discography: Date: March 22, 1980 Location: New York City Label: SteepleChase Tete Montoliu (ldr), Hank Mobley (ts), Tete Montoliu (p), George Mraz (b), Al Foster (d) a. Warm Up Blues - 2:47 (Tete Montoliu) b. tk 1 Blues For Wim And Maxine - 6:10 (Tete Montoliu) c. tk 2 a-02 Blues For Wim And Maxine - 7:28 (Tete Montoliu) SteepleChase LP 12": SCS 1137 — I Wanna Talk About You (1980) SteepleChase CD: SCCD 31137 — I Wanna Talk About You (1996) d. tk 1 a-01 Nexus, Plexus, Sexus - 7:08 (Tete Montoliu) SteepleChase LP 12": SCS 1137 — I Wanna Talk About You (1980) SteepleChase CD: SCCD 31137 — I Wanna Talk About You (1996) e. tk 2 Nexus, Plexus, Sexus - 6:11 (Tete Montoliu) f. tk 1 I Want To Talk About You - 7:33 (Billy Eckstine) g. tk 2 b-02 I Want To Talk About You - 11:36 (Billy Eckstine) SteepleChase LP 12": SCS 1137 — I Wanna Talk About You (1980) SteepleChase CD: SCCD 31137 — I Wanna Talk About You (1996) h. Autumn Leaves [aka Les Feuilles Mortes] - 8:09 (Jacques Prevert, Joseph Kosma, Johnny Mercer) SteepleChase CD: SCCD 31137 — I Wanna Talk About You (1996) i. a-03 Scandia Skies - 6:42 (Kenny Dorham) SteepleChase LP 12": SCS 1137 — I Wanna Talk About You (1980) SteepleChase CD: SCCD 31137 — I Wanna Talk About You (1996) j. Confirmation - 7:37 (Charlie Parker) SteepleChase CD: SCCD 31137 — I Wanna Talk About You (1996) k. tk 1 Early Morning Stroll - 0:45 (Hank Mobley) l. tk 2 Early Morning Stroll - 6:50 (Hank Mobley) m. b-01 Jo Vull Que M'Acariciis - 9:39 (Tete Montoliu) SteepleChase LP 12": SCS 1137 — I Wanna Talk About You (1980) SteepleChase CD: SCCD 31137 — I Wanna Talk About You (1996) Hank Mobley (ts) on f, h, k-l. Info on unissued takes/songs comes from session logs provided by Nils Winther, owner of Steeplechase.

Thanks for the interest. Will report back if I have any news.

Does anybody know the death date of trumpeter Ed(ward) [Andy] Anderson, who recorded with Clarence Williams (1927-29), Jelly Roll Morton (1927-28), King Oliver (1928), Mills Blue Rhythm Band (1931-34) and Joe Sullivan (c.1940), and was also associated with Benny Carter, Charlie Johnson, Bingie Madison, Charlie Turner's Arcadians, Hazel Scott (1939) and Frankie Newton (1941)? Source of this information is much appreciated. Neither the Gitler/Feather biographial encyclopedia nor The New Grove (2001 edition) mention it. Thanks in advance, Agustín

http://thereisjazzbeforetrane.blogspot.com/2010/05/jimmie-noone-bio-discography-long.html

No mention of a Sneed or Snead on http://www.billieholiday.be/ either.

> "Duke Ellington's America" reviewed > > Duke Ellington's America > Cohen, Harvey G. "Duke Ellington's America." Univ. of Chicago. May 2010. c.720p. > photogs. index. ISBN 978-0-226-11263-3. $40. > > Library Journal, April 1, 2010 > Cohen (cultural and creative industries, King's College London) adds to the dozens > of books about jazz great Duke Ellington with a new approach. Unlike Mark Tucker's > "Ellington," John Edward Hasse's "Beyond Category," and Ellington's own "Music Is > My Mistress," Cohen delivers a social history that firmly places the bandleader within > his time. The author first describes the racial mores of Washington, DC, at the turn > of the last century that shaped the young Ellington and attributes Ellington's success > during the 1930s to the marketing campaign of manager Irving Mills, who branded him > as a suave, elegant genius who could appeal to black and white audiences. Cohen covers > Ellington's postwar challenges, his return to fame, his State Department tours, the > "sacred concerts," and his death in May 1974. Along the way, he focuses on changes > in the record industry and music technology and the progress in civil rights. > Verdict: Though sometimes writing like a Ph.D. student and quoting from secondary > sources, Cohen offers a fascinating, exhaustively researched social history of Duke > Ellington's world. Highly recommended for general readers and jazz aficionados alike. > > -- Dave Szatmary, Univ. of Washington, Seattle

