Nine eyes on the cover (ten if you count the back - and did you know that records sound better on Columbia phonographs? I didn't!)...twelve on the label (if you count both sides)...there's two loose eyes rolling around somewhere, so be careful where you step.
Or maybe somebody already wasn't, maybe those two spare eyeballs done got squished. That would explain the facial expressions, at least partially. Clark Burroughs looks too delighted for there to be a random eye-squishing involved.
Then again, Clark Burroughs was a freak.
As far as the music...in spite of this being a "commercially-oriented" album, there is some incredible vocal writing on this, especially on ballads like "Heather On The Hill" and "There's No You". Gene Perling was also a freak, and I mean that in the very best way. White-bread androgyny be damned, harmony is harmony, and at harmony, Gene Puerling was a baaaaaadddddd man.
Just keep your spare eyeballs in your head when that Clark Burroughs comes around. I don't think I'd trust him like that.