Count Basie Joe Turner -The Bosses
Lockjaw, Zoot, Ray Brown, J.J., Sweets, and most importantly (as I hear it), Irving Ashby, who in both rhythm and solo roles recontextualizes Louis Bellson's Inevitable Bellsonism in the way that it usually works best for all concerned. Contrast to Joe Pass on the previous Base Jams records. Nothing against anybody, especially in their own realms, but...
Funny how just one different ingredient can change the entire flavor of the stew. Speaking of which, they got Basie an organ to play here and there.
And of course, Ray Brown can play this vibe. Ray Brown was a bad motherfucker, I don't care how old and "predictable" he got. Being a bad motherfucker trumps getting old and predictable, especially after you're dead and everybody looks back at the legacy.
Some of those Joe Turner Pablo sides (especially the later ones) I love more for the spirit than for the flesh, and this one has moments of that, but overall, on this one the flesh is up to the task.