From my Tete Montoliu research, here's a couple of entries that will be of interest for you (October 1-20, 1963 engagement of the NYCF at the Jazzhus Montmartre & August 22, 1967 concert with Yusef Lateef, also at the Montmartre): -------------------------------------------------------------------------------- Date: October 1-20, 1963 Location: Jazzhus Montmartre, Copenhagen, Denmark Label: [no known recording] Tete Montoliu (ldr), Tete Montoliu (p), Benny Nielsen (b), William Schiöpffe (d) a. [unknown titles] As the Jazzhus Montmartre listings confirm, from October 1 to October 20, Tete Montoliu played on the night shift (Mondays off - October 2, 9 & 16), starting right after the New York Contemporary Five's last set. Sometimes Bent Jaedig would join the Tete Montoliu Trio (Politiken, October 5, 1963). Although MJ, JP and the Quàrtica Jazz #1 interview state that "for twenty consecutive nights, Tete Montoliu played with the New York Contemporary Five", this has been categorically denied by NYCF's John Tchicai and by Herluf Kamp Larsen, owner of the Montmartre. Politiken and other Danish newspapers from those days include several references to the NYCF concerts and to Montoliu playing on the night shift, but without reference to such a collaboration. According to Herluf Kamp Larsen, the NYCF used very strict arrangements for a limited repertoire, with a limited audience, which meant that they didn't go on playing into the night. John Tchicai was not the jamming kind of musician (and had family and friends in Copenhagen), and he would leave after NYCF's last set. On the other hand, Don Cherry, J. C. Moses and Archie Shepp loved to jam and would stay around for the night shift. So most probably Tete Montoliu was referring to these musicians jamming with his trio. -------------------------------------------------------------------------------- -------------------------------------------------------------------------------- Date: August 22, 1967 Location: Jazzhus Montmartre, Copenhagen, Denmark Label: [radio broadcast] Yusef Lateef (ldr), Yusef Lateef (f, ts), Don Cherry (t, fh), Tete Montoliu (p), Niels-Henning Ørsted Pedersen (b), Albert 'Tootie' Heath (d) a. Frere Jacques (Traditional) b. Delilah (Victor Young) Additional unknown titles. Frere Jacques listed as "Yusef's French Brother" Further details needed on specific instrument details. Tape exists. --------------------------------------------------------------------------------

Here's the results to my query "Don Cherry & 1963-1970" in the online index of the Italian Musica Jazz magazine. Not too many entries (and most are disc reviews), but you have two concerts for your chronology. You'll have to contact the Centro Nazionale Studi sul Jazz to get these issues. Numero di febbraio 1965 (pagg: 43) Don Cherry - 1958 - 1964 autore Raben, Erik soggetto Cherry, Don - Discografia dal 1958 al 1964 tipo articolo discografia rubrica Discografia scheda a cura di Angeli, Andrea Numero di marzo 1965 (pagg: 43) Miscellanea autore Fresia, Enzo soggetto Cherry, Don - tipo articolo discografia complemento al titolo Correzioni ed aggiunte a discografie precedentemente pubblicate. rubrica Discografia scheda a cura di Angeli, Andrea Numero di giugno 1965 (pagg: 14 - 18) Festival a Bologna autore Capasso, Roberto soggetto Festival Internazionale del jazz di Bologna - Bologna, 12 e 13 maggio 1965. D'Andrea, Franco - (Munari, Gegè - Kofol, Boris) Curson, Ted - Barbieri, Gato - Clarke, Jimmy - Romano, Al - Cherry, Don - Lacy Steve - Griffin, Johnny - Ervin, Booker - Pointdexter, Pony tipo articolo recensione festival scheda a cura di Angeli, Andrea Numero di agosto - settembre 1966 (pagg: 29 - 30) Giorgio Gaslini autore Polillo, Arrigo soggetto Gaslini, Giorgio - "Nuovi sentimenti" - (La voce del padrone QELP 8154) Cherry, Don - Lacy, Steve - Barbieri, Gato - Bedori, Gianni - Rava, Enrico - Jenny Clark, Jean Francois - Tonani, Franco - Romano, Aldo tipo articolo recensione disco rubrica Dischi nuovi scheda a cura di Palagini, Claudio Numero di agosto - settembre 1966 (pagg: 13 - 16) Free jazz a Roma autore Capasso, Roberto - Santucci, Umberto soggetto "Free Jazz" - concerto a Roma, Teatro Parioli, 11 giugno 1966 Waldron, Mal - (Goya, Dodo - Tonani, Franco) Lacy, Steve - (Djiani, Johnny - Romano, Aldo) Bley, Paul - (Levinson, Mark - Altschul, Barry) Cherry, Don - (Barbieri, Gato - Djiani, Johnny - Romano, Aldo) tipo articolo recensione concerto complemento al titolo Un concerto di "free jazz" non può non suscitare discussioni e polemiche. Così è stato anche per quello al Tetro Parioli, a Roma, nel giugno scorso. Ne pubblichiamo due resoconti, per consentire al lettore di scegliere, fra i contrastanti punti di vista dei due recensori, quella che a lui sembre la verità. scheda a cura di Palagini, Claudio Numero di gennaio 1968 (pagg: 45) Don Cherry - Blue Note 84247 autore Fresia, Enzo - Tollara, Gianni soggetto Cherry, Don - Blue Note 84247 tipo articolo scheda disco rubrica Dischi editi in Italia scheda a cura di Palagini, Claudio Numero di marzo 1968 (pagg: 24) Don Cherry autore Polillo, Arrigo soggetto Cherry, Don - "Symphony For Improvisers" - (Blue Note BST 84247) Barbieri, Gato - Sanders, Pharoah - Berger, Karl - Grimes, Henry - Clark, Jenny - Blackwell, Eddie tipo articolo recensione disco rubrica Dischi nuovi scheda a cura di Palagini, Claudio Numero di febbraio 1969 (pagg: 43-44) Archie Shepp autore Maletto, Gian Mario soggetto Shepp, Archie - "Archie Shepp And The New York Contemporary Five" - (Polydor International 623 - 235) Cherry, Don - Moore, Don - Moses, John Curtis - Tchicai, John tipo articolo recensione disco rubrica Dischi nuovi scheda a cura di Palagini, Claudio Numero di novembre 1969 (pagg: 09 - 12) Free Jazz autore Piacentino, Giuseppe soggetto Coleman, Ornette - "Free Jazz" - (Atlantic 1364) Dolphy, Eric - Hubbard, Freddie - Cherry, Don - LaFaro, Scott - Haden, Charlie - Blackwell, Ed - Higgins, Bill dettagliata recensione, profili dei musicisti e contesto storico Pollock, Jackson - pittore, copertina del disco tipo articolo recensione disco complemento al titolo Una approfondita disamina della registrazione effetuata nel 1960 dal doppio quartetto dI Ornette Coleman da cui ha preso il nome tutto il jazz d’avanguardia degli anni sessanta scheda a cura di Palagini, Claudio Best regards, Agustín Pérez Madrid

Excellent article, Hans! (as always)

Yes, the Jazz Oracle set is really worth its price!

Mark Berresford has just published "That's Got 'Em! The Life and Music of Wilbur C. Sweatman" (University Press of Mississippi), his bio-discography of the extravagant African American bandleader and clarinetist Wilbur Sweatman: http://thereisjazzbeforetrane.blogspot.com/2010/03/thats-got-em-wilbur-sweatman-bio-disco.html

Two chapters from Mike Zirpolo's upcoming bio on Bunny Berigan ("Mr. Trumpet, Bunny Berigan") have been included in the latest issues of the IAJRC journal. Any idea on when will it be published? Thanks in advance, Agustín

Frank Guarente from the Georgians and the Paul Specht band. Wonderful trumpeter, although he turned to commercial studio recordings in the 30s